|
Fénix (Gato Barbieri Album)
''Fénix'' is an album by Argentinian jazz composer and saxophonist Gato Barbieri featuring performances recorded in 1971 and first released on the Flying Dutchman label. Reception Writing in 1971 for ''The Village Voice'', Robert Christgau referred to ''Fénix'' as "the first jazz I've played frequently for pleasure since '' In a Silent Way''" (1969) by Miles Davis. The AllMusic site awarded the album 4½ stars, stating that "at this point in 1971, well before the Muppets would create a caricature out of him, Barbieri was absolutely smoking, and for a certain style of rhythmic free jazz, this is a captivating album indeed". Track listing # "Tupac Amaru" (Gato Barbieri) - 4:14 # "Carnavalito" (Edmundo Zaldivar) - 9:08 # "Falsa Bahiana" (Geraldo Pereira) - 5:50 # " El Día Que Me Quieras" (Carlos Gardel, Alfredo Le Pera) - 6:12 # "El Arriero" ( Atahualpa Yupanqui) - 7:22 # "Bahia" (Ary Barroso) - 6:22 Personnel *Gato Barbieri - tenor saxophone *Lonnie Liston Smith - piano, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gato Barbieri
Leandro "Gato" Barbieri (November 28, 1932 – April 2, 2016) was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for "cat". Biography Born to a family of musicians, Barbieri began playing music after hearing Charlie Parker's "Now's the Time". He played the clarinet and later the alto saxophone while performing with Argentine pianist Lalo Schifrin in the late 1950s. By the early 1960s, while playing in Rome, he also worked with the trumpeter Don Cherry. By now influenced by John Coltrane's late recordings, as well as those from other free jazz saxophonists such as Albert Ayler and Pharoah Sanders, he began to develop the warm and gritty tone with which he is associated. In the late 1960s, he was fusing music from South America into his playing and contributed to multi-artist projects like Charlie Haden's '' Liberation Music Orchestra'' and Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ary Barroso
Ary Evangelista de Resende Barroso (Portuguese pronunciation: ; 7 November 1903 – 9 February 1964) was a Brazilian composer, pianist, soccer commentator, and talent-show host on radio and TV. He was one of Brazil's most successful songwriters in the first half of the 20th century. Barroso also composed many songs for Carmen Miranda during her career. Biography Born on 7 November 1903, Ary Barroso was the most influential pre- bossa nova composer in Brazil. Barroso's songs were recorded by a lengthy list of artists including Carmen Miranda and João Gilberto. His 1939 composition '' Aquarela do Brasil'', known in the English-speaking world as ''Brazil'', was featured in the 1942 Disney film ''Saludos Amigos'', and has gone on to become one of the 20 most recorded songs of all time. His song ''Na Baixa do Sapateiro'', based on a Brazilian pop tune, was included in the Disney film ''The Three Caballeros'' and popularised as ''Baía''. Barroso's soundtrack for the movie ''Brazil'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naná Vasconcelos
Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos (2 August 1944 – 9 March 2016), was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician with Pat Metheny, Don Cherry, Jan Garbarek, Egberto Gismonti, Gato Barbieri, and Milton Nascimento. Life and career Vasconcelos was born in Recife, Brazil. Beginning from 1967 he joined many artists' works as a percussionist. Among his many collaborations, he contributed to four Jon Hassell albums from 1976 to 1980 (including '' Possible Musics'' by Brian Eno and Hassell), and later to several Pat Metheny Group works and Jan Garbarek concerts from early 1980s to early 1990s. In 1984 he appeared on the Pierre Favre album ''Singing Drums'' along with Paul Motian. He also appears on Arild Andersen's album ''If You Look Far Enough'' with Ralph Towner. He formed a group named Codona with Don Cherry and Collin Walcott, which released three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongos
Bongos (Spanish language, Spanish: ''bongó'') are an Afro-Cubans, Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger ''hembra'' () and the smaller ''macho'' (), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands. Bongos are mainly employed in the rhythm section of son cubano and salsa music, salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as ''bongosero'' and often plays a continuous eight-stroke pattern called ''martillo'' () as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint. Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are stave (wood), staved like barrels and classified into three types: quinto (drum), quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as Conga (music), conga (hence their name) and Cuban rumba, rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Music of Latin America, Latin music such as son cubano, son (when played by Conjunto#Cuban conjunto, conjuntos), descarga, Afro-Cuban jazz, salsa music, salsa, songo music, songo, merengue music, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit or drum set (also known as a trap set, or simply drums in popular music and jazz contexts) is a collection of drums, cymbals, and sometimes other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching Drum stick, drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals. A standard kit usually consists of: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by one or more foot-operated pedals * One or more Tom drum, tom-toms, including Rack tom, rack toms or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be played with a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenny White
