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Funny Face (soundtrack)
''Funny Face'' is the soundtrack to the 1957 film of the same name, with music by George Gershwin, from his Broadway musical ''Funny Face'' (1927), and new songs composed by the film's producer Roger Edens, . The film was Astaire's first with Audrey Hepburn, who played his love interest, ''Funny Face'' bears little relation to the George and Ira Gershwin musical of the same name. Reception The Allmusic review by William Ruhlmann awarded the album 3.5 stars and described Eden's music as "mediocre", adding that "more objectionably...(Eden) rewrites many of Ira Gershwin's lyrics and even some of George Gershwin's music". Ruhlmann praises Astaire as "typically effective"Ruhlmann, William Allmusic Reviewaccessed October 26, 2010 Track listing :In 2017, the 60th anniversary of the film, Verve reissued the album: resequenced the tracks to respect the order in which the songs where heard on the screen, restored the edited songs and added eight bonus tracks. :All music comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Astaire
Fred Astaire (born Frederick Austerlitz; May 10, 1899 – June 22, 1987) was an American dancer, choreographer, actor, and singer. He is often called the greatest dancer in Hollywood film history. Astaire's career in stage, film, and television spanned 76 years. He starred in more than 10 Broadway and West End musicals, made 31 musical films, four television specials, and numerous recordings. As a dancer, he was known for his uncanny sense of rhythm, creativity, and tireless perfectionism. Astaire's most memorable dancing partnership was with Ginger Rogers, whom he co-starred with in 10 Hollywood musicals during the classic age of Hollywood cinema. Astaire and Rogers starred together in ''Top Hat'' (1935), '' Swing Time'' (1936), and ''Shall We Dance'' (1937). Astaire's fame grew in films like ''Holiday Inn'' (1942), '' Easter Parade'' (1948), '' The Band Wagon'' (1953), '' Funny Face'' (1957), and ''Silk Stockings'' (1957). The American Film Institute named Astaire the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
He Loves, She Loves
"He Loves and She Loves" is a 1927 song composed by George Gershwin, with lyrics written by Ira Gershwin. It replaced the song "How Long Has This Been Going On?" in the Broadway musical ''Funny Face''. It was introduced by Adele Astaire and Allen Kearns. Fred Astaire sang it in the 1957 film of the same name. Notable recordings *Tony Bennett - '' Steppin' Out'' (1993) *Petula Clark - ''Lost in You'' (2013). *Ella Fitzgerald - ''Ella Fitzgerald Sings the George and Ira Gershwin Songbook'' (1959) * Stacey Kent - '' Let Yourself Go: Celebrating Fred Astaire'' (2000) * Sarah Vaughan - ''Sarah Vaughan Sings George Gershwin ''Sarah Vaughan Sings George Gershwin'' is a 1958 studio album by Sarah Vaughan, of the music of George Gershwin. Vaughan would release another all-Gershwin album, ''Gershwin Live!'', in 1982. Track listing # "Isn't It a Pity?" – 3:53 # "Of Th ...'' (1958) References Songs with music by George Gershwin Songs with lyrics by Ira Gershwin Fred Astair ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Avedon
Richard Avedon (May 15, 1923 – October 1, 2004) was an American fashion and portrait photographer. He worked for ''Harper's Bazaar'', ''Vogue'' and ''Elle'' specializing in capturing movement in still pictures of fashion, theater and dance. An obituary published in ''The New York Times'' said that "his fashion and portrait photographs helped define America's image of style, beauty and culture for the last half-century"."Richard Avedon, the Eye of Fashion, Dies at 81" Andy Grundberg, '''', October 1, 2004. Early life and education Avedon was born in New York City to a Jewish family. His father, Jacob Israel ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Granz
Norman Granz (August 6, 1918 – November 22, 2001) was an American jazz record producer and concert promoter. He founded the record labels Clef, Norgran, Down Home, Verve, and Pablo. Granz was acknowledged as "the most successful impresario in the history of jazz"."Norman Granz" (obituary) '''', November 26, 2001 He was also a champion of racial equality, insisting, for example, on integrating audiences at concerts he promoted. Biography Born in Boyle Heights, Los Angeles, Granz was the son of |
Conrad Salinger
