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Fundação Biblioteca Nacional
The Biblioteca Nacional do Brasil (English: ''National Library of Brazil'') is the depository of the bibliographic and documentary heritage of Brazil. It is located in Rio de Janeiro, the capital city of Brazil from 1822 to 1960, more specifically at Cinelândia square. The largest library in Latin America and the seventh largest in the world, its collections include about 9 million items. It organized the first library science courses in Latin America and its staff has led the modernization of library services, including the development of online databases. History The history of the National Library began on 1 November 1755, when Lisbon suffered a violent earthquake. The Royal Library was considered one of the most important libraries in Europe at that time. This irreparable loss to the Portuguese was the impetus for moving many of its contents to Brazil. The collection was brought in three stages, the first being in 1810 and two in 1811. The library of 60,000 books was accom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rio De Janeiro
Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, and the second-most populous city in Brazil, after São Paulo. Listed by the GaWC as a beta global city, Rio de Janeiro is the sixth-most populous city in the Americas. Part of the city has been designated as a World Heritage Site, named "Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea", on 1 July 2012 as a Cultural Landscape. Founded in 1565 by the Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. In 1763, it became the capital of the State of Brazil, a state of the Portuguese Empire. In 1808, when the Portuguese Royal Court moved to Brazil, Rio de Janeiro became the seat of the court of Queen Maria I of Portugal. She subsequently, under the leadership of her son the prince regent João VI of Portugal, raised Brazil to the dignity of a k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treaty Of Rio De Janeiro (1825)
The Treaty of Rio de Janeiro is the treaty between the Kingdom of Portugal and the Empire of Brazil, signed August 29, 1825, which recognized Brazil as an independent nation, formally ending the Brazilian war of independence. The treaty was ratified by the Emperor of Brazil on August 24, 1825, and by the King of Portugal on November 15, 1825, and on that same date the two instruments of ratification were exchanged between Brazilian and Portuguese diplomats in Lisbon. The Treaty entered into force on November 15, 1825, upon the exchange of the ratification documents. It was proclaimed in Portugal on that same date, and was proclaimed in Brazil on April 10, 1826. British mediation The treaty was mediated by the British government, which supported Brazilian independence and informally recognized the independence of Brazil before the signing of treaty. However, the British government wished to receive promises that Brazil would abolish its slave trade with Africa. Afterwards, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolfo Amoedo
Rodolfo Amoedo (11 December 1857 – 31 May 1941) was a Brazilian painter, designer and decorator. Biography His interest in art and decoration began when a family friend (who was a lyricist) invited him to do work on the now defunct Teatro São Pedro. In 1873, he enrolled at the "", where he studied with Victor Meirelles. The following year, he transferred to the Academia Imperial de Belas Artes. His teachers there included João Zeferino da Costa, Agostinho José da Mota and the sculptor Francisco Manuel Chaves Pinheiro. In 1878, his painting on the "Sacrifice of Abel" narrowly won him a travel fellowship to study in Europe. From 1879 to 1887, he lived and studied in Paris. Initially, he attended the Académie Julian, but finally managed to enroll at the École des Beaux-arts in 1880, where he received the guidance of Alexandre Cabanel, Paul Baudry and Puvis de Chavannes. From 1882 to 1884, he participated in the Salon while developing his primary themes of mythology, Bibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modesto Brocos
Modesto Brocos y Gómez (9 February 1852 – 28 November 1936) was a Spanish painter and engraver, who became a naturalized Brazilian citizen. His work covers a wide variety of styles and subjects, and he was the author of several books on painting. He is also notable for his promotion of printmaking in Brazil, especially woodcuts, of which he had been one of his adopted country's first major practitioners during his time at ''O Mequetrefe''. Biography He was born in Santiago de Compostela, Galicia, Spain, into a humble family with artistic inclinations. His grandfather and father were writers and his brother was the sculptor ,DezenoveVinte: ''Modesto Brocos: A Retórica dos Pintores'', by José Luiz da Silva Nunes. who was also his first teacher at the Academia de Belas Artes in |
Rodolfo Bernardelli
