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Freeez
Freeez were an English electronic music group, initially known as one of the UK's main jazz-funk bands of the early 1980s. Initiated by John Rocca, Freeez consisted of various musicians, originally with Rocca and others such as Andy Stennett (keyboards), Peter Maas (bass guitar) and Paul Morgan or Everton McCalla (drums). They had an international hit with "I.O.U. (Freeez song), IOU", and a UK top 10 with "Southern Freeez (song), Southern Freeez". Career The jazz funk band Freeez started in the back streets of North London in 1978. Their first single, "Keep In Touch" (1979) was self funded and produced by John Rocca on his Pink Rhythm Record label (later signed to Calibre/Pye Records, Pye), and included guitarist Jean-Paul 'Bluey' Maunick, who went on to become the initiator of the musical band Incognito (band), Incognito. Freeez is known for its UK Top 40, top 10 song "Southern Freeez (song), Southern Freeez", from the album of the same name, also self funded and produced by J ...
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Southern Freeez (song)
"Southern Freeez" produced by John Rocca was the first single released by British dance band Freeez from their debut album, also entitled '' Southern Freeez''. The album was self-funded by member John Rocca and initially released on his Pink Rhythm record label before the group was signed to Beggars Banquet. Song information Freeez gained far higher recognition and sales with this record than with the previous single, " Keep in Touch". "Southern Freeez" reached number one in the blues and soul chart and spent two weeks at number 8 of the UK Singles Chart during early 1981 ("Keep In Touch" reached number 49). Guest Ingrid Mansfield Allman provided vocals. The titular Southern Freeez is attested to derive from a dance move, "The Freeze," used by clubbers in the "Royalty" club, Southgate in the early 1980s. A then-popular song, "The Groove" by Rodney Franklin, has moments where the band drops out for a bar, and a style of freezing movement at these points took hold. Remix In 19 ...
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John Rocca
John Rocca (born 23 September 1960) is an English dance music performer, remixer and record producer, most well known for his band Freeez. History During the early 1980s, Rocca formed, played with, wrote for, produced and managed his first band, Freeez. After his entrepreneurial first self-funded and self-released effort, " Keep in Touch", became a No. 49 hit on the UK Singles Chart, his next effort, '' Southern Freeez'', was a chart success in various countries in Europe and around the world, reaching No. 8 in the UK Singles Chart. Both singles were number one hits in the UK Blues and Soul charts. During 1983, one of the first records to use digital sampling, " IOU", featured Rocca's falsetto voice and became one of the major dance successes of the 1980s electro music style. It scored number one in dance charts in Europe and the US ''Billboard'' Hot Dance Music/Club Play and had popular music chart success across the world, spending three weeks at number 2 in the UK. As a sol ...
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Pop Goes My Love/Scratch Goes My Dub
"Pop Goes My Love"/"Scratch Goes My Dub" is a single recorded for Beggars Banquet Records by British group Freeez. It was produced by Arthur Baker and featured on the album '' Gonna Get You''. The song reached #26 in the UK Singles Chart. In the United States, the single reached #47 on the Billboard R&B singles chart and #5 in the Hot Dance Club Play chart. BillboardAllmusic.com. Track listing 1983 releases ;12" vinyl * US: Streetwise / SWRL-2215 vinyl label reads, "Recorded & Mixed at Unique Studios, N.Y." ;7" vinyl * UK, Spanish and German Charts Credits *Written by Maas, Rocca, Stennett, and Baker *Produced and mixed by Arthur Baker **Mixed at Unique **Engineers: Frank Heller, Jay Burnett *Recorded at Unique, Vanguard; Daily Planet, New York City References and notes *"Pop Goes My Love" 7" single on web Discogs.com See also *Freeez Freeez were an English electronic music group, initially known as one of the UK's main jazz-funk bands of the early 1980s. Ini ...
