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Frederick Ouseley
Sir Frederick Arthur Gore Ouseley, 2nd Baronet (12 August 18256 April 1889) was an English composer, organist, musicologist and priest. Biography Frederick Ouseley was born in London, the son of Sir Gore Ouseley, and manifested an extraordinary precocity in music, composing an opera (''L'Isola disabitata'') at the age of eight years. In 1844, having succeeded to the baronetcy, he entered at Christ Church, Oxford, and graduated BA in 1846 and MA in 1849. He was ordained in the latter year, and, as curate of St. Paul's Church, Knightsbridge, served the parish of Church of St Barnabas, Pimlico, St. Barnabas, Pimlico until 1851. Throughout his life, Ouseley experienced a social conflict between his aristocratic heritage and his interest in the performance of Anglican church music, an activity which was seen as beneath someone of his stature. In 1850 he took the degree of Mus.B. at the University of Oxford, and four years afterwards that of Mus.D., his exercise being the oratorio ''T ...
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Frederick Ouseley
Sir Frederick Arthur Gore Ouseley, 2nd Baronet (12 August 18256 April 1889) was an English composer, organist, musicologist and priest. Biography Frederick Ouseley was born in London, the son of Sir Gore Ouseley, and manifested an extraordinary precocity in music, composing an opera (''L'Isola disabitata'') at the age of eight years. In 1844, having succeeded to the baronetcy, he entered at Christ Church, Oxford, and graduated BA in 1846 and MA in 1849. He was ordained in the latter year, and, as curate of St. Paul's Church, Knightsbridge, served the parish of Church of St Barnabas, Pimlico, St. Barnabas, Pimlico until 1851. Throughout his life, Ouseley experienced a social conflict between his aristocratic heritage and his interest in the performance of Anglican church music, an activity which was seen as beneath someone of his stature. In 1850 he took the degree of Mus.B. at the University of Oxford, and four years afterwards that of Mus.D., his exercise being the oratorio ''T ...
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Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ...
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19th-century Classical Composers
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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19th-century British Male Musicians
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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19th-century British Composers
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ...
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19th-century English Musicians
The 19th (nineteenth) century began on 1 January 1801 (Roman numerals, MDCCCI), and ended on 31 December 1900 (Roman numerals, MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolitionism, abolished in much of Europe and the Americas. The Industrial Revolution, First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Gunpowder empires, Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost ...
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1889 Deaths
Events January–March * January 1 ** The total solar eclipse of January 1, 1889 is seen over parts of California and Nevada. ** Paiute spiritual leader Wovoka experiences a vision, leading to the start of the Ghost Dance movement in the Dakotas. * January 4 – An Act to Regulate Appointments in the Marine Hospital Service of the United States is signed by President Grover Cleveland. It establishes a Commissioned Corps of officers, as a predecessor to the modern-day U.S. Public Health Service Commissioned Corps. * January 5 – Preston North End F.C. is declared the winner of the The Football League 1888–89, inaugural Football League in England. * January 8 – Herman Hollerith receives a patent for his electric tabulating machine in the United States. * January 15 – The Coca-Cola Company is originally Incorporation (business), incorporated as the Pemberton Medicine Company in Atlanta, Georgia (U.S. state), Georgia. * January 22 – Columbia Phonograph is formed in Wa ...
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1825 Births
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper common ...
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Ouseley Baronets
The Ouseley Baronetcy, of Claremont in the County of Hertford, was a title in the Baronetage of the United Kingdom. It was created on 3 October 1808 for the entrepreneur, linguist and diplomat, Gore Ouseley. He was succeeded by his son, the second Baronet. He was a composer, organist, and musicologist. The title became extinct on his death in 1889. The first Baronet was the brother of Sir William Ouseley and the uncle of Sir William Gore Ouseley. Ouseley baronets, of Claremont (1808) *Sir Gore Ouseley, 1st Baronet Sir Gore Ouseley, 1st Baronet Royal Guelphic Order, GCH, Privy Council of the United Kingdom, PC (24 June 1770 – 18 November 1844), was a British entrepreneur, linguist and diplomat. He was born in 1770 and died at Hall Barn Park, Beaconsfiel ... (1770–1844) * Sir Frederick Arthur Gore Ouseley, 2nd Baronet (1825–1889). He died unmarried. References {{DEFAULTSORT:Ouseley Extinct baronetcies in the Baronetage of the United Kingdom ...
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John Stainer
Sir John Stainer (6 June 1840 – 31 March 1901) was an English composer and organist whose music, though seldom performed today (with the exception of ''The Crucifixion'', still heard at Passiontide in some churches of the Anglican Communion), was very popular during his lifetime. His work as choir trainer and organist set standards for Anglican church music that are still influential. He was also active as an academic, becoming Heather Professor of Music at Oxford. Stainer was born in Southwark, London, in 1840, the son of a schoolmaster. He became a chorister at St Paul's Cathedral when aged ten and was appointed to the position of organist at St Michael's College, Tenbury at the age of sixteen. He later became organist at Magdalen College, Oxford, and subsequently organist at St Paul's Cathedral. When he retired owing to his poor eyesight and deteriorating health, he returned to Oxford to become Professor of Music at the university. He died unexpectedly while on holiday ...
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Hereford Cathedral
Hereford Cathedral is the cathedral church of the Anglican Diocese of Hereford in Hereford, England. A place of worship has existed on the site of the present building since the 8th century or earlier. The present building was begun in 1079. Substantial parts of the building date from both the Norman and the Gothic periods. The cathedral is a Grade I listed building. The cathedral has the largest library of chained book in the world, its most famous treasure being the ''Hereford Mappa Mundi, Mappa Mundi'', a medieval map of the world created around 1300 by Richard of Holdingham. The map is listed on the UNESCO Memory of the World Register. Origins The cathedral is dedicated to two saints, Mary, mother of Jesus, St Mary the Virgin and Æthelberht II of East Anglia, St Ethelbert the King. The latter was beheaded by Offa of Mercia, Offa, King of Mercia in the year 794. Offa had consented to give his daughter to Ethelbert in marriage: why he changed his mind and deprived him of ...
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Precentor
A precentor is a person who helps facilitate worship. The details vary depending on the religion, denomination, and era in question. The Latin derivation is ''præcentor'', from cantor, meaning "the one who sings before" (or alternatively, "first singer"). Ancient precentors The chief precentor was the highest position in many ancient Mesopotamian cities (see Music of Mesopotamia). Jewish precentors Jewish precentors are song or prayer leaders, leading synagogue music. A Jewish precentor is typically called a hazzan or cantor. In the Middle Ages, women precentors leading prayers in the ''vaybershul'' (women's gallery) were known as firzogerin, farzangerin, foreleiner, zogerin, or zogerke. Christian precentors A precentor is a member of a church who helps facilitate worship. The role of precentor was carried over from the synagogues into the early church. Catholic precentors Ancient era The term ''precentor'' described sometimes an ecclesiastical dignitary, sometimes an ...
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