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From Detroit To St Germain
''From Detroit to St Germain'' is a compilation of songs composed by electronic musician Ludovic Navarre, also known as St. Germain. The 2xCD edition of this album has a different tracklisting. This edition was re-issued digitally in 2012, under subtitle 'The Complete Series For Connoisseurs'. In 2009 it was awarded a silver certification from the Independent Music Companies Association The Independent Music Companies Association (IMPALA), originally the Independent Music Publishers and Labels Association, is a non-profit trade association established in 2000 to help European independent record labels represent their agenda a ... which indicated sales of at least 30,000 copies throughout Europe. Track listing References {{Authority control St. Germain (musician) albums 1999 albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lounge Music
Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music-influenced instrumentals, modern electronica (with chillout, and downtempo influences), while remaining thematically focused on its retro-space age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music. Retrospective usage Exotica, space age pop, and some forms of easy listening music popular during the 1950s and 1960s are now broadly termed "lounge". The term "lounge" does not appear in textual documentation of the period, such as '' Billboard'' magazine or long playing album covers, but has been retroactively applied. While rock and roll was generally influenced by blues and country, lounge music was derived from jazz and othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nu Jazz
Nu jazz (also known as jazztronica, or future jazz) is a genre of jazz and electronic music. The music blends jazz elements with other musical styles, such as funk, electronic music, and free improvisation.Definition from Sergey Chernov, June 7, 2002, in The St. Petersburg Time Overview Nu jazz typically ventures further into the electronic territory than does its close cousin, acid jazz. Nu jazz can be very experimental in nature and can vary widely in sound and concept. The sound departs further from its blues roots than acid jazz does, and instead explores electronic sounds and ethereal jazz sensualities. "The star of Nu jazz is the music itself and not the individual dexterity of the musicians." See also * |
Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep House
Deep house is a subgenre of house music that originated in the 1980s, initially fusing elements of Chicago house with the lush chords of 1980s jazz-funk and touches of soul music. Its origins are attributed to the early recordings of Larry Heard (aka Mr. Fingers), including his influential track " Can You Feel It". Characteristics Deep house is known for tempos typically from 110 to 125 bpm, muted basslines, spacious use of percussion elements (typically using a Roland TR-909 drum machine), soft keyboard sounds (pads), use of advanced chord structures, ambient mixes, and soulful vocals. Lyrics usually focus on positive/uplifting themes or more melancholic subjects akin to blues. The use of vocals persisted in deep house as new forms of house music often abandoned them, but as of 2019, this difference has largely disappeared. History Deep house was largely pioneered by Chicago producers such as Marshall Jefferson ( On the House) and Larry Heard ( Mr. Fingers) and with tracks such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
