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Furlana
The furlana (also spelled ''furlane'', ''forlane'', ''friulana'', ''forlana'') is an Italian folk dance from the Italian region of Friuli Venezia Giulia. In Friulian, ''furlane'' means ''Friulian'', in this case ''Friulian Dance''. In Friuli there has been a Slav minority since the Slavic settlement of the Eastern Alps, and the furlana may well have originated as a Slavonic dance. It dates at least to 1583, when a "ballo furlano" called ''L'arboscello'' was published in Pierre Phalèse the Younger’s ''Chorearum molliorum collectanea'' and in Jakob Paix’s organ tablature book, though its chief popularity extended from the late 1690s to about 1750. It is particularly associated with Venice because, at the time of its popularity, Friuli was a part of the Republic of Venice. The ''furlana'' is a fast dance, in duple-time , though one exceptional example proves to be in quintuple meter, underlining the Slavonic associations also suggested by its title, ''Polesana'', which in Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Folk Dance
Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the '' tarantella'' in Southern Italy, and the modern revivals of folk music and dance. History Middle Ages The carol or carole (''carola'' in Italian), a circle or chain dance which incorporates singing, was the dominant Medieval dance form in Europe from at least the 12th through the 14th centuries. This form of dance was found in Italy as well and although Dante has a few fleeting references to dance, it is Dante's contemporary Giovanni del Virgilio (floruit 1319-1327) who gives us the earliest mention of Italian folk dance. He describes a group of women leaving a church in Bologna at the festa of San Giovanni; they form a circle with the leader singing the first stanza at the end of which the dancers stop and, dropping hands, sing the refrain. The circle then reforms and the leader goes on to the n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintuple Meter
Quintuple meter or quintuple time is a musical meter characterized by five beats in a measure. They may consist of any combination of variably stressed or equally stressed beats. Like the more common duple, triple, and quadruple meters, it may be simple, with each beat divided in half, or compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are and , and compound quintuple meter is most often written in . Notation Simple quintuple meter can be written in or time, but may also be notated by using regularly ''alternating'' bars of triple and duple meters, for example + . Compound quintuple meter, with each of its five beats divided into three parts, can similarly be notated using a time signature of , by writing triplets on each beat of a simple quintuple signature, or by regularly alternating meters such as + . Another notational variant involves compound meters, in which two or three numerals take the place of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Tombeau De Couperin
''Le Tombeau de Couperin'' (''The Couperin's Grave'') is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements. Overview The word '' tombeau'' in the title is a musical term popular from the 17th century, meaning "a piece written as a memorial". The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin "the Great" (1668–1733). Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Dance
Baroque dance is dance of the Baroque era (roughly 1600–1750), closely linked with Baroque music, theatre, and opera. English country dance The majority of surviving choreographies from the period are English country dances, such as those in the many editions of Playford's '' The Dancing Master''. Playford only gives the floor patterns of the dances, with no indication of the steps. However, other sources of the period, such as the writings of the French dancing-masters Feuillet and Lorin, indicate that steps more complicated than simple walking were used at least some of the time. English country dance survived well beyond the Baroque era and eventually spread in various forms across Europe and its colonies, and to all levels of society. The French Noble style The great innovations in dance in the 17th century originated at the French court under Louis XIV, and it is here that we see the first clear stylistic ancestor of classical ballet. The same basic technique w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Folk Dances
European, or Europeans, or Europeneans, may refer to: In general * ''European'', an adjective referring to something of, from, or related to Europe ** Ethnic groups in Europe ** Demographics of Europe ** European cuisine, the cuisines of Europe and other Western countries * ''European'', an adjective referring to something of, from, or related to the European Union ** Citizenship of the European Union ** Demographics of the European Union In publishing * ''The European'' (1953 magazine), a far-right cultural and political magazine published 1953–1959 * ''The European'' (newspaper), a British weekly newspaper published 1990–1998 * ''The European'' (2009 magazine), a German magazine first published in September 2009 *''The European Magazine'', a magazine published in London 1782–1826 *''The New European'', a British weekly pop-up newspaper first published in July 2016 Other uses * * Europeans (band), a British post-punk group, from Bristol See also * * * Europe (disambi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Folk Dances
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Folk Music
Italian folk music has a deep and complex history. National unification came quite late to the Italian peninsula, so its many hundreds of separate cultures remained un-homogenized until quite recently. Moreover, Italian folk music reflects Italy's geographic position at the south of Europe and in the center of the Mediterranean Sea: Celtic, Slavic, Arabic, Greek, Spanish and Byzantine influences are readily apparent in the musical styles of the Italian regions. Italy's rough geography and the historic dominance of small city states has allowed quite diverse musical styles to coexist in close proximity. Today, Italy's folk music is often divided into several spheres of geographic influence, a classification system proposed by Alan Lomax in 1956 and often repeated since. The Celtic and Slavic influences on the group and open-voice choral works of the Northern Italy contrast with the Greek, Byzantine, and Arabic influenced strident monody of the Southern Italy. In the Central I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Harvey
Richard Allen Harvey (born 25 September 1953) is an English composer and musician. Originally of the mediaevalist progressive rock group Gryphon, he is best known now for his film and television soundtracks. He is also known for his guitar concerto ''Concerto Antico'', which was composed for the guitarist John Williams and the London Symphony Orchestra. In April 2012, UK radio listeners voted Richard Harvey's Concerto Antico into the Classic FM Hall of Fame for the first time. Early life and career Born in Enfield, Middlesex, Harvey became involved in music, learning the recorder when he was four years old, switching first to percussion and later playing clarinet in the British Youth Symphony Orchestra. By the time he graduated from London's Royal College of Music in 1972, he was accomplished on the recorder, flute, krumhorn, and other mediaeval and Renaissance-era instruments, as well as the mandolin and various keyboards. He could have joined the London Philharmonic Orche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bagatelle (music)
A bagatelle is a short piece of music, typically for the piano, and usually of a light, mellow character. The name bagatelle literally means "a short unpretentious instrumental composition" as a reference to the light style of a piece. Although bagatelles are generally written for solo piano, they have also been written for piano four hands, harpsichord, harp, organ, classical guitar, vibraphone, unaccompanied oboe, clarinet, violin, viola, various chamber-music configurations, orchestra, band, voice and piano, and a cappella choir. Earliest known bagatelle The earliest use of the name "bagatelle" for a musical work was by François Couperin, in his tenth harpsichord ''ordre'' (1717), in which a rondeau is titled "Les bagatelles." Best-known bagatelles The best-known bagatelles are probably those by Ludwig van Beethoven, who published three sets, Op. 33, 119 and 126, and wrote a number of similar works that were unpublished in his lifetime including the piece that is popularly kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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