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Friendship Improved
''Friendship Improved, or the Female Warrior'' is a 1699 tragedy by the English writer Charles Hopkins.Wagonheim p.204 The original Lincoln's Inn Fields cast included Thomas Betterton as Zoulis, John Verbruggen as Maherbal, Elizabeth Barry as Semanthe, Henrietta Moore Dame Henrietta Louise Moore, (born 18 May 1957) is a British social anthropologist. She is the director of the Institute for Global Prosperity at University College, London (UCL), part of the Bartlett, UCL's Faculty of the Built Environment. ... as Cyllene, Anne Bracegirdle as Locris and Mary Porter as Orithyia. References Bibliography * Wagonheim, Sylvia Stoler. ''The Annals of English Drama 975-1700''. Routledge, 2013. * Watson, George. ''The New Cambridge Bibliography of English Literature: Volume 2, 1660–1800. Cambridge University Press, 1971. 1699 plays West End plays Tragedy plays Plays by Charles Hopkins {{17thC-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Hopkins (poet)
Charles Hopkins (1664?–1700?) was an Anglo-Irish poet and dramatist. Life The elder son of Ezekiel Hopkins, bishop of Derry, Charles Hopkins was born about 1664 at Exeter and was taken early to Ireland. He was educated at Trinity College, Dublin, and then at Queens' College, Cambridge, where he graduated B.A. 1688. Returning to Ireland, Hopkins engaged in military service. He subsequently settled in England, and gained some reputation as a writer of poems and plays. Giles Jacob in the ''Poetical Register'' says that Hopkins might have made a fortune in any scene of life, but was unmotivated. His death aged 35, about the beginning of 1700, was put down to a debauched lifestyle. Works John Dryden, in a letter to Mrs. Steward (7 November 1699), described Hopkins as "a poet who writes good verses without knowing how or why; I mean, he writes naturally well, without art or learning or good sense." He wrote: * ''Epistolary Poems; on several Occasions: With several of the Choic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Betterton
Thomas Patrick Betterton (August 1635 – 28 April 1710), the leading male actor and theatre manager during Restoration England, son of an under-cook to King Charles I, was born in London. Apprentice and actor Betterton was born in August 1635 in Tothill Street, Westminster.''The National Cyclopaedia of Useful Knowledge'', Vol.III, London, Charles Knight, 1847, p.273 He was apprenticed to John Holden, Sir William Davenant's publisher, and possibly later to a bookseller named John Rhodes, who had been wardrobe-keeper at the Blackfriars Theatre. In 1659, Rhodes obtained a license to set up a company of players at the Cockpit Theatre in Drury Lane; and on the reopening of this theatre in 1660, Betterton made his first appearance on the stage. Betterton's talents at once brought him into prominence, and he was given leading parts. On the opening of the new theatre in Lincoln's Inn Fields in 1661, Davenant, the patentee of the Duke's Company, engaged Betterton and all Rhodes's co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Verbruggen
John Baptista Verbruggen, d. 1708, was an English actor working in London. Verbruggen is first mentioned as a member of the United Company in a Lord Chamberlain's warrant in 1688. His name does not appear in any cast lists until October 1690. The ''Biographical Dictionary of Actors'' contains an inconclusive discussion of the statement in Thomas Davies's ''Dramatic Miscellanies'' (1784) that Verbruggen was identical to the actor referred to in 1680s and 90s cast lists as "Mr. Alexander", supposedly an alias based on the part of Alexander the Great in John Dryden's '' Rival Queens''. The evidence is confusing, and there is no independent support for Davies's anecdote, written down a century later. Verbruggen had never played the part of Alexander the Great and was not to do so until January 1703. One reason for Verbruggen to use a different name might have been that his own was often misspelled: Verbrugen, Verbrogell, Verkruggan, Verbrugger. As "John Verbuggin", he is recorded as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henrietta Moore (actress)
Dame Henrietta Louise Moore, (born 18 May 1957) is a British social anthropologist. She is the director of the UCL Institute for Global Prosperity at University College, London, part of the Bartlett, UCL's Faculty of the Built Environment. Early life Moore graduated from Durham University with an upper second in Archaeology and Anthropology in 1979. She continued her studies at Newnham College, Cambridge, completing a PhD in 1983. Career After leaving university Moore spent one year working for the United Nations in Burkina Faso as a Field Director. She then became a Curatorial Assistant at the Museum of Archaeology and Anthropology, University of Cambridge before joining the University of Kent as a Lecturer in Social Anthropology in 1985. Moore eventually rejoined Cambridge as a lecturer, where she became Director of Studies in Anthropology at Girton College and then a Fellow of Pembroke College in 1989. After a series of academic appointments in Social Anthropology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Bracegirdle
Anne Bracegirdle (possibly 167112 September 1748) was an English actress. Biography Bracegirdle was born to Justinian and Martha (born Furniss) Bracegirdle in Northamptonshire. She was baptised in Northampton on 15 November 1671, although her tombstone says that she died at the age of 85 (suggesting that she was born around 1663)."Anne was baptized, probably as an infant, at St Giles, Northampton, on 15 November 1671 and was about seventy-seven when she died in 1748, rather than eighty-five, as recorded on her tombstone in Westminster Abbey." J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> She was probably raised by actors Thomas and Mary Betterton from an early age,J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> and it is speculated tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Porter (actress)
Mary Porter (died 24 February 1765) was an English actress. Life She was brought to the attention of Betterton by Elizabeth Barry, who had seen her play the Fairy Queen at Bartholomew Fair. In his company she made her first appearance in 1699, in tragedy, in which she was at her best, although she also played a long list of comedy parts. When her friends, Mrs Barry, Mrs Bracegirdle and Mrs Oldfield, had retired from the stage, she was left its undisputed queen. In 1713 she appeared in John Gay's comedy '' The Wife of Bath'' at Drury Lane. In 1724 she featured in his tragedy '' The Captives'' as Astarbe, Queen of Media. Selected roles * Mirabel in ''The Rival Fools'' by Colley Cibber (1709) * Alicia in ''Jane Shore'' by Nicholas Rowe (1714) * Lady Woodvill in '' The Non-Juror'' by Colley Cibber (1717) * Eudocia in ''The Siege of Damascus'' by John Hughes (1720) * Astarbe in '' The Captives'' by John Gay John Gay (30 June 1685 – 4 December 1732) was an English poet and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1699 Plays
Events January–March * January 5 – A 1699 Java earthquake, violent Java earthquake damages the city of Batavia, Dutch East Indies, Batavia on the Indonesian island of Java, killing at least 28 people * January 20 – The Parliament of England (under Tories (British political party), Tory dominance) limits the size of the country's standing army to 7,000 'native born' men; hence, William III of England, King William III's Dutch Blue Guards cannot serve in the line. By an Act of February 1, it also requires disbandment of foreign troops in Ireland. * January 26 – The Republic of Venice, Polish–Lithuanian Commonwealth and Holy Roman Empire sign the Treaty of Karlowitz with the Ottoman Empire, marking an end to the major phase of the Ottoman–Habsburg wars. The treaty marks a major geopolitical shift, as the Ottoman Empire subsequently abandons its expansionism and adopts a defensive posture while the Habsburg monarchy expands its influence. * February 3 – The first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
