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From There To Back Again
"From There to Back Again" is a song by the American rock band the Beach Boys from their 2012 album ''That's Why God Made the Radio''. Written by Brian Wilson and Joe Thomas, the song features Al Jardine and Wilson in the lead vocals, and is part of a four-song suite which concludes the album. The song received critical acclaim from critics, who variously praised it for Jardine's vocal performance, its harmonies, and melodic beauty, with at least one considering it among the band's best ballads since the 1960s. Composition "From There to Back Again" was one of the new songs composed for the album ''That's Why God Made the Radio'', and is the sole new song from its concluding four-song suite, which includes "Strange World", "Pacific Coast Highway", and "Summer's Gone". Reception "From There to Back Again" received critical acclaim from critics. John Bush of Allmusic deemed it the "most beautiful" song of ''That's Why God Made the Radio'' and "one of their best ballads since the '6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys
The Beach Boys are an American Rock music, rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmony, vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry Wilson, Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paste (magazine)
''Paste'' is a monthly music and entertainment digital magazine, headquartered in Atlanta, Georgia, with studios in Atlanta and Manhattan, and owned by Paste Media Group. The magazine began as a website in 1998. It ran as a print publication from 2002 to 2010 before converting to online-only. History The magazine was founded as a quarterly in July 2002 and was owned by Josh Jackson, Nick Purdy, and Tim Regan-Porter. In October 2007, the magazine tried the " Radiohead" experiment, offering new and current subscribers the ability to pay what they wanted for a one-year subscription to ''Paste''. The subscriber base increased by 28,000, but ''Paste'' president Tim Regan-Porter noted the model was not sustainable; he hoped the new subscribers would renew the following year at the current rates and the increase in web traffic would attract additional subscribers and advertisers. Amidst an economic downturn, ''Paste'' began to suffer from lagging ad revenue, as did other magazine pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Ballads
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships An intimate relationship is an interpersonal relationship that involves physical or emotional intimacy. Although an intimate relationship is commonly a sexual relationship, it may also be a non-sexual relationship involving family, friends, or ..., and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop music, pop, contemporary R&B, R&B, soul music, soul, country music, country, folk music, folk, rock music, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmony, harmonie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Ballads
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the later 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2012 Songs
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit (measurement), unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest Positive number, positive integer. It is also sometimes considered the first of the sequence (mathematics), infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010s Ballads
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tack Piano
A tack piano (also known as a harpsipiano, jangle piano, and junk piano) is an altered version of an ordinary piano, in which objects such as thumbtacks or nails are placed on the felt-padded hammers of the instrument at the point where the hammers hit the strings, giving the instrument a tinny, more percussive sound. It is used to evoke the feeling of a honky-tonk piano. Tack pianos are commonly associated with ragtime pieces, often appearing in Hollywood Western saloon scenes featuring old upright pianos. The instrument was originally used for classical music performances as a substitute for a harpsichord A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism .... Honky-tonk piano A honky-tonk piano has a similar tone as a tack piano, however, the method of obtaining its sound is di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Rhodes (musician)