José Maria Oscar Rodolfo Bernardelli y Thierry (18 December 1852, Guadalajara - 7 April 1931, Rio de Janeiro) was a Mexican-born Brazilian sculptor and art professor, of Italian ancestry. Biography He was the oldest of four children born to a violinist and a dancer. His brothers, Félix and Henrique, also became artists, and Félix was a musician as well. Due to his parents' profession, the family moved frequently; to several places in Mexico, Chile, and eventually Rio Grande do Sul, Brazil. There, they met Emperor Pedro II, who invited them to live in Rio de Janeiro and become tutors to his children. By that time, Rodolfo was fourteen, and displaying artistic talent.Weisz, Suely de Godoy"Rodolpho Bernardelli, um perfil do homem e do artista segundo a visão de seus contemporâneos" In: ''19&20'', 2007; II (4) He sat in on classes taught by Francisco Manuel Chaves Pinheiro, who noticed his enthusiasm and suggested that he become a formal student. He was therefore enrolled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henrique Bernardelli
Henrique Bernardelli (15 July 1857 – 6 April 1936) was a Brazilian painter. Life and Works Henrique Bernardelli was born in Valparaiso, Chile. He was the brother of sculptor Rodolfo, and painter and violinist Félix. In 1865 he moved with his family to Rio Grande do Sul when his parents (a violinist and a dancer), were contracted by the emperor Pedro II to be tutors to the imperial princesses. In 1867 they moved to Rio de Janeiro. In 1870 he enrolled in the Academia Imperial de Belas Artes (AIBA) in Rio de Janeiro, Brazil, studying with painters of outstanding importance such as Victor Meirelles and Agostinho José da Mota. In 1878 he took Brazilian nationality to be eligible for AIBA's European travel award. He lost the award to Rodolfo Amoedo but travelled to Rome in 1879 using his own resources. There he encountered the work of such artists as Francesco Paolo Michetti e Giovanni Segantini. Back in Rio de Janeiro in 1888 he participated in a number of exhibitions: In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eliseu Visconti
Eliseu Visconti, born Eliseo d'Angelo Visconti (30 July 1866, Giffoni Valle Piana, ItalyEliseu Visconti Website ''Primeiros tempos 1866-1892'' – 15 October 1944, , ) was an Italian-born Brazilian painter, cartoonist, and teacher. He is considered one of the very few painters of . He is considered t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eclectic Style
Eclecticism is a kind of mixed style in the fine arts: "the borrowing of a variety of styles from different sources and combining them" . Significantly, Eclecticism hardly ever constituted a specific style in art: it is characterized by the fact that it was not a particular style. In general, the term describes the combination in a single work of a variety of influences—mainly of elements from different historical styles in architecture, painting, and the graphic and decorative arts. In music the term used may be either eclecticism or polystylism. In the visual arts The term eclectic was first used by Johann Joachim Winckelmann to characterize the art of the Carracci, who incorporated in their paintings elements from the Renaissance and classical traditions. Indeed, Agostino, Annibale and Lodovico Carracci had tried to combine in their art Michelangelo's line, Titian's color, Correggio's chiaroscuro, and Raphael's symmetry and grace. In the 18th century, Sir Joshua Reynolds, hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nilo Peçanha
Nilo Procópio Peçanha (; 2 October 1867 – 31 March 1924) was a Brazilian politician who served as seventh president of Brazil. He was governor of Rio de Janeiro (1903–1906), then elected the fifth vice president of Brazil in 1906. He assumed the presidency in 1909 following the death of President Afonso Pena and served until 1910.BEATTIE, Peter M. The Tribute of Blood: Army, Honor, Race, and Nation in Brazil, 1864–1945. Duke University Press, 2001 , . pp. 7. (visited 3 September 2008) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodrigues Alves
Francisco de Paula Rodrigues Alves, PC (; 7 July 1848 – 16 January 1919) was a Brazilian politician who first served as president of the Province of São Paulo in 1887, then as Treasury minister in the 1890s. Rodrigues Alves was elected the fifth president of Brazil in 1902 and served until 1906. During this term he remodeled the then Brazilian capital, Rio de Janeiro, an effort punctuated by the 1904 "Vaccine Revolt". He was elected president for a second term in 1918, but died in the influenza pandemic before assuming power, on 16 January 1919. He was succeeded by his vice-president, Delfim Moreira. Biography Rodrigues Alves was born in the city of Guaratinguetá, São Paulo. He graduated as a lawyer from the '' Faculdade de Direito do Largo de São Francisco'', São Paulo, in 1870. His public career started as councilman in his native city, from 1866 to 1870. He became prosecutor in 1870. In 1872 he became a member of the state house of representatives until 1879. Also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_facade_on_Piazza_dei_signori.jpg "Click for more on -> Neoclassical Architecture")
