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From Keflavík, With Love
''From Keflavík, With Love'' is a retrospective anthology issued in 2001 by Big Beat Records consisting of twenty songs by Thor's Hammer (Hljómar), a 1960s garage rock and beat group from Iceland who were one of the best-known Icelandic groups during the era. Though they worked with different producers on various labels, Thor's Hammer sound is best-typified by the tough, aggressive fuzz-drenched rockers they recorded in London for Parlophone Records in 1966, such as "I Don't Care," "My Life," "Better Days," and "The Big Beat Country Dance", and "If You Knew". While the lyrics to most of their songs were sung in English, several tracks were recorded in their native Icelandic, such as "Fyrsti Kossinn", "Ef Hún Er Nálægt Mér", and "Ertu Med", which was covered by the Savages on their '' Live 'n Wild'' album. Some of the tracks from Thor's Hammer's final period in the late 1960s, such as "Stay", show the group stretching their sound stylistically, augmenting certain arran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freakbeat
Freakbeat is a loosely defined subgenre of rock and roll music developed mainly by harder-driving British groups during the Swinging London period of the mid-to late 1960s. The genre bridges British Invasion R&B, beat and psychedelia. Etymology The term was coined by English music journalist Phil Smee. AllMusic writes that "freakbeat" is loosely defined, but generally describes the more obscure but hard-edged artists of the British Invasion era such as the Creation, the Pretty Things, The Smoke, or Denny Laine (in his early solo work). Compilations Much of the material collected on Rhino Records's 2001 box-set compilation '' Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969'' can be classified as freakbeat. The '' English Freakbeat'' series is a group of five compilation albums, released in the late 1980s, that were issued by AIP Records. The LPs featured recordings that were released in the mid-1960s by English rock bands in R&B and beat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retrospective Album
A compilation album comprises tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Beat Records (UK)
Big Beat Records is a British record label and import distributor owned by Ace Records, specialising in garage rock.David Stubbs, Rob Young ''Ace Records: Labels Unlimited'' 2008 Page 87 Another example of the type of group Big Beat worked with was The Stingrays. As Alec Palao, the American-based English expat, one time member of the band and subsequent Ace consultant, recalls: "The band was an amalgam of everything we were into, be it rockabilly, garage punk, 1970s punk, surf, northern soul, folk-rock; we were omnivores." The Stingrays were the classic example of a band who had supersized on Ace's ever-increasing and eclectic output of lost music. Roster Releases include: * The Ace of Cups *Big Star * Dean Carter *The Chocolate Watchband *Count Five * Creedence Clearwater Revival *The Cramps * The Damned * Fifty Foot Hose *The Flaming Stars * Frumious Bandersnatch *The Fugs * Guana Batz * Dan Hicks *Bert Jansch * Janie Jones & the Lash * Larry and the Blue Notes *Mahogany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thor's Hammer (band)
Thor's Hammer, or Hljómar, was an Icelandic rock band primarily active in the 1960s. Outside of Iceland, they are known among music collectors for their rare releases on Parlophone, sung in English and recorded in London for export. The most famous of these is the 1966 EP ''Umbarumbamba'', regarded as one of the rarest released records in the world and known to fetch prices into the thousands of dollars when a copy surfaces. Their style can be described as garage rock, fuzz rock, and freakbeat, with noticeable influences from both The Who and The Beatles. History Formed in Keflavik in 1963 under the name Hljómar (literally "''Chords''"), they soon became popular in Iceland at a time when local rock music was a rarity. By the mid-1960s they were recording in London on Parlophone Records for the international market, including the EP ''Umbarumbamba'', now a valuable collector's item. This record was recorded as a tie-in with a movie starring the band also entitled ''Umbar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parlophone Records
Parlophone Records Limited (also known as Parlophone Records and Parlophone) is a German–British record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as the Parlophone Company Limited (the Parlophone Co. Ltd.), which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant to Oscar Preuss (who had set up the London branch of the company in 1923), the label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith. In 1962, Martin signed the Beatles, a beat group from Liverpool who earlier th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icelandic Language
Icelandic (; is, íslenska, link=no ) is a North Germanic language spoken by about 314,000 people, the vast majority of whom live in Iceland, where it is the national language. Due to being a West Scandinavian language, it is most closely related to Faroese, western Norwegian dialects, and the extinct language, Norn. The language is more conservative than most other Germanic languages. While most of them have greatly reduced levels of inflection (particularly noun declension), Icelandic retains a four- case synthetic grammar (comparable to German, though considerably more conservative and synthetic) and is distinguished by a wide assortment of irregular declensions. Icelandic vocabulary is also deeply conservative, with the country's language regulator maintaining an active policy of coining terms based on older Icelandic words rather than directly taking in loanwords from other languages. Since the written language has not changed much, Icelandic speakers can read classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Savages (Bermuda Band)
The Savages were a garage rock band from Bermuda that were active in the mid-1960s. They are best remembered for their album, ''Live 'n Wild,'' which was composed largely of self-penned tunes and recorded in front of a live audience, has been mentioned as a seminal work in the genre, and features the song, "The World Ain't Round It's Square". This song has become regarded as a classic 1960s anthem of youthful defiance. History The Savages were formed in 1965 by Paul Muggleton and Jimmy O'Connor, both guitarists. They would often watch fellow Bermudan band, the Gents (Bermuda rock band), the Gents, play at nightclubs and decided to form a band of their own. They recruited Bobby Zuill, on bass, and Howie Rego, on drums. Muggleton usually sang lead vocals along with Jimmy O'Connor, but Zuill handled vocals on certain numbers. According to Paul Muggleton, "We were not sons of diplomants…my father was a printer…both Jimmy O'Connor's and bobby Zuill's fathers were sea captain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live 'n Wild
''Live 'N Wild'' is a live album released in 1966 by The Savages (Bermuda band), The Savages, a garage rock band from Bermuda, which was recorded live at the Hub, a nightclub at the Princess Hotel in their native country. Consisting of mostly self-composed songs, the album is considered a seminal work in the garage rock genre, and features the song, "The World Ain't Round It's Square," which has come to be regarded as a classic '60s anthem of youthful defiance. History Background The Savages were formed in 1965 by Paul Muggleton and Jimmy O'Connor, both guitarists.Bishop, Chris. "The Savages – Live 'n' Wild." Garage Hangover. November 14, 2006 (updated January 26, 2007) http://www.garagehangover.com/savages/"The Savages – Live 'n Wild (Crude 60s Garage Bermuda 1966)." Psychedelic Rock 'n' Roll. https://web.archive.org/web/20150610085836/http://psychedelic-rocknroll.blogspot.com/2009/12/savages-live-n-wild-bermuda-duane-1966.html They would often watch fellow Bermudan band, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