Michael Rhodes is an American bass player, known for his session work and touring in support of other artists, and his collaborations in bands and ensembles. Biography Rhodes was born in Monroe, Louisiana, and taught himself to play the guitar by age 13 and the bass soon after. In the early '70s, Rhodes moved to Austin, Texas, where he performed with local bands. Four years later, Rhodes moved to Memphis, Tennessee, where he performed with Charlie Rich's son Alan. In 1977, Rhodes moved to Nashville, and he joined local band The Nerve with Ricky Rector and Danny Rhodes. He worked as a demo musician for Tree Publishing Company, and then as a session player. Rhodes joined Rodney Crowell, Steuart Smith, Eddie Bayers, and Vince Santoro in the Cicadas. They recorded one album in 1997, but had been playing together for more than a decade. Rhodes was also a member of The Notorious Cherry Bombs, with Crowell, Bayers, Vince Gill, Hank DeVito, and Richard Bennett. Rhodes has contri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Bukovac
Tom Bukovac is an American session musician and producer. He was born in Cleveland, Ohio, and raised in nearby Willowick, Ohio. He has been a Nashville-based musician since 1992. He previously owned 2nd Gear, a used music consignment shop in South Nashville. Career Bukovac began playing guitar at age eight, and performed his first shows at age thirteen at his widowed mother's bar, The Surfside Lounge, in Eastlake, Ohio. He moved to Nashville in 1992 to pursue a career as a guitarist. Bukovac has played on over 500 albums, including projects by Steven Tyler, Stevie Nicks, Bob Seger, John Oates, Joan Osborne, Vince Gill, Dave Stewart, Joss Stone, Hank Williams Jr., Sheryl Crow, Don Henley, Carrie Underwood, Richard Marx, Rascal Flatts, Keith Urban, Willie Nelson, Martina McBride, Faith Hill, Kenny Loggins, Reba McEntire, Blake Shelton, LeAnn Rimes, Florida Georgia Line, Dallas Smith, Lionel Richie, among many others. Bukovac has toured with Joe Walsh (2017 – Tom Petty and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeffrey Foskett
Jeffrey Foskett (February 17, 1956) is an American singer, songwriter, and record producer best known as a touring and studio musician for Brian Wilson and the Beach Boys since the 1980s. Foskett was described as the Beach Boys' "vice principal" by its touring members. In 1996, he debuted as a solo artist with the album ''Thru My Window''. Early career Born and raised in San Jose, California, Foskett began his first band in the 1970s known as Cherry, after the Willow Glen area street on which he lived. Foskett played mostly surf music covers in the same market as Papa Doo Run Run, with whom Foskett would join forces later. In the late 1970s, Foskett formed two renowned bands: The Reverie Rhythm Rockers (aka Reverie) and The Pranks while attending UCSB in Santa Barbara, California, gigging throughout the area with fellow area bands like D. B. Cooper. The band held a house residency at The Troubadore Nightclub in Hollywood Mondays performing with The Mentors, The Cretones, The Poli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Love
Michael Edward Love (born March 15, 1941) is an American singer and songwriter who co-founded the Beach Boys with his cousins Brian, Dennis, and Carl Wilson and their friend Al Jardine. Characterized by his nasal tenor and occasional bass-baritone singing, Love has been one of the band's vocalists and lyricists for their entire career, contributing to each of their studio albums and serving as their frontman for live performances. During the mid-1960s, he was one of Brian's main collaborators, co-writing hit records such as " Fun, Fun, Fun" (1964), " I Get Around" (1964), "Help Me, Rhonda" (1965), "California Girls" (1965), and "Good Vibrations" (1966). Drawing inspiration from Chuck Berry and Felice and Boudleaux Bryant, Love's lyrics primarily reflected the youth culture of surfing, cars, and romance, which helped fashion pop culture's perception of the "California Dream". Love also had a significant role in the Beach Boys' vocal arrangements – particularly the doo-wop ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Johnston
Bruce Arthur Johnston (born Benjamin Baldwin; June 27, 1942) is an American musician, singer, songwriter, and record producer who is a member of the Beach Boys. Johnston also collaborated on many records with Terry Melcher (his bandmate in Bruce & Terry, the Rip Chords, and California Music) and composed the 1975 Barry Manilow hit, " I Write the Songs". Born in Illinois, Johnston grew up in Los Angeles and studied classical piano in his early years. While in high school, he arranged and played on his first hit record, Sandy Nelson's "Teen Beat" (1959), and also worked with musicians such as Kim Fowley and Phil Spector. One of Johnston's first gigs was as a member of the surf band the Gamblers before becoming a staff producer at Columbia Records. In 1965, Johnston joined the Beach Boys for live performances, initially filling in for the group's co-founder Brian Wilson. Johnston's first appearance on the band's records was as a vocalist on " California Girls" (1965). He later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
