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Funerary Monument To Cardinal Niccolo Forteguerri, Pistoia
The Funerary Monument to Cardinal Niccolo Forteguerri (circa 1483) is an assembly of mostly deep bas-relief sculptures installed posthumously on a wall of the Cathedral of Pistoia to memorialize the native Cardinal. While the initial design for this monument was completed by the Renaissance sculptor Andrea Verrochio, the present arrangement, completed centuries later, was assembled with substantial modifications by lesser-known artists. History Niccolò Forteguerri (1419 – 1473), nephew of Pope Pius II, was a legate, general and cardinal of the Roman Catholic church. Upon his death, his remains were interred with another monument in the church of Santa Cecilia in Trastevere in Rome; but his posthumous patronage and endowments, which included the Biblioteca Forteguerriana and an allied school in Pistoia, prompted his town to honor his memory with a local monument. The negotiations leading to Verrochio's contract were complex. The ''Operai di San Jacopo'' or ''Works Commission'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzetto Lotti
Lorenzo Lotti, also known as Lorenzetto, (1490–1541), born Lorenzo di Lodovico di Guglielmo, was an Italian Renaissance sculptor and architect in the circle of Raphael. He was born in Florence and married the sister of Giulio Romano, another painter, sculptor and pupil of Raphael. He is profiled in Vasari's ''Le Vite delle più eccellenti pittori, scultori, ed architettori'' (or, in English, ''Lives of the Most Excellent Painters, Sculptors, and Architects''). Sculptural works According to Vasari, as a young sculptor Lorenzetto completed the tomb of Cardinal Niccolò Forteguerri, begun by Andrea Verrocchio in 1477, in San Jacopo at Pistoia. Then in Rome, he made "many works" of which, according to Vasari, "there is no need to make any further record." At the urging of Raphael, Lorenzetto received a commission from Agostino Chigi to create his tomb in Santa Maria del Popolo, where Agostino had built a chapel (Chigi Chapel). According to Vasari, Lorenzetto worked very ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monuments And Memorials In Tuscany
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'remember ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Rossellino
Antonio Gamberelli (1427–1479), Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 465. nicknamed Antonio Rossellino for the colour of his hair, was an Italian Renaissance sculptor. His older brother, from whom he received his formal training, was the sculptor and architect Bernardo Rossellino. Born in Settignano, now a part of Florence, he was the youngest of five brothers, sculptors and stonecutters. He is said to have studied under Donatello and is remarkable for the sharpness and fineness of his bas-relief. His most important works are the funeral monument of (1458) for the Blackfriar Church (today a museum), Forlì, and the monument of Infante James of Coimbra, cardinal of Portugal in the Basilica di San Miniato al Monte, Florence (1461–1467). The portrait bust of Matteo Palmieri in the Bargello is signed and dated 1468. In 1470 he made the monument for Maria d'Aragona Duchess of Amalfi,This Maria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girdle Of Thomas
The Girdle of Thomas, Virgin's Girdle, Holy Belt, or Sacra Cintola in modern Italian, is a Christian relic in the form of a "girdle" or knotted textile cord used as a belt, that according to a medieval legend was dropped by the Virgin Mary from the sky to Saint Thomas the Apostle at or around the time of the Assumption of Mary to heaven. The supposed original girdle is a relic belonging to Prato Cathedral in Tuscany, Italy and its veneration has been regarded as especially helpful for pregnant women. The story was frequently depicted in the art of Florence and the whole of Tuscany, and the keeping and display of the relic at Prato generated commissions for several important artists of the early Italian Renaissance. The Prato relic has outlasted several rivals in Catholic hands, and is the Catholic equivalent of the various relics held by Eastern Christianity: the Cincture of the Theotokos of the Eastern Orthodox Church and the Holy Girdle of the Syriac Orthodox Church. Legend Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prato Cathedral
Prato Cathedral, or Cathedral of Saint Stephen, ( it, Duomo di Prato; Cattedrale di San Stefano) is a Roman Catholic cathedral in Prato, Tuscany, Central Italy, from 1954 the seat of the Bishop of Prato, having been previously, from 1653, a cathedral in the Diocese of Pistoia and Prato. It is dedicated to Saint Stephen, the first Christian martyr. It is one of the most ancient churches in the city, and was already in existence in the 10th century. It was built in several successive stages in the Romanesque style. The church contains a number of notable works of art, in particular fine sculpture. Origin The church of Saint Stephen was built in a green meadow (''Prato'') after an appearance of the Virgin Mary near the village of Borgo al Cornio (the present center of Prato). The first building was a small parish church. which the earliest document dates from AD 994. The expansion of the church began in the 15th century and transformed the modest building into one of the most lov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duomo Di Prato, Pergamo Di Ant
''Duomo'' (, ) is an Italian term for a church with the features of, or having been built to serve as, a cathedral, whether or not it currently plays this role. Monza Cathedral, for example, has never been a diocesan seat and is by definition not a cathedral. On the other hand, the city of Trevi no longer has a bishop, although it once did, and the erstwhile cathedral of Emilianus of Trevi is now a mere church. By contradistinction, the Italian word for a cathedral ''sensu stricto'' is ''cattedrale''. There is no direct translation of "duomo" into English, leading to many such churches being erroneously called "cathedral" in English, regardless of whether the church in question hosts a bishop. Many people refer to particular churches simply as ''il Duomo'', the ''Duomo'', without regard to the full proper name of the church. Similar words exist in other European languages: ''Dom'' (German), ''dom'' (Romanian), ''dóm'' ( Hungarian and Slovak), ''dôme'' ( French), ''domo'' (P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Art
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theologic Virtues
Theological virtues are virtues associated in Christian theology and philosophy with salvation resulting from the grace of God. Virtues are traits or qualities which dispose one to conduct oneself in a morally good manner. Traditionally they have been named Faith, Hope, and Charity ( Love), and can trace their importance in Christian theology to Paul the Apostle in 1 Corinthians 13, who also pointed out that “the greatest of these is love.” The medieval Catholic philosopher Thomas Aquinas explained that these virtues are called theological virtues "because they have God for their object, both in so far as by them we are properly directed to Him, and because they are infused into our souls by God alone, as also, finally, because we come to know of them only by Divine revelation in the Sacred Scriptures". Background 1 Corinthians 13 The first mention in Christian literature of the three theological virtues is in St. Paul's first letter to the Thessalonians 1:3, "...c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandorla
A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with '' vesica'', a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. It is distinguished from a halo in that it encircles the entire body and not just the head. It is commonly used to frame the figure of Christ in Majesty in early medieval and Romanesque art, as well as Byzantine art of the same periods. It is the shape generally used for mediaeval ecclesiastical seals, secular seals generally being round. Depictions ''Mandorla'' is Italian for the almond nut, to which shape it refers. It may be elliptical or depicted as a vesica, a lens shape as the intersection of two circles. Rhombic mandorlas are also sometimes depicted. In icons of the Eastern Orthodox Church, the mandorla is used to depict sacred moments that transcend time and space, such as the Resurrection and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including bowl (vessel), vessels (notably flower pots), water and waste water pipes, tile, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural Terra cotta (color), brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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