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Friederike Grün
Friederike Grün (14 June 1836 – January 1917) was a German operatic soprano who had an active career during the latter half of the 19th century. Possessing a powerful voice with a wide vocal range, she sang a broad repertoire that encompassed Italian, French, and German opera. High points from her stage repertoire included the title heroine in Vincenzo Bellini's ''Norma'', Agathe in Carl Maria von Weber's ''Der Freischütz'', Leonore in ''Fidelio'', Rachel in Fromental Halévy's '' La Juive'', and Valentine in Giacomo Meyerbeer's ''Les Huguenots''. She is best remembered today for portraying several roles in the first complete presentation of Richard Wagner's '' The Ring Cycle'' at the very first Bayreuth Festival in 1876. Biography Born in Mannheim, Grün studied singing in her native city with Hofkapellmeister Vincenz Lachner. She began her career as a member of the opera chorus at the Nationaltheater Mannheim in 1857. In the early 1860s, she began appearing as a soloist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friederike Grün
Friederike Grün (14 June 1836 – January 1917) was a German operatic soprano who had an active career during the latter half of the 19th century. Possessing a powerful voice with a wide vocal range, she sang a broad repertoire that encompassed Italian, French, and German opera. High points from her stage repertoire included the title heroine in Vincenzo Bellini's ''Norma'', Agathe in Carl Maria von Weber's ''Der Freischütz'', Leonore in ''Fidelio'', Rachel in Fromental Halévy's '' La Juive'', and Valentine in Giacomo Meyerbeer's ''Les Huguenots''. She is best remembered today for portraying several roles in the first complete presentation of Richard Wagner's '' The Ring Cycle'' at the very first Bayreuth Festival in 1876. Biography Born in Mannheim, Grün studied singing in her native city with Hofkapellmeister Vincenz Lachner. She began her career as a member of the opera chorus at the Nationaltheater Mannheim in 1857. In the early 1860s, she began appearing as a soloist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hofkapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Empire
The Russian Empire was an empire and the final period of the Russian monarchy from 1721 to 1917, ruling across large parts of Eurasia. It succeeded the Tsardom of Russia following the Treaty of Nystad, which ended the Great Northern War. The rise of the Russian Empire coincided with the decline of neighbouring rival powers: the Swedish Empire, the Polish–Lithuanian Commonwealth, Qajar Iran, the Ottoman Empire, and Qing China. It also held colonies in North America between 1799 and 1867. Covering an area of approximately , it remains the third-largest empire in history, surpassed only by the British Empire and the Mongol Empire; it ruled over a population of 125.6 million people per the 1897 Russian census, which was the only census carried out during the entire imperial period. Owing to its geographic extent across three continents at its peak, it featured great ethnic, linguistic, religious, and economic diversity. From the 10th–17th centuries, the land ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period ... refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Comunale Di Bologna
The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early 17th century, they had either fallen into disuse or burnt down. However, from the early 18th century, the ''Teatro Marsigli-Rossi'' had been presenting operatic works by popular composers of the day including Vivaldi, Gluck, and Niccolò Piccinni. The ''Teatro Malvezzi'', built in 1651, burned down in February 1745 and this event prompted the construction of a new public theatre, the ''Nuovo Teatro Pubblico'', as the Teatro Comunale was first called when it opened on 14 May 1763. Design and inauguration Despite opposition from other competitors, the architect Antonio Galli Bibiena won the theatre design contract. The theatre's inaugural performance was Gluck's ''Il trionfo di Clelia'', an opera which Gluck had composed for the occasion. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatsoper Stuttgart
The Staatsoper Stuttgart (Stuttgart State Opera) is a German opera company based in Stuttgart, the capital of Baden-Württemberg, Germany. The Staatsorchester Stuttgart serves as its resident orchestra. History Performances of operas, ballet and plays in Stuttgart took place from the 17th century at the hall of . The probably first opera production was in 1660 the singspiel ''Der Raub der Proserpina'' by Hofkapellmeister Samuel Capricornus. Four years later, a permanent stage was established. In 1750, the building was remodeled as Stuttgart's opera house, named ''Königliches Hoftheater'' (Royal Court Theatre) in 1811. It burnt down in 1902, and opera was performed in a provisional ''Interimstheater''. Today's opera house was built from 1909 to 1912 by architect Max Littmann from Munich, with two halls, ''Großes Haus'' and ''Kleines Haus''. After the end of the monarchy in 1918, the theatres were named ''Württembergische Landestheater''. The ''Kleines Haus'', site of the world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Lamperti
Francesco Lamperti (11 March 1811 or 1813 – 1 May 1892) was an Italian singing teacher. Biography A native of Savona, Lamperti attended the Milan Conservatory where, beginning in 1850, he taught for a quarter of a century. He was director at the Teatro Filodrammatico in Lodi. In 1875, he left the school and began to teach as a private tutor. Among his pupils were Sophie Cruvelli, Emma Albani, Gottardo Aldighieri, Désirée Artôt, Sona Aslanova, Lillie Berg, David Bispham, Italo Campanini, Virgilio Collini, Samuel Silas Curry, Franz Ferenczy, Friederike Grün, Teresa Stolz, Marie van Zandt, Maria Waldmann, Herbert Witherspoon, Tecla Vigna, and Lizzie Graham. Fernando Callejo Ferrer. "Música y Músicos Portorriqueños." Project Gutenberg. 4 August 2013. Page 188 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin State Opera
The (), also known as the Berlin State Opera (german: Staatsoper Berlin), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of Prussian king Frederick the Great from 1741 to 1743 according to plans by Georg Wenzeslaus von Knobelsdorff in the Palladian style. Damaged during the Allied bombing in World War II, the former Royal Prussian Opera House was rebuilt from 1951 to 1955 as part of the Forum Fridericianum square. Nicknamed ''Lindenoper'' in Berlin, it is "the first theater anywhere to be, by itself, a prominent, freestanding monumental building in a city." History Names Originally called the ''Königliche Oper'' (Royal Opera) from 1743, it was renamed as the ''Preußische Staatsoper'' (Prussian State Opera) in 1919, then as the ''Deutsche Staatsoper '' in 1955. Until 1990, it housed the state opera of East Germany. Since 1990, it is officially called the ''Staatsoper Unter den Linden'' (State Ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oper Der Stadt Köln
The Cologne Opera (German: Oper der Stadt Köln or Oper Köln) refers both to the main opera house in Cologne, Germany and to its resident opera company. History of the company From the mid 18th century, opera was performed in the city's court theatres by travelling Italian opera companies. The first permanent company in the city was established in 1822, and performed primarily in the Theater an der Schmierstraße (built in 1783 as a private theatre and also used for plays and concerts). The opera company later performed in Theater in der Glockengasse (built in 1872) and in the Theater am Habsburger Ring (built in 1902). The Theater am Habsburger Ring was constructed by the city of Cologne and became its first theatre to be specifically designed as an opera house. The opera house The current opera house was designed by the German architect, Wilhelm Riphahn. It was inaugurated on 8 May 1957 in the presence of Konrad Adenauer, then the Chancellor of Germany and a former mayor of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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