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Fuji (planchette Writing)
Fuji () is a method of "planchette writing", or "Automatic writing, spirit writing", that uses a suspended sieve or tray to guide a stick which writes Chinese characters in sand or incense ashes. Development Beginning around the Ming dynasty (1368-1644 CE), the ''fuji'' method and written characters changed from "support the sieve" (spirit-writing using a suspended sieve or winnowing tray) to "support the planchette" (directing a stick or stylus, typically made from a willow or peach branch, and roughly resembling a dowsing-rod). Vocabulary Chinese ''fuji'' spirit-writing involves some specialized vocabulary. ''Luan'' () "a mythical phoenix-like bird" is used in synonyms such as (, "support the phoenix"), ( "flying phoenix," and (, "descending phoenix"). The ''fuji'' process involves specialized participants. The two people (or rarely one) who hold the sieve or stylus are called (, "planchette hands"), only one of whom is ostensibly possessed by a Shen (Chinese religion), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Secret Of The Golden Flower
''The Secret of the Golden Flower'' () is a Chinese Taoist book on neidan Neidan, or internal alchemy (), is an array of esoteric doctrines and physical, mental, and spiritual practices that Taoist initiates use to prolong life and create an immortal spiritual body that would survive after death. Also known as Jindan ... (inner alchemy) meditation, which also mixes Buddhist teachings with some Confucian thoughts. It was written by means of the Fuji (planchette writing), spirit-writing (fuji) technique, through two groups, in 1688 and 1692. After the publication of the translation by Richard Wilhelm (sinologist), Richard Wilhelm, with commentary by Carl Gustav Jung, it became modernly popularized among Westerners as a Chinese "religious classic", and is read in psychological circles for Analytical psychology, analytical and transpersonal psychology considerations of Taoist meditations, although it receives little attention in the East. History Origins Studies by Monica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thoughtography
Thoughtography, also called projected thermography, psychic photography, nengraphy, and ''nensha'' , is the claimed ability to "burn" images from one's mind onto surfaces such as photographic film by parapsychic means. While the term "thoughtography" has been in the English lexicon since 1913, the more recent term "projected thermography" is a neologism popularized in the 2002 American film '' The Ring (2002 film), The Ring'', a remake of the 1998 Japanese horror film ''Ring''. History Thoughtography (also known as psychic photography) first emerged in the late 19th century due to the influence of spirit photography. Thoughtography has no connection with Spiritualism, which distinguishes it from spirit photography. One of the first books to mention "psychic photography" was the book ''The New Photography'' (1896) by Arthur Brunel Chatwood. In the book Chatwood described experiments where the "image of objects on the retina of the human eye might so affect it that a photograph coul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poe Divination
Poe divination (from the 'poe' (桮) in the Hokkien , Min Dong BUC: buăk-bŭi, "cast moon blocks", also called as "bwa bwei", Mandarin ) is a traditional Chinese divination method, in which the divination seeker throws or drops two little wooden pieces on the floor and gets the divine answer by the positions of the pieces whether the future course being contemplated is recommended or not. The pieces, called "Poe" (Bwei) in Taiwanese or Jiaobei in Mandarin, look somewhat like two shells of a clam or bivalve mollusk. (in Japanese) Poe Divination using two little wooden pieces upon throwing, can result in often three answers. The first is , is when one the of blocks has its flat side facing up and the other with its curved side facing down, this serves as the Deity's agreement with the devotee's question or plea. The second is , is when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ouija
The ouija ( , ), also known as a spirit board or talking board, is a flat board marked with the letters of the Latin alphabet, the numbers 0–9, the words "yes", "no", occasionally "hello" and "goodbye", along with various symbols and graphics. It uses a planchette (small heart-shaped piece of wood or plastic) as a movable indicator to spell out messages during a séance. Participants place their fingers on the planchette, and it is moved about the board to spell out words. "Ouija" is a trademark of Hasbro, but is often used generically to refer to any talking board. Spiritualists in the United States believed that the dead were able to contact the living and reportedly used a talking board very similar to a modern Ouija board at their camps in the U.S. state of Ohio in 1886 to ostensibly enable faster communication with spirits. Following its commercial introduction by businessman Elijah Bond on 1 July 1890, the Ouija board was regarded as an innocent parlor game unrelate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omikuji
are random fortunes written on strips of paper at Shinto shrines and Buddhist temples in Japan. Literally "sacred lot", these are usually received by making a small offering and randomly choosing one from a box, hoping for the resulting fortune to be good. , coin-slot machines sometimes dispense . The predicts the person's chances of their hopes coming true, of finding a good match, or generally matters of health, fortune, life, etc. When the prediction is bad, it is a custom to fold up the strip of paper and attach it to a pine tree or a wall of metal wires alongside other bad fortunes in the temple or shrine grounds. A purported reason for this custom is a pun on the word for and the verb , the idea being that the bad luck will wait by the tree rather than attach itself to the bearer. In the event of the fortune being good, the bearer has two options: they can also tie it to the tree or wires so that the fortune has a greater effect or they can keep it for luck. are availa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kokkuri
