|
French Spacing
The history of sentence spacing is the evolution of sentence spacing conventions from the introduction of movable type in Europe by Johannes Gutenberg to the present day. Typesetting in all European languages enjoys a long tradition of using spaces of varying widths for the express purpose of enhancing readability. American, English, French, and other European typesetters' style guides—also known as ''printers' rules''—specified spacing rules which were all essentially identical from the 18th century onwards. Early English language guides by Jacobi in the UK and MacKellar, Harpel, Bishop, and De Vinne in the USMacKellar, Thomas (1866) ''The American Printer: A Manual of Typography, Containing Complete Instructions for Beginners, as Well as Practical Directions for Managing Every Department of a Printing Office'' Philadelphia; MacKellar Smiths & Jordan; Harpel, Oscar (1870) ''Harpel's Typograph, or Book of Specimens Containing Useful Information, Suggestions and a Collection of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentence Spacing
Sentence spacing concerns how spaces are inserted between sentences in typeset text and is a matter of typographical convention. Since the introduction of movable-type printing in Europe, various sentence spacing conventions have been used in languages with a Latin alphabet. These include a normal word space (as between the words in a sentence), a single enlarged space, and two full spaces. Until the 20th century, publishing houses and printers in many countries used additional space between sentences. There were exceptions to this traditional spacing method—some printers used spacing between sentences that was no wider than word spacing. This was '' French spacing''—a term synonymous with single-space sentence spacing until the late 20th century. With the introduction of the typewriter in the late 19th century, typists used two spaces between sentences to mimic the style used by traditional typesetters. Bringhurst 2004. p. 28. While wide sentence spacing was phased ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornell University Press
The Cornell University Press is the university press of Cornell University; currently housed in Sage House, the former residence of Henry William Sage. It was first established in 1869, making it the first university publishing enterprise in the United States, but was inactive from 1884 to 1930. The press was established in the College of the Mechanic Arts (as mechanical engineering was called in the 19th century) because engineers knew more about running steam-powered printing presses than literature professors. Since its inception, The press has offered work-study financial aid: students with previous training in the printing trades were paid for typesetting and running the presses that printed textbooks, pamphlets, a weekly student journal, and official university publications. Today, the press is one of the country's largest university presses. It produces approximately 150 nonfiction titles each year in various disciplines, including anthropology, Asian studies, biologica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typesetting
Typesetting is the composition of text by means of arranging physical ''type'' (or ''sort'') in mechanical systems or ''glyphs'' in digital systems representing ''characters'' (letters and other symbols).Dictionary.com Unabridged. Random House, Inc. 23 December 2009Dictionary.reference.com/ref> Stored types are retrieved and ordered according to a language's orthography for visual display. Typesetting requires one or more fonts (which are widely but erroneously confused with and substituted for typefaces). One significant effect of typesetting was that authorship of works could be spotted more easily, making it difficult for copiers who have not gained permission. Pre-digital era Manual typesetting During much of the letterpress era, movable type was composed by hand for each page by workers called compositors. A tray with many dividers, called a case, contained cast metal '' sorts'', each with a single letter or symbol, but backwards (so they would print correctly). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Style Guides
A style guide or manual of style is a set of standards for the writing, formatting, and design of documents. It is often called a style sheet, although that term also has multiple other meanings. The standards can be applied either for general use, or be required usage for an individual publication, a particular organization, or a specific field. A style guide establishes standard style requirements to improve communication by ensuring consistency both within a document, and across multiple documents. Because practices vary, a style guide may set out standards to be used in areas such as punctuation, capitalization, citing sources, formatting of numbers and dates, table appearance and other areas. The style guide may require certain best practices in writing style, usage, language composition, visual composition, orthography, and typography. For academic and technical documents, a guide may also enforce the best practice in ethics (such as authorship, research ethics, and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphans And Widows
In typesetting, widows and orphans are lines of text that dangle at the beginning and at the end of a block of text, either at the head or at the foot of a page or of a column of text. Definitions ;Widow: A paragraph-ending line that falls at the beginning of the following page or column, thus separated from the rest of the text. Mnemonically, a widow is "alone at the top" (of the family tree but, in this case, of the page). ;Orphan: A paragraph-opening line that appears by itself at the bottom of a page or column, thus separated from the rest of the text. Mnemonically, an orphan is "alone at the bottom" (of the family tree but, in this case, of the page). : Alternately, a word, part of a word, or very short line that appears by itself at the end of a paragraph. Mnemonically still "alone at the bottom", just this time at the bottom of a paragraph. Orphans of this type give the impression of too much white space between paragraphs. Guidelines Regarding page design and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentence Spacing Studies
Sentence spacing concerns how spaces are inserted between sentences in typeset text and is a matter of typographical convention. Since the introduction of movable-type printing in Europe, various sentence spacing conventions have been used in languages with a Latin alphabet. These include a normal word space (as between the words in a sentence), a single enlarged space, and two full spaces. Until the 20th century, publishing houses and printers in many countries used additional space between sentences. There were exceptions to this traditional spacing method—some printers used spacing between sentences that was no wider than word spacing. This was '' French spacing''—a term synonymous with single-space sentence spacing until the late 20th century. With the introduction of the typewriter in the late 19th century, typists used two spaces between sentences to mimic the style used by traditional typesetters. Bringhurst 2004. p. 28. While wide sentence spacing was phased out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentence Spacing In Digital Media
