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Fushitsusha
Fushitsusha (不失者) is a Japanese rock band specialising in experimental and psychedelic rock genres. The band consists of electric guitarist and singer Keiji Haino, and a shifting cast of complementary musicians. The group released the majority of its material in the 1990s. History Haino formed Fushitsusha in 1978, although their first LP was not released until 1989. The band initially consisted of Haino on guitar and vocals, and Tamio Shiraishi on synthesizer. After the departure of Shiraishi, Ayuo joined briefly in 1979 before Fushitsusha became a trio with the addition of Jun Hamano (bass) and Shuhei Takashima (drums). The lineup soon changed, adding Yasushi Ozawa (bass) and Jun Kosugi (drums) throughout the 1990s. Their 1993 album '' Allegorical Misunderstanding'' was released on John Zorn's record label, Avant, although most of their albums have come out on independent label PSF and on major label Tokuma. Fushitsusha recently returned to duo status, with Haino supple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fushitsusha (1991 Album)
''Fushitsusha'' (also known as ''Live 2'') is a live album by the band Fushitsusha. It was released in 1991 by P.S.F. Records. Reception In a review for AllMusic, John Dougan called the album "Perhaps the best recording of Haino with Fushitsusha," and wrote: "This is careening, no-holds-barred improvisatory jazz-rock, part Sonny Sharrock, part heavy metal thunder, part '60s garage-rock rant. Haino's playing is jaw-droppingly great, making this a free music masterpiece." Jon Dale of Red Bull Music Academy stated that the album "gracefully dismantles rock's archetypes with simple rhythmic conceits, traditional instrumental hierarchies and orderly, predictable rock dynamics," and called Haino's playing "incendiary, splitting off into vectors of no-mind, pre-syntactical gush." Writing for Burning Ambulance, Phil Freeman described the album as "mind-roasting," and called the band "a power trio that made an unholy loud noise, sometimes blasting away at punk-rock tempos and other times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fushitsusha (1989 Album)
''Fushitsusha'' (also known as ''Live 1'' or ''1st'') is the debut live album of the Japanese band Fushitsusha, released in 1989 through P.S.F. Records. Reception In a review for AllMusic, Phil Freeman called the recording "one of the most important albums in the history of Japanese underground rock, absolutely essential." Jon Dale of Red Bull Music Academy wrote: "at this point, Fushitsusha are taking on the freedoms implicit in those world-wrecking Dylan & The Hawks shows, dizzyingly flexible in their attack yet always grounded by the ''ne plus ultra'' of rock movement." He stated: "this is a great reminder of just how potent a rock performer Haino can be, and how brightly he shines when backed by sympathetic musicians." Writing for ''The Quietus'', Tristan Bath described the album as "a colossus of a masterpiece," and commented: "The music's some of the most accessible and musically direct Haino ever made, even harbouring some bouncy blues grooves." Track listing Pers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegorical Misunderstanding
''Allegorical Misunderstanding'' is a 1993 album by the band Fushitsusha. The album was produced by John Zorn and was the first studio album from the band. Critical reception In a review for AllMusic, John Dougan called the album "a reserved outing that blends repetitive chords with an arrhythmic rhythm section," and noted that the musicians often "successfully experiment with subtle repetition in what turn out to be almost mantra-like improvised passages." John Corbett of the ''Chicago Reader'' wrote that "the Fushitsusha of ''Allegorical Misunderstanding'' (Avant) is the sparer, less slashing version, in which uitarist KeijiHaino sometimes acquires the scattershot phrasing of James 'Blood' Ulmer." A writer for ''Arcane Candy'' stated that, despite "the absence of Haino's massive realms of guitar effects and distortion," the album "still maintains the quintessential air of cyclical intensity of all Fushitsusha efforts." Track listing # "Magic I" - 2:38 # "Magic II" - 8:39 # "M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keiji Haino
Keiji Haino ( ''Haino Keiji''; born May 3, 1952) is a Japanese musician and singer-songwriter whose work has included rock, free improvisation, noise music, percussion, psychedelic music, minimalism and drone music. He has been active since the 1970s and continues to record regularly and in new styles. History Haino's initial artistic outlet was theatre, inspired by the radical writings of Antonin Artaud. An epiphanic moment came when he heard The Doors' "When The Music's Over" and changed course towards music. After brief stints in a number of blues and experimental outfits, he formed improvisational rock band Lost Aaraaf in 1970. In the mid 1970s, having left Lost Aaraaf, he collaborated with psychedelic multi-instrumentalist Magical Power Mako. His musical output throughout the late 1970s is scarcely documented, that is until the formation of his rock duo Fushitsusha in 1978 (although their first LP did not surface until 1989). This outfit initially consisted of Haino on g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasushi Ozawa