or is a Japanese game popular during the Meiji era that is also a form of divination, partially based on Western table-turning. The name ''kokkuri'' is an onomatopoeia meaning "to nod up and down", and refers to the movement of the actual ''kokkuri'' mechanism. The ''kanji'' used to write the word is an ''ateji'', although its characters reflect the popular belief that the movement of the mechanism is caused by supernatural agents (''ko'' 狐, ''kitsune''; ''ku'' 狗, dog/''tengu''; ''ri'' 狸, ''tanuki''). The modern version is similar to a Oujia board. Ancient ''kokkuri'' The word ''kokkuri'' refers to the game and physical apparatus, while ''kokkuri-san'' refers to the being that is summoned: it is considered by the Japanese to be some sort of animal spirit that is a mix between a fox, dog, and raccoon. These three animals are meant to reflect the dual nature of the being, justifying its different personality traits: the fox being a trickster or teacher, and the raccoon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kau Chim
''Kau Chim'' or ''Kau Cim'', also known as Lottery poetry (), is a fortune telling practice that originated in China in which the querent (person asking the question) requests answers from a sacred oracle lot. The practice is often performed in a Taoist or Buddhist temple in front of an altar. Kau Chim is often referred to as Chien Tung or Chinese Fortune Sticks by westerners. In the US, a version has been sold since 1915 under the name Chi Chi Sticks. Kau Chim is also sometimes known as "The Oracle of Kuan Yin" in Buddhist traditions. It is widely available in Thai temples, known as Siam Si ( th, เซียมซี). The similar practice is also found in Japan, named O-mikuji. Tools * ''Chim bucket'' (): A long cylindrical bamboo cup or tube. * ''Kau Chim sticks'' (): The flat sticks which are stored in the tube. Generally made of bamboo, they resemble wide, flat incense sticks, and are often painted red at one end. A single number, both in Arabic numerals and in Chinese cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiaobei
Moon blocks or ''jiaobei'' (also written as ''jiao bei'' etc. variants; ), also ''poe'' (from ; as used in the term " ''poe'' divination"), are wooden divination tools originating from China, which are used in pairs and thrown to seek divine guidance in the form of a yes or no question. They are made out of wood or bamboo and carved into a crescent shape. A pair of clam shells can also be used. Each block is round on one side (known as the ''yin'' side) and flat on the other (known as the ''yang'' side). It is one of the more commonly used items found in Chinese traditional religion and are used in temples and home shrines along with fortune sticks, both of which are often used together when requesting an answer from the Deities. Practice Moon blocks can be used separately to receive a straightforward answer, or they are accompanied by fortune sticks to clarify an oracle. When used alone, moon blocks are first purified by revolving the blocks around the incense burner three ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Ching Divination
I Ching divination is a form of cleromancy applied to the ''I Ching''. The text of the ''I Ching'' consists of sixty-four Hexagram (I Ching), hexagrams: six-line figures of ''Yin and yang, yin'' (broken) or ''Yin and yang, yang'' (solid) lines, and commentaries on them. There are two main methods of building up the lines of the hexagram, using either 50 yarrow sticks or three coins. Some of the lines may be designated "old" lines, in which case the lines are subsequently changed to create a second hexagram. The text relating to the hexagram(s) and old lines (if any) is studied, and the meanings derived from such study can be interpreted as an oracle. Methods Each hexagram is six lines, written sequentially one above the other; each of the lines represents a state that is either ''yin'' ( : dark, feminine, ''etc.'', represented by a broken line) or ''yang'' ( : light, masculine, ''etc.'', a solid line), and either ''old'' (moving or changing, represented by an "X" written on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fenghuang
''Fènghuáng'' (, ) are mythological birds found in Sinospheric mythology that reign over all other birds. The males were originally called ''fèng'' and the females ''huáng'', but such a distinction of gender is often no longer made and they are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which is traditionally deemed male. It is known under similar names in various other languages ( Japanese: ; vi, phượng hoàng, italics=no or ; Korean: ). In the Western world, it is commonly called the Chinese phoenix or simply phoenix, although mythological similarities with the Western phoenix are superficial. Appearance A common depiction of fenghuang was of it attacking snakes with its talons and its wings spread. According to the ''Erya'''s chapter 17 ''Shiniao'', fenghuang is made up of the beak of a rooster, the face of a swallow, the forehead of a fowl, the neck of a snake, the breast of a goose, the back of a tortoise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Spiritual World Concepts
Chinese spiritual world concepts are cultural practices or methods found in Chinese culture. Some fit in the realms of a particular religion, others do not. In general these concepts were uniquely evolved from the Chinese values of filial piety, tacit acknowledgment of the co-existence of the living and the deceased, and the belief in causality and reincarnation, with or without religious overtones. Practices and beliefs * Ancestral worship () – A practice to honor the deeds and memories of the deceased. This is an extension to the filial piety from the teachings of Confucius and Laozi. Elders, seniors, extended families and particularly parents are to be respected, heeded and looked after. Respects continue after their deaths. In addition to the Qingming and Chongyang festivals, descendants should pay tribute to ancestors during the ''Zhongyuanjie'', more commonly known as the Ghost Festival ( but ghost festival is on Dongzhi "”) In addition to providing a tombstone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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