Sentence spacing in digital media concerns the horizontal width of the space between sentences in computer- and web-based media. ''Digital media'' allow sentence spacing variations not possible with the typewriter. Most digital fonts permit the use of a variable space or a no-break space. Some modern font specifications, such as OpenType, have the ability to automatically add or reduce space after punctuation, and users may be able to choose sentence spacing variations. Modern fonts allow spacing variations that the average user can easily manipulate, such as: non-breaking short spaces (thin spaces), non-breaking normal spaces (thick spaces), breaking normal spaces (thick spaces), and breaking long spaces (em spaces). Word processors and text input programs The typesetting software TeX treats horizontal runs of whitespace as a single space, but uses a heuristic to recognize sentence endings—typesetting the spaces after them slightly wider than a normal space. This is the def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentence Spacing In Language And Style Guides
Sentence spacing guidance is provided in many language and style guides. The majority of style guides that use a Latin-derived alphabet as a language base now prescribe or recommend the use of a single space after the concluding punctuation of a sentence. Background Historical style guides before the 20th century typically indicated that wider spaces were to be used between sentences. Standard word spaces were about one-third of an em space, but sentences were to be divided by a full em-space. With the arrival of the typewriter in the late 19th century, style guides for writers began diverging from printer's manuals, indicating that writers should double-space between sentences. This held for most of the 20th century until the computer began replacing the typewriter as the primary means of creating text. In the 1990s, style guides reverted to recommending a single-space between sentences. However, instead of a slightly larger sentence space, style guides simply indicated a stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentence Spacing
Sentence spacing concerns how spaces are inserted between sentences in typeset text and is a matter of typographical convention. Since the introduction of movable-type printing in Europe, various sentence spacing conventions have been used in languages with a Latin alphabet. These include a normal word space (as between the words in a sentence), a single enlarged space, and two full spaces. Until the 20th century, publishing houses and printers in many countries used additional space between sentences. There were exceptions to this traditional spacing method—some printers used spacing between sentences that was no wider than word spacing. This was '' French spacing''—a term synonymous with single-space sentence spacing until the late 20th century. With the introduction of the typewriter in the late 19th century, typists used two spaces between sentences to mimic the style used by traditional typesetters. Bringhurst 2004. p. 28. While wide sentence spacing was phased ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steganography
Steganography ( ) is the practice of representing information within another message or physical object, in such a manner that the presence of the information is not evident to human inspection. In computing/electronic contexts, a computer file, message, image, or video is concealed within another file, message, image, or video. The word ''steganography'' comes from Greek ''steganographia'', which combines the words ''steganós'' (), meaning "covered or concealed", and ''-graphia'' () meaning "writing". The first recorded use of the term was in 1499 by Johannes Trithemius in his '' Steganographia'', a treatise on cryptography and steganography, disguised as a book on magic. Generally, the hidden messages appear to be (or to be part of) something else: images, articles, shopping lists, or some other cover text. For example, the hidden message may be in invisible ink between the visible lines of a private letter. Some implementations of steganography that lack a shared secret are f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Art Of Computer Programming
''The Art of Computer Programming'' (''TAOCP'') is a comprehensive monograph written by the computer scientist Donald Knuth presenting programming algorithms and their analysis. Volumes 1–5 are intended to represent the central core of computer programming for sequential machines. When Knuth began the project in 1962, he originally conceived of it as a single book with twelve chapters. The first three volumes of what was then expected to be a seven-volume set were published in 1968, 1969, and 1973. Work began in earnest on Volume 4 in 1973, but was suspended in 1977 for work on typesetting prompted by the second edition of Volume 2. Writing of the final copy of Volume 4A began in longhand in 2001, and the first online pre-fascicle, 2A, appeared later in 2001. The first published installment of Volume 4 appeared in paperback as Fascicle 2 in 2005. The hardback Volume 4A, combining Volume 4, Fascicles 0–4, was published in 2011. Volume 4, Fascicle 6 ("Satisfiability") was rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Knuth
Donald Ervin Knuth ( ; born January 10, 1938) is an American computer scientist, mathematician, and professor emeritus at Stanford University. He is the 1974 recipient of the ACM Turing Award, informally considered the Nobel Prize of computer science. Knuth has been called the "father of the analysis of algorithms". He is the author of the multi-volume work ''The Art of Computer Programming'' and contributed to the development of the rigorous analysis of the computational complexity of algorithms and systematized formal mathematical techniques for it. In the process, he also popularized the asymptotic notation. In addition to fundamental contributions in several branches of theoretical computer science, Knuth is the creator of the TeX computer typesetting system, the related METAFONT font definition language and rendering system, and the Computer Modern family of typefaces. As a writer and scholar, Knuth created the WEB and CWEB computer programming systems designed to encou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