Conrad Salinger (August 30, 1901, Brookline, Massachusetts – June 17, 1962, Pacific Palisades, California) was an American arranger, orchestrator and composer, who studied classical composition at the Paris Conservatoire. He is credited with orchestrating nine productions on Broadway from 1931 to 1938, and over seventy-five motion pictures from 1931 to 1962. Film scholar Clive Hirschhorn considers him the finest orchestrator ever to work in the movies. Early in his career, film composer John Williams spent much time around Salinger. Hollywood career During his Broadway apprenticeship Salinger first came across Johnny Green, his future MGM musical director, when they were recording motion picture overtures in the early days of sound at New York to be shown before the main features began. Salinger first came out to Hollywood in the late 1930s to work for Alfred Newman (e.g. ''Born to Dance'' and '' Gunga Din'') and also collaborated with the famed Broadway orchestrator Robe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skip Martin
Lloyd Vernon "Skip" Martin (May 14, 1916, in Robinson, Illinois – February 12, 1976, in Los Angeles, California) was an American jazz saxophonist, clarinetist, and music arranger. Background Martin was active principally as an arranger for some of the most popular swing jazz bands of the 1930s and 1940s. He worked with Count Basie, Charlie Barnet (1939–40), Benny Goodman (1941), and Glenn Miller (1941–42); doubling as a reedist with the last three. In the Goodman orchestra he played alto sax alongside Gus Bivona and recorded with the legendary trumpeter Cootie Williams in the early 1940s as well. Later in the 1940s he worked with Les Brown (memorably the big-band chart for ''I've Got My Love to Keep Me Warm''), then moved to Los Angeles in the 1950s, where he did extensive work as a staff and freelance orchestrator, studio conductor (e.g. Astaire's ''Royal Wedding'', 1951) and popular song arranger (often for Tony Martin, The Pied Pipers, the Andrews and De Castro siste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Courage
Alexander Mair Courage Jr. (December 10, 1919May 15, 2008) familiarly known as "Sandy" Courage, was an American orchestrator, arranger, and composer of music, primarily for television and film. He is best known as the composer of the theme music for the original ''Star Trek'' series. Early life Courage was born in Philadelphia, Pennsylvania. He received a music degree from the Eastman School of Music in Rochester, New York, in 1941. He served in the United States Army Air Forces in the western United States during the Second World War. During that period, he also found the time to compose music for the radio. His credits in this medium include the programs ''Adventures of Sam Spade Detective'', ''Broadway Is My Beat'', ''Hollywood Soundstage'', and ''Romance''. Career Courage began as an orchestrator and arranger at MGM studios, which included work in such films as the 1951 ''Show Boat'' ("Life Upon the Wicked Stage" number); ''Hot Rod Rumble'' (1957 film); ''The Band Wagon'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arranger
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' pieces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Cleave
Van Cleave (born Nathan Lang Van Cleave, May 8, 1910 – July 3, 1970) was a composer and orchestrator for film, television, and radio. Biography Born in Bayfield, Wisconsin, he played with big bands, including Doc Fenton and his Sooners and Al Katz and his Kittens.Patricia Kelley.Sound Businessman. ''Modern Mechanix'', August 1945, pp. 78-82, 148-151. He moved to New York City where he led his own band (the Van Cleave Orchestra) in the early 1930s, then played trumpet and arranged music for Charlie Barnet's orchestra. In 1933, he married Doris Blumenfeld, a Broadway chorus girl and the child of vaudeville actors of the German Blumenfeld circus family. He studied music with noted composer and music theorist Joseph Schillinger. He worked in radio, as a staff arranger for Paul Whiteman (1938–39), Andre Kostelanetz, Fred Waring, and for CBS Radio.Rayno, Don. ''Paul Whiteman: Pioneer in American Music, 1930-1967''. Rowman & Littlefield, 2012, p. 492. He invented new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyricist
A lyricist is a songwriter who writes lyrics (the spoken words), as opposed to a composer, who writes the song's music which may include but not limited to the melody, harmony, arrangement and accompaniment. Royalties A lyricist's income derives from royalties received from original songs. Royalties may range from 50 per cent of the song if it was written primarily with the composer, or less if they wrote the song in collaboration. Songs are automatically copyrighted as soon as they are in tangible forms, such as a recording or sheet music. However, before a song is published or made public, its author or publisher should register it with the Copyright Office at the US Library of Congress to better protect against copyright infringement. Collaborations Collaboration takes different forms. Some composers and lyricists work closely together on a song, with each having an input into both words and tune. Usually a lyricist fills in the words to a tune already fully written ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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