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That Beats My Patience
"That Beats My Patience" is a non-charted song by British group Freeez from album "''Idle Vice''", released by Beggars Banquet Records. Track listing UK & French single # A "That Beats My Patience" - ''5:50'' # B "All The Way", "Tell Me What To Do" - ''11:08'' Credits *Produced by Mark Berry (tracks no. 2, 3), Peter Wilson (track no. 1) *Remixed by Peter Wilson (track no. 3) References See also *Freeez Freeez were an English electronic music group, initially known as one of the UK's main jazz-funk bands of the early 1980s. Initiated by John Rocca, Freeez consisted of various musicians, originally with Rocca and others such as Andy Stennett ( ... {{Freeez 1985 singles Freeez songs 1985 songs Beggars Banquet Records singles ...
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Jellybean Benitez
John Benitez (born November 7, 1957), also known as Jellybean, is an American musician, songwriter, DJ, remixer, and music producer. He has produced and remixed artists such as Madonna, Whitney Houston, Michael Jackson, and the Pointer Sisters. He was later the executive producer of Studio 54 Radio. In December 2016, ''Billboard magazine'' ranked him as the 99th most successful dance artist of all-time. Life and career Early life Benitez was born in the South Bronx neighborhood of New York City, the son of Puerto Rican parents. After his parents divorced, Benitez and his younger sister Debbie were raised by their mother, who worked in the executive offices of Sloan's supermarkets. Benitez grew up enjoying music and would watch deejays at local clubs. Benitez borrowed his sister's record player and practiced on two turntables. His sister, nicknamed him Jellybean as his initials are J.B. and from the expression "Know what I mean, Jellybean?," he said. Benitez attended De Witt Cl ...
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Arthur Baker (musician)
Arthur Baker (born April 22, 1955) is an American record producer and DJ best known for his work with hip hop artists like Afrika Bambaataa and Planet Patrol, as well as British group New Order. He is also known for remixing the Jill Jones song "Mia Bocca" on the 12" single, taken from her self-titled debut album '' Jill Jones'' (1987), released on Prince's Paisley Park Records, as well as remixing the Pet Shop Boys song, " In The Night". His remix of the song was used as the main theme for the BBC TV programme The Clothes Show between 1986 and 1994. He also remixed 'the Massive Jungle Mix' for Tina Turner's UK top 40 lead single from her 1996 album '' Wildest Dreams'' " Whatever You Want" (co-written by himself, Taylor Dayne and Fred Zarr). Arthur Baker's songs are represented by Downtown Music Publishing. Biography Early career Born in Boston, Massachusetts,
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Freestyle Music
Freestyle music, also called Latin freestyle or Latin hip-hop ''( sic)'' is a form of electronic dance music that emerged in the New York metropolitan area and Philadelphia, primarily among Hispanic Americans and Italian Americans in the 1980s. It experienced its greatest popularity from the late 1980s until the early 1990s. A common theme of freestyle lyricism originated as heartbreak in an urban environment typified by New York City. An important precursor to freestyle is 1982's " Planet Rock" by Afrika Bambaataa & Soul Sonic Force. Shannon's 1983 hit " Let the Music Play" is often considered the first freestyle song and the first major song recorded by a Latin American artist is " Please Don't Go" by Nayobe from 1984. From there, freestyle gained a large presence in American clubs, especially in New York and Miami. Radio airplay followed in the mid 1980s.Michael F. Gill"The Bluffer's Guide to Freestyle." ''Stylus''. 13 August 2007. Retrieved 5 February 2022. Performers su ...
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Post-disco
Post-disco (also called boogie, synth-funk, or electro-funk) is a term to describe an aftermath in popular music history circa 1979–1985, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and ...
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Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional ver ...
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Abbey Road Studios
Abbey Road Studios (formerly EMI Recording Studios) is a recording studio at 3 Abbey Road, St John's Wood, City of Westminster, London, England. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited (until 2013 by EMI Records Limited, nowadays known as Parlophone Records and owned by UMG's competitor Warner Music Group). The studio's most notable client was the Beatles, who used the studio – particularly its Studio Two room – as the venue for many of the innovative recording techniques that they adopted throughout the 1960s. In 1976, the studio was renamed from EMI in honour of their final recorded album, '' Abbey Road''. In 2009, Abbey Road came under threat of sale to property developers. In response, the British Government protected the site, granting it English H ...
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The Beatles
The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initia ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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