(1958February 2, 2008) was a Japanese musician and sound engineer, best known as the bassist in Keiji Haino's rock group Fushitsusha. He was also a member of the free improvisation group Marginal Consort, and in the past he played with East Bionic Symphonia and Machine-Gun Tango (with Tori Kudo). Discography *''East Bionic Symphonia'' (Kojima, 1976) *V.A., ''Aiyoku jinmin juji gekijo'' (Pinakotheca, 1980) *''Collective Improvisation'' (PSF, 1998) *''Marginal Consort'' 4CD (Improvised Music from Japan, 2007) *''Early Works of Satoshi Sonoda 1977→1978 / Memories of Yasushi Ozawa'' (PSF, 2009) with Fushitsusha *Untitled (PSF, 1989) *Untitled (PSF, 1991) *Allegorical Misunderstanding ''Allegorical Misunderstanding'' is a 1993 album by the band Fushitsusha. The album was produced by John Zorn and was the first studio album from the band. Critical reception In a review for AllMusic, John Dougan called the album "a reserved outi ... (Avant, 1993) *Pathetique lso known as Hisou( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikuro Takahashi
Ikuro Takahashi (高橋幾郎 Takahashi Ikuro in Japanese) (born in 1957, Kamisunagawa, Hokkaido) is a drummer and percussionist based in Sapporo, also plays electronic and oscillators. He has been a central member of many groups from the Tokyo psychedelic underground from the early eighties. Some of the groups he has played with include Fushitsusha, High Rise, Kousokuya, Maher Shalal Hash Baz, Ché-SHIZU, Nagisa ni te, LSD March, Gu-N, and Akebonoizu, Tetsuya Umeda and Fumio Kosakai of Incapacitants. He has performed under the name Anoyondekigoto since 2000, a unit project with a Butoh danceYoko Muronoi1959- 2017). He runs his own label Galleria Zarigania since 2007. Discography Fushitsusha * 2012 Mabushii Itazura na Inori (CD, Heartfast) * 2012 Hikari To Nazukeyou (CD, Heartfast) * 1998 A little longer thus (CD, Tokuma) * 1998 The Wisdom Prepared (CD, Tokuma) * 1998 Withdrawe, this sable disclosure 'ere devot'd (CD, Les Disques Victo) * 1998 I saw it! that which be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blast First
Blast First is a sub label of one-time independent record label Mute Records, founded in approximately 1985. It was named after a phrase taken from the first number of the radical Vorticist journal ''Blast'', published by Wyndham Lewis in 1914. Lewis's "Manifesto" begins with the words "BLAST First (from politeness) ENGLAND". History The label was founded by Paul Smith to give UK release to albums by Sonic Youth, a US band with which he was then working closely. It went on to feature more hardcore rock bands than the master label of its synthpop-oriented parent company. Before Mute Records was sold to the EMI group, Blast First fit into the company's profile, which included labels such as the Fine Line and the Grey Area. The labels employees included the sisters Pat and Liz Naylor, and the novelist Alistair Fruish. The label released a range of alternative music from Butthole Surfers and Labradford through Suicide and Sonic Youth to the William Fairey Band's '' Acid Bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant Records
Avant Records was a record label in Japan that specialized in avant-garde jazz, avant rock, and experimental music. The label released more than 80 albums between 1992 and 2004. History New York saxophonist John Zorn was signed to Nonesuch, but his band Naked City recorded music that required a different label. He started Avant in 1992 as a division of DIW/Disk Union in Japan and produced its first albums. The label's roster included Derek Bailey, Duck Baker, Cyro Baptista, Joey Baron, Steve Beresford, Anthony Coleman, Sylvie Courvoisier, Dave Douglas, Mark Feldman, Erik Friedlander, Wayne Horvitz, Joe Maneri, Misha Mengelberg, William Parker, Bobby Previte, and Min Xiao-Fen. In 1995 Zorn and Kazunori Sugiyama started Tzadik Records in New York as a vehicle for Zorn's albums and for musicians who recorded for Avant. Discography * Avan 001: Naked City – '' Heretic'' * Avan 002: Naked City – ''Grand Guignol'' * Avan 003: Naked City – ''Radio'' * Avan 004: Naked Ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ayuo
Ayuo Takahashi (born October 19, 1960) is a Japanese-born American composer, poet, lyricist, singer and performer of plucked string instruments including guitar, bouzouki, Irish harp, Chinese zheng, Japanese koto, and medieval European psaltery. He is adept at adapting the ancient music of Japan, China, Persia, Greece and medieval Europe to create a new and original music without abandoning their strict forms, while simultaneously making them relevant to contemporary music styles. He has composed for classical ensembles including string quartets, piano, various chamber ensembles and orchestra, as well as composed, produced and performed with rock, jazz and musicians of various traditional music from around the world. He has also composed many music theater pieces, some of which has been released on CD in the United States and Japan. Biography Ayuo Takahashi was born in Tokyo, and spent his early childhood traveling in Germany, Sweden and France with his parents. His father, Yuji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Cassette
The Compact Cassette or Musicassette (MC), also commonly called the tape cassette, cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips in 1963, Compact Cassettes come in two forms, either already containing content as a prerecorded cassette (''Musicassette''), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed - for example the Microcassette - the generic term ''cassette tape'' is normally always used to refer to the Compact Cassette because of its ubiquity. Its uses have ranged from portable audio to home recording to data storage for early microcomputers; the Compact Cassette technology was originally designed for dictation machines, but improvements in fidelity led to it supplanting the stereo 8-track cartridge and reel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinyl LP
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
