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Fritz Dietrich
Fritz Dietrich (13 February 1905 – January 1945) was a German musicologist and composer. Biography Dietrich was born in Pforzheim. After his secondary education there, he attended the Karlsruhe Institute of Technology for one semester, before moving to music. He studied from 1925 in Freiburg with Wilibald Gurlitt and Heinrich Besseler. Later study saw him move to Heidelberg University, where Besseler had moved. For a short time, Dietrich studied in Leipzig at the conservatory, under Karl Straube. From 1931 to 1934, Dietrich took a music assistantship in Heidelberg, whilst training to teach at university level. This he did in 1935, but with the Nazi regime strengthening its grip on the German society, working opportunities for music teachers dwindled. Between 1935 and 1944 Dietrich worked for the Bärenreiter publishing house in Kassel,Online version iKerkmusicus Hans Jansen and himself published a collection of small notebooks with music for laymen. He was conscripted into t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Nörmiger
August Nörmiger (ca. 15601613) was a German composer and court organist in Dresden. He was born and died in Dresden. The main source for Nörmiger's compositions is the manuscript Organ tabulature "Tabulaturbuch auff dem Instrumente", which he compiled for Sophie von Sachsen in 1598. He gives few indications as to his sources. Recordings * ''Mattasin oder Toden Tanz'' 1598 (an example of Danse macabre) on Ars Moriendi Huelgas Ensemble, dir. Paul Van Nevel. * 4 dances ''Tantz Von Gott Will Ich Nicht Lassen'' etc. on Sacred music of the Renaissance; Monte, Lassus, White. by Huelgas Ensemble, dir. Paul Van Nevel (LP CD)"Seon" 60705. 1978 * ''Churf. Sachs. Witwen Erster Mummerey Tanz'' (1598) and ''Der Mohren Auftzugkh'' (1598). Organ tuned to quarter-comma meantone Quarter-comma meantone, or -comma meantone, was the most common meantone temperament in the sixteenth and seventeenth centuries, and was sometimes used later. In this system the perfect fifth is flattened by one qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Four Hands
Piano four hands (french: À quatre mains, german: Zu vier Händen, Vierhändig, it, a quattro mani) is a type of piano duet involving two players playing the same piano simultaneously. A duet with the players playing separate instruments is generally referred to as a '' piano duo''.Bellingham, Jane"piano duet" ''The Oxford Companion to Music'', Ed. Alison Latham, Oxford Music Online, accessed 31 March 2012 Music written for piano four hands is usually printed so that left-hand pages contain only the part for the pianist sitting on the left, while right-hand pages contain only the part for the pianist sitting on the right. The upper part (right) is called ''primo'' while the lower part (left) is called ''secondo''. Repertoire Arrangements By far the greater proportion of music "à quatre mains" consists of arrangements of orchestral and vocal compositions and of quartets and other groups for stringed instruments. Indeed, scarcely any composition of importance for any combin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Hohenfriedberger
"Der Hohenfriedberger" ( AM I, 21 (Army March I, 1c and Army march III, 1b)), also called "Hohenfriedberger Marsch" or "Der Hohenfriedberger Marsch", is one of the most classic and well known German military marches. It takes its name from the victory of the Prussians over the allied Austrians and Saxons on 4 June 1745 during the Second Silesian War at the Battle of Hohenfriedberg, near Striegau. History There are many legends surrounding the origins of the march. Supposedly, the Bayreuther dragoon regiment, which was crucial in securing a Prussian victory, reported to its quarters the day after the battle while the march was played. Whether the march was actually played then is just as questionable as the claim that Frederick II of Prussia was the composer of the piece. (The melody appears to be largely derived from The Pappenheimer March, which dates from the early-17th century.) It is understood that the king issued to the Bayreuther dragoon regiment a ''Gnadenbrief'', or " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Albert (composer)
Heinrich Albert (also Heinrich Alberti) (28 June 1604 – 6 October 1651) was a German composer and poet of the 17th century. He was a member of the Königsberg Poetic Society (''Königsberger Dichterkreis''). As a song composer, he was strongly influenced by Heinrich Schütz. Biography Albert was born in Lobenstein, Principality of Reuss in Thuringia. He attended grammar school in Gera from 1619 to 1621 and studied music in 1622 with his cousin Heinrich Schütz in Dresden. Schütz introduced him to the basics of composition. Complying with his parents wishes, Albert enrolled in law at the University of Leipzig in 1623. There, he also continued his studies in music, probably with Johann Hermann Schein, a friend of Schütz, who worked as in Leipzig. In 1626, Albert tried to dodge the Thirty Years' War, going to Königsberg. In the following year, he traveled from Königsberg to Warsaw as a member of a Dutch parley delegation, but was taken captive by Swedish troops. He was rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Jahrbuch
The ''Bach-Jahrbuch'' ("Bach yearbook" or according to the publication's website "Bach Annals") is an Periodical literature, annual publication related to the composer Bach. It is published in German by the Neue Bachgesellschaft in Leipzig. It is the most respected publication for international Bach research. The ''Bach-Jahrbuch'' contains contributions of notable Bach scholars related to recent research of Bach and his family. It also provides a Bach bibliography. Begun in 1904, it is the oldest periodical dedicated to one composer. The first editor was the musicologist Arnold Schering from 1904. The present editor is Peter Wollny. Editors * Arnold Schering (1904–1939) * Max Schneider (music historian), Max Schneider (1940–1952) * Alfred Dürr and Werner Neumann (1953–1974) * Hans-Joachim Schulze and Christoph Wolff (1975–2005) * Peter Wollny (from 2005) External links * Neue Bachgesellschaft {{italic title Annual publications Classical music publications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Recorder
The alto recorder in F, also known as a treble (and, historically, as consort flute and common flute) is a member of the recorder family. Up until the 17th century the alto instrument was normally in G4 instead of F4. The alto is between the soprano and tenor in size, and is correspondingly intermediate in pitch. It has the same general shape as a soprano, but is larger in all dimensions, resulting in a lower pitch for a given fingering. The F alto is a non-transposing instrument, though its basic scale is in F, that is, a fifth lower than the soprano recorder and a fourth higher than the tenor (both with a basic scale in C). So-called F fingerings are therefore used, as with the bassoon or the low register of the clarinet, in contrast to the C fingerings used for most other woodwinds. Its notation is usually at sounding pitch, but sometimes is written an octave lower than it sounds. History Recorders are known to have been made in different sizes since at least the 15th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fifth
In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval from the first to the last of five consecutive Musical note, notes in a diatonic scale. The perfect fifth (often abbreviated P5) spans seven semitones, while the Tritone, diminished fifth spans six and the augmented fifth spans eight semitones. For example, the interval from C to G is a perfect fifth, as the note G lies seven semitones above C. The perfect fifth may be derived from the Harmonic series (music), harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant (music), dominant note is a perfect fifth above the tonic (music), tonic note. The perfect fifth is more consonance and dissonance, consonant, or stable, than any other interval except the unison and the octave. It occurs above the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