Leonard White III (born December 19, 1949) is an American jazz fusion drummer who was a member of the band Return to Forever led by Chick Corea in the 1970s. White has been called "one of the founding fathers of jazz fusion". White has won three Grammys and one Latin Grammy. His song ''Algorithm Takedown'' won Best Song at the Cannes World Film Festival in 2023. Early life and education Born in Queens, New York City, White became interested in music at a young age. While he was living at home, his father would take him to jazz gigs. A self-taught drummer, he started playing with groups on the New York jazz scene. Early on, he played clubs such as the Aphrodisiac, Slugs, and The Gold Lounge. He has expressed admiration for drummers Kenny Clarke, Max Roach, Art Blakey, Philly Joe Jones, Roy Haynes, Elvin Jones, and Tony Williams, all of whom he dedicated a piece he titled "Magnificent Seven" to. It was at The Gold Lounge where he had his first gig with saxophonist Jackie McLean. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Bass
The bass guitar (), also known as the electric bass guitar, electric bass, or simply the bass, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an electric but with a longer neck and scale length. The electric bass guitar most commonly has four strings, though five- and six-stringed models are also built. Since the mid-1950s, the bass guitar has replaced the double bass in popular music due to its lighter weight, smaller size, most models' inclusion of frets for easier intonation, and electromagnetic pickups for amplification. Another reason the bass guitar replaced the double bass is because the double bass is "acoustically imperfect" like the viola. For a double bass to be acoustically perfect, its body size would have to be twice as that of a cello rendering it unplayable, so the double bass is made smaller to make it playable. The electric bass with its pickups an amplifier addresses the compromises of a double bass by allow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy Awards, and is also a Cello, cellist who has recorded numerous times on the instrument. In addition to a solo career of more than 60 years, Carter is well-known for playing on numerous iconic Blue Note albums in the 1960s, as well as being the anchor of trumpeter Miles Davis's "Miles Davis Quintet#Second Great Quintet, Second Great Quintet" from 1963-1968. Beginning with ''Where? (album), Where?'' in 1961, Carter's studio albums as leader also include ''Uptown Conversation'' (1969), ''Blues Farm'' (1973), ''All Blues (Ron Carter album), All Blues'' (1973), ''Spanish Blue (album), Spanish Blue'' (1974), ''Anything Goes (Ron Carter album), Anything Goes'' (1975), ''Yellow & Green (Ron Carter album), Yellow & Green'' (1976), ''Pastels (album), Pastels'' (1976), ''Piccolo (album), Piccolo'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external electric Guitar amplifier, sound amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickup (music technology), pickups to convert the vibration of its strings into Electrical signal, electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities via amplifier settings or knobs on the guitar. Often, this is done through the use of Effects unit, effects such as reverb, Distortion (music), distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock music, rock and Heavy metal music, heavy metal guitar playing. Designs also exist combining attributes of electric and acoustic guitars: the Semi-acoustic guitar, semi-acoustic and Acoustic-electric guitar, acoustic-electric guitars. Inven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Beck
Joe Beck (July 29, 1945 – July 22, 2008) was an American jazz guitarist who was active for over 40 years. Biography Born in Philadelphia, Beck moved to Manhattan in his teens, playing six nights a week in a trio setting, which gave him an opportunity to meet various people working in the thriving New York music scene. By the time he was 18, Stan Getz hired him to record jingles, and in 1967 he recorded with Miles Davis. By 1968, at age 22, he was a member of the Gil Evans Orchestra. Beck described his early success in an interview near the end of his life: My career happened because I happened to be in the right place at the right time in a very unique time of jazz music. ...when I would finish a gig around two in the morning I would go around the corner to the Playboy Club and sit in with Monty Alexander and let Les Spann take a breather and I would finish the gig for him. Then we would go and listen to Kenny Burrell play around the corner or we would go up to Mintons and l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument that has a piano-style musical keyboard, where sound is produced by means of mechanical hammers striking metal strings or reeds or wire tines, which leads to vibrations which are then converted into electrical signals by pickups (either magnetic, electrostatic, or piezoelectric). The pickups are connected to an instrument amplifier and loudspeaker to reinforce the sound sufficiently for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
