Fugitive Love
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Fugitive Love
''Fugitive Love'' is a sculpture by Auguste Rodin made between 1886–1887, both sculpted in marble and cast in bronze. It represents a man and a woman embracing each other on top of a rock. More specifically, the author was inspired by the story of Francesca da Rimini's love affair with Paolo Malatesta, an allusion to Dante Alighieri's depiction of lust on the second circle of Hell in his '' Inferno''. Gates of hell The sculpture is also part of Rodin's monumental group '' The Gates of Hell'', where it can be found in the right gate. Even though the group was already recognized on its own, Rodin decided to put it in his ''Gates'' partly to replace another iconic sculpture: '' The Kiss'' which had been removed due to its theme being inconsistent with the rest of the group.Rodin deemed ''The Kiss'' too idyllic and romantic to be depicted in the middle of repentant souls. He decided to take it away from ''The Gates'' but was decided to work on it separately. The sculpture shows ...
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Auguste Rodin
François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as ''The Thinker'', ''Monument to Balzac'', '' The Kiss'', ''The Burghers of Calais'', and ''The Gates of Hell''. Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increas ...
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Georges Petit
Georges Petit (11 March 1856 – 12 May 1920) was a French art dealer, a key figure in the Paris art world and an important promoter and cultivator of Impressionist artists. Early career Petit was the son of François Petit, who founded the firm of art dealers at 7, rue Saint-Georges (Paris) in 1846. Within just a few years, the ''Galerie François Petit'' was among the most powerful firms in the French art market. According to Robert Jensen in his book ''Marketing Modernism in Fin-de-Siecle Europe'', the auction house assumed, "multiple roles that ran the gamut from certifying the authenticity of the object, to guiding it through the hazards of the marketplace, to establishing its provenance and enlisting critics and historians to situate the artist's importance." Georges Petit inherited the firm, as well as a château and 3 million francs in 1877. He constructed a town house on the rue de Sèze. His annual expenses amounted to some 400,000 francs. That's what he spent ...
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Sculptures Of The Musée Rodin
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Sculptures Of The Museo Soumaya
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Nude Sculptures
Nudity is the state of being in which a human is without clothing. The loss of body hair was one of the physical characteristics that marked the biological evolution of modern humans from their hominin ancestors. Adaptations related to hairlessness contributed to the increase in brain size, bipedalism, and the variation in human skin color. While estimates vary, for at least 90,000 years anatomically modern humans were naked. The invention of clothing was part of the transition from being not only anatomically but behaviorally modern. Clothing and body adornments were elements in non-verbal communication reflecting social status and individuality. Through much of history until the late modern period, people might be unclothed in public by necessity or convenience either when engaged in effortful activity, including labor and athletics; or when bathing or swimming. Such functional nudity occurred in groups that were usually but not always segregated by sex. Among ancient ...
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19th-century Sculptures
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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Sculptures By Auguste Rodin
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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List Of Sculptures By Auguste Rodin
This article lists a selection of notable works created by Auguste Rodin. The listing follows the books ''Rodin, Vie et Oeuvre'' and ''Rodin''. Sculptures Museums *Albertinum, Dresden *Art Gallery of Western Australia, Perth *Art Institute of Chicago *Brooklyn Museum, New York City *Calouste Gulbenkian Museum, Lisbon *Cantor Arts Center, Stanford *Cleveland Museum of Art *Dallas Museum of Art *Fin-de-Siècle Museum, Brussels *Fondation Bemberg, Toulouse *Jardin des Serres d'Auteuil, Paris *Kunsthaus Zürich *Legion of Honor (museum), San Francisco *Los Angeles County Museum of Art *Maryhill Museum of Art, State of Washington *Metropolitan Museum of Art, New York City *Musée d'arts de Nantes *Musée d'Orsay, Paris *Musée de l'Orangerie, Paris *Musée des Beaux-Arts d'Angers *Musée des Beaux-Arts de Dijon *Musée du Luxembourg *Musée Fabre, Montpellier *Musée Rodin, Paris *Museo Nacional de Bellas Artes (Buenos Aires) *Museum of Fine Arts Bern *Museum of Fine Arts of Lyon *Mu ...
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Paolo And Francesca
Francesca da Rimini or Francesca da Polenta (died between 1283 and 1286) was a medieval noblewoman of Ravenna, who was murdered by her husband, Giovanni Malatesta, upon his discovery of her affair with his brother, Paolo Malatesta. She was a contemporary of Dante Alighieri, who portrayed her as a character in the ''Divine Comedy''. Life and death Daughter of Guido I da Polenta of Ravenna, Francesca was wedded in or around 1275 to the brave, yet crippled Giovanni Malatesta (also called Gianciotto or "Giovanni the Lame"), son of Malatesta da Verucchio, lord of Rimini. The marriage was a political one; Guido had been at war with the Malatesta family, and the marriage of his daughter to Giovanni was a way to secure the peace that had been negotiated between the Malatesta and the Polenta families. While in Rimini, she fell in love with Giovanni's younger brother, Paolo. Though Paolo, too, was married, they managed to carry on an affair for some ten years, until Giovanni ultimately s ...
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Fugitive Love (Fugit Amor) By Auguste Rodin, Iris And B
''Fugitive Love'' is a sculpture by Auguste Rodin made between 1886 and 1887, both sculpted in marble and cast in bronze. It represents a man and a woman embracing each other on top of a rock. More specifically, the author was inspired by the story of Francesca da Rimini's love affair with Paolo Malatesta, an allusion to Dante Alighieri's depiction of lust on the second circle of Hell in his ''Inferno''. Gates of hell The sculpture is also part of Rodin's monumental group ''The Gates of Hell'', where it can be found in the right gate. Even though the group was already recognized on its own, Rodin decided to put it in his ''Gates'' partly to replace another iconic sculpture: '' The Kiss'' which had been removed due to its theme being inconsistent with the rest of the group.Rodin deemed ''The Kiss'' too idyllic and romantic to be depicted in the middle of repentant souls. He decided to take it away from ''The Gates'' but was decided to work on it separately. The sculpture shows ...
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Claude Monet
Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to ''plein air'' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting '' Impression, soleil levant'', exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mot ...
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The Kiss (Rodin Sculpture)
''The Kiss'' (french: Le Baiser) is an 1882 marble sculpture by the French sculptor Auguste Rodin. The embracing nude couple depicted in the sculpture appeared originally as part of a group of reliefs decorating Rodin's monumental bronze portal ''The Gates of Hell'', commissioned for a planned museum of art in Paris. The couple were later removed from the ''Gates'' and replaced with another pair of lovers located on the smaller right-hand column. Background The sculpture, ''The Kiss'', was originally titled ''Francesca da Rimini'', as it depicts the 13th-century Italian noblewoman immortalised in Dante's ''Inferno'' (Circle 2, Canto 5) who falls in love with her husband Giovanni Malatesta's younger brother Paolo. Having fallen in love while reading the story of Lancelot and Guinevere, the couple are discovered and killed by Francesca's husband. In the sculpture, the book can be seen in Paolo's hand. The lovers' lips do not actually touch in the sculpture, suggesting that they ...
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