Freeman Études
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Freeman Études
''Freeman Etudes'' are a set of etudes for solo violin composed by John Cage. Like the earlier '' Etudes Australes'' for piano, these works are incredibly complex, nearly impossible to perform, and represented for Cage the "practicality of the impossible" as an answer to the notion that resolving the world's political and social problems is impossible. Details In 1977 Cage was approached by Betty Freeman, who asked him to compose a set of etudes for violinist Paul Zukofsky (who would, at around the same time, also help Cage with work on the violin transcription of '' Cheap Imitation''). Cage decided to model the work on his earlier set of etudes for piano, '' Etudes Australes''. That work was a set of 32 etudes, 4 books of 8 etudes each, and composed using controlled chance by means of star charts and, as was usual for Cage, the ''I Ching''. Zukofsky asked Cage for music that would be notated in a conventional manner, which he assumed Cage was returning to in ''Etudes Australes' ...
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Arditti Quartet
The Arditti Quartet is a string quartet founded in 1974 and led by the British violinist Irvine Arditti. The quartet is a globally recognized promoter of contemporary classical music and has a reputation for having a very wide repertoire. They first became known taking into their repertoire technically challenging pieces. Over the years, there have been personnel changes but Irvine Arditti is still at the helm, leading the group. The repertoire of the group is mostly music from the last 50 years with a strong emphasis on living composers. Their aim from the beginning has been to collaborate with composers during the rehearsal process. However, unlike some other groups, it is loyal to music of a classical vein and avoids cross-genre music. The Quartet has performed in major concert halls and cultural festivals all over the world and has the longest discography of any group of its type. In 1999, it won the Ernst von Siemens Music Prize for lifetime achievement, being the firs ...
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Compositions By John Cage
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ...
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Irvine Arditti
Irvine Arditti (born 8 February 1953) is a British violinist, as well as the leader and founder of the Arditti Quartet. Biography Arditti attended the Central Foundation Boys' School in London before continuing his studies at the Royal Academy of Music at the age of 16 where he studied with Clarence Myerscough and Manoug Parikian. He joined the London Symphony Orchestra in 1976 and after two years, at the age of 25, became its Co-Concert Master. He left the orchestra in 1980 to devote more time to the Arditti Quartet which he had formed while still a student. In 1988 he was made an honorary Fellow of the Royal Academy of Music in recognition of his distinguished work. The Arditti Quartet was awarded the prestigious Ernst von Siemens Music Prize in 1999 for 'lifetime achievement' in music. An honorary fellowship followed from the Royal Swedish Academy of Music and in 2014 was awarded an honorary doctorate to the University off Huddersfield. In 2017 he received the Charles Cros ...
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Richard Kostelanetz
Richard Cory Kostelanetz (born May 14, 1940) is an American artist, author, and critic. Birth and Education Kostelanetz was born to Boris Kostelanetz and Ethel Cory and is the nephew of the conductor Andre Kostelanetz. He has a B.A. (1962) from Brown University and an M.A. (1966) in American History from Columbia University under Woodrow Wilson, NYS Regents, and International Fellowships; he also studied at King's College London as a Fulbright Scholar during 1964-1965.''Directory of American Scholars'', 6th ed. (Bowker, 1974), Vol. I, p. 350. He is the recipient of grants from the Guggenheim Foundation (1967), Pulitzer Foundation (1965), the DAAD Berliner Kunstlerprogramm (1981–1983), Vogelstein Foundation (1980), Fund for Investigative Journalism (1981), Pollock-Krasner Foundation (2001), CCLM (1981), ASCAP (1983 annually to the present), American Public Radio Program Fund (1984), and the National Endowment for the Arts with ten individual awards (1976, 1978, 1979, 1981, 19 ...
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Etudes Boreales
''Etudes Boreales'' is a set of etudes for cello and/or piano composed by John Cage in 1978. The set is a small counterpart to Cage's other etude collections - ''Etudes Australes'' for piano and ''Freeman Etudes'' for violin. ''Etudes Boreales'' were composed for, and dedicated to, the cellist Jack Kirstein (1921-1996) and his wife, the pianist Jeanne Kirstein (1924-1979). The latter performed Cage's piano works in the 1970s, but found ''Etudes Boreales'' unplayable; the first performer to find a way to play the pieces was percussionist Michael Pugliese (Pritchett, 199). The set comprises four pieces. The cello parts are technically similar to ''Freeman Etudes'': they are extremely demanding pieces composed using chance operations, every aspect of the work meticulously detailed in the score. The difference between the works is that in ''Etudes Boreales'' the pitch range is limited at any given time, and changes throughout the pieces, whereas in ''Freeman Etudes'' the range was unl ...
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