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Fukkoshinto
Fukko Shintō (復古神道, Restoration Shinto) is a movement within Shinto that was advocated by Japanese scholars during the Edo period. It attempted to reject Bukka Shinto, Buddhist and Confucian Shinto, Confucian influence on Shinto and return to a native Japanese tradition based on Koshinto. There were many different variants of Fukko Shintō, but what generally united them was a desire to return to a worldview unique to the Japanese people, and which predated the influence of foreign teachings such as Confucianism and Buddhism. It placed great emphasis on "kannagara no michi" (young. "the way of the divine handed down from time immemorial"), which embodies the will of the gods. Like Suika Shintō, which emerged in the early Edo period, Fukko Shintō came to exert great influence over its time. However, thanks to so-called Kokugakusha (scholars of Japanese culture), it developed from a more academic standpoint. Scholars such as Kamo no Mabuchi and Motoori Norinaga first adv ...
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Confucian Shinto
Confucian Shinto, also known as ''Juka Shintō'' (儒家神道) in Japanese, is a syncretic religious tradition that combines elements of Confucianism and Shinto. It originated in Japan during the Edo period (1603-1868), and is sometimes referred to as " Neo-Confucian Shinto" Modern organizations include Shinto Taiseikyo, Shinto Shusei, and Tsuchimikado Shinto. Suika Shinto was a major school of Confucian Shinto. History The roots of Confucian Shinto can be traced back to the 17th century, when Japanese scholars began to study Chinese Confucian texts and integrate Confucian ideas into their understanding of Shinto. The most notable of these scholars was Yamazaki Ansai (1618-1682), who developed a synthesis of Confucianism and Shinto that emphasized the importance of ethical behavior and filial piety. Ansai's teachings were further developed by his disciple, Kaibara Ekken (1630-1714), who wrote a number of influential works on Confucian Shinto, including the "Greater Learni ...
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Portrait Of Atsutane Hirata
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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Motoori Norinaga
was a Japanese scholar of ''Kokugaku'' active during the Edo period. He is conventionally ranked as one of the Four Great Men of Kokugaku (nativist) studies. Life Norinaga was born in what is now Matsusaka in Ise Province (now part of Mie Prefecture). His ancestors were vassals of the Kitabatake clan in Ise Province for many generations. However, in the early Edo period they abandoned their samurai status, changing their surname to Ozu, and relocated to Matsusaka, where they became cotton wholesalers. The family initially prospered and had a store in Edo as well. (The film director Yasujirō Ozu was a descendant of the same line). After his elder brother's death, Norinaga succeeded to the Ozu line. At one stage he was adopted out to a paper-making family but the bookish boy was not suited to business. It was at his mother's suggestion that, at the age of 22, Norinaga went to Kyoto to study medicine. In Kyoto, he also studied Chinese and Japanese philology under the neo-Confuci ...
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祝詞
are liturgical texts or ritual incantations in Shinto, usually addressed to a given '' kami''. History The first written documentation of ''norito'' dates to 712 CE in the ''Kojiki'' and 720 CE in the '' Nihongi''. The Engishiki, a compilation of laws and minute regulation presented by the court compiled in 927 CE, preserves twenty-seven representative forms of ''norito''. Etymology There is no single universally accepted theory to explain the meaning of the term.Philippi (1990). p. 2. One theory derives ''norito'' from ''noru'' ( 宣る, 'to declare'; cf. the verbs '' inoru'' 'to pray' and '' norou'' 'to curse') - combined with the suffix ''-to''. A variant term, ''notto'', is derived from a combination of ''norito'' with ''koto'', 'word'. There are various known ways of writing the word in kanji: aside from 祝詞 (currently the standard), 詔戸言, 詔刀言, and 諄辞 are also attested. One recent writer summed up the original meaning of ''norito'' as "a general ...
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Kojiki
The , also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the , and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the as well as the are part of the inspiration behind many practices. Later, they were incorporated into Shinto practices such as the purification ritual. Composition It is believed that the compilation of various genealogical and anecdotal histories of the imperial (Yamato) court and prominent clans began during the reigns of Emperors Keitai and Kinmei in the 6th century, with the first concerted effort at historical compilation of which we have record being the one made in 620 under ...
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Kotodama
refers to the Japanese belief that mystical powers dwell in words and names. English translations include "soul of language", "spirit of language", "power of language", "power word", "magic word", and "sacred sound". The notion of ''kotodama'' presupposes that sounds can magically affect objects, and that ritual word usages can influence our environment, Human body, body, mind, and soul. Basis This Japanese compound (linguistics), compound ''kotodama'' combines ''koto'' Wikt:言, 言 "word; speech" and ''tama'' Wikt:霊, 霊 "spirit; soul" (or Wikt:魂, 魂 "soul; spirit; ghost") Voice (phonetics), voiced as ''dama'' in ''rendaku''. In contrast, the unvoiced ''kototama'' pronunciation especially refers to , which was popularized by Onisaburo Deguchi in the Oomoto religion. This field takes the Japanese ''gojūon'' phonology as the mystical basis of words and meanings, in rough analogy to Hebrew Kabbalah. Etymology The etymology of ''kotodama'' is uncertain, but one explanation ...
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Sonnō Jōi
was a ''yojijukugo'' (four-character compound) phrase used as the rallying cry and slogan of a political movement in Japan in the 1850s and 1860s during the Bakumatsu period. Based on Neo-Confucianism and Japanese nativism, the movement sought to overthrow the Tokugawa shogunate and restore the power of the Emperor of Japan. Etymology During the Spring and Autumn period of China, Chancellor Guan Zhong of Qi initiated a policy known as ''Zunwang Rangyi'' (尊王攘夷 ; lit. "Revere the King, Expel the Barbarians"), in reference to the Zhou kings. Adopting and adhering to it, Duke Huan of Qi assembled the Chinese feudal lords to strike down the threat of barbarians from China. For it, Confucius himself praised Guan Zhong for the preservation of Chinese civilization through the example of the contrast in the hairstyles and clothing styles between them and barbaric peoples. Through the ''Analects'' of Confucius, the Chinese expression came to be transmitted to Japan as ''sonn ...
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Meiji Restoration
The , referred to at the time as the , and also known as the Meiji Renovation, Revolution, Regeneration, Reform, or Renewal, was a political event that restored practical imperial rule to Japan in 1868 under Emperor Meiji. Although there were ruling emperors before the Meiji Restoration, the events restored practical abilities and consolidated the political system under the Emperor of Japan. The goals of the restored government were expressed by the new emperor in the Charter Oath. The Restoration led to enormous changes in Japan's political and social structure and spanned both the late Edo period (often called the Bakumatsu) and the beginning of the Meiji era, during which time Japan rapidly Industrialisation, industrialized and adopted Western culture, Western ideas and production methods. Foreign influence The Japanese knew they were behind the Western powers when US Commodore (United States), Commodore Matthew C. Perry came to Japan in 1853 in Black Ships, large warshi ...
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