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Freak-folk
Psychedelic folk (sometimes acid folk or freak folk) is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical elements common to psychedelic music. Characteristics Psychedelic folk generally favors acoustic instrumentation although it often incorporates other instrumentation. Chanting, early music and various non-Western folk music influences are often found in psych folk. Much like its rock counterpart, psychedelic folk is often known for a peculiar, trance-like, and atmospheric sound, often drawing on musical improvisation and Asian influences. History 1960s: Peak years The first musical use of the term psychedelic is thought to have been by the New York-based folk group The Holy Modal Rounders on their version of Lead Belly's ' Hesitation Blues' in 1964. Folk/avant-garde guitarist John Fahey recorded several songs in the early 1960s that experimented with unusual recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freak Folk
Psychedelic folk (sometimes acid folk or freak folk) is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical elements common to psychedelic music. Characteristics Psychedelic folk generally favors acoustic instrumentation although it often incorporates other instrumentation. Chanting, early music and various non-Western folk music influences are often found in psych folk. Much like its rock counterpart, psychedelic folk is often known for a peculiar, trance-like, and atmospheric sound, often drawing on musical improvisation and Asian influences. History 1960s: Peak years The first musical use of the term psychedelic is thought to have been by the New York-based folk group The Holy Modal Rounders on their version of Lead Belly's 'Hesitation Blues' in 1964. Folk/avant-garde guitarist John Fahey recorded several songs in the early 1960s that experimented with unusual recording techn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Folk Music
Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. While the Romantic nationalism of the first folk revival had i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velvet Underground
Weave details visible on a purple-colored velvet fabric Velvet is a type of woven tufted fabric in which the cut threads are evenly distributed, with a short pile, giving it a distinctive soft feel. By extension, the word ''velvety'' means "smooth like velvet". In the past, velvet was typically made from silk. Today, velvet can be made from linen, cotton, wool and synthetic fibers. Construction and composition left, Illustration depicting the manufacture of velvet fabric Velvet is woven on a special loom that weaves two thicknesses of the material at the same time. The two pieces are then cut apart to create the pile effect, and the two lengths of fabric are wound on separate take-up rolls. This complicated process meant that velvet was expensive to make before industrial power looms became available, and well-made velvet remains a fairly costly fabric. Velvet is difficult to clean because of its pile, but modern dry cleaning methods make cleaning more feasible. Velve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live 1967 (Red Krayola Album)
''Live 1967'' is a live performance album by the experimental rock band Red Krayola. It was released in 1998 by Drag City. The two-disc set comprises the band's performance at the Angry Arts Festival in Los Angeles as well as their sets from various shows at the Berkeley Folk Festival during summer 1967. Like all the music played at the festivals, it is dedicated to the troops positioned in Vietnam. Background Kurt Von Meier, a University of California art-history professor, became interested in the band after he heard tapes containing '' Coconut Hotel'', Red Krayola's rejected second album. He was intrigued by the band's experimental and free-form music and invited them to perform at Angry Arts Folk Festival in Berkeley and the Greek Theatre in Los Angeles in June and July. Meier also pushed to get the band to play in the Monterey Pop Festival, but was turned down by the festival's organizers.The band were paid $150 dollars for each performance. Performance The music played b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Krayola
The Red Krayola (originally Red Crayola) is an American avant rock band from Houston, Texas formed in 1966 by the trio of singer/guitarist Mayo Thompson, drummer Frederick Barthelme, and bassist Steve Cunningham. The group were part of the 1960s Texas psychedelic music scene and were signed to independent record label International Artists, subsequently becoming labelmates with the 13th Floor Elevators. Their confrontational, experimental approach employed noise and free improvisation. The Red Crayola disbanded in the late 1960s, but were resurrected in the late 1970s when Thompson moved to England and found favor in the post-punk scene. Thompson has continued using the name, in its legally altered spelling for performances or releases in the US, for his musical projects since. The group has released recordings on European labels such as Rough Trade and Recommended. In the mid-1990s, Thompson returned to the United States, signing with Drag City and releasing further albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great San Bernardino Birthday Party & Other Excursions
''The Great San Bernardino Birthday Party & Other Excursions'' is an album by American fingerstyle guitarist and composer John Fahey, released in 1966. The cover simply labels the album ''Guitar Vol. 4'' (it was his fourth release on his own Takoma label, but his fifth album) while the liner notes label it ''The Great San Bernardino Birthday Party & Other Excursions''. The title never appeared on the record labels themselves. It marked the beginning of Fahey's interest in his recording of experimental soundscapes and sound effects. Despite Fahey's distaste for the 1960s counterculture, it is his release most often referred to as psychedelic. History The album begins Fahey's interest in soundscapes and sound effects, using backward tapes and dissonance. Richie Unterberger, in his ''Allmusic'' review, stated: "Edited together from several pieces, the 19-minute "The Great San Bernardino Birthday Party" anticipated elements of psychedelia with its nervy improvisations and odd guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fahey (musician)
John Aloysius Fahey ( ; February 28, 1939 – February 22, 2001) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of the genre of American primitive guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work. Fahey spent many of his later years in poverty and poor health, but enjoyed a minor career resurgence in the late 1990s, with a turn towards the avant-garde. He also created a series of abstract paintings in his final years. Fahey died in 2001 from complications from heart surgery. In 2003, he was ranked 35th on ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945, Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hesitation Blues
"Hesitation Blues" is a popular song adapted from a traditional tune. One version was published by Billy Smythe, Scott Middleton, and Art Gillham. Another was published by W.C. Handy as "Hesitating Blues". Because the tune is traditional, many artists have taken credit as writer, frequently adapting the lyrics of one of the two published versions. Adaptations of the lyrics vary widely, though typically the refrain is recognizably consistent. The song is a jug band standard and is also played as blues and sometimes as Western swing. It is cataloged as Roud Folk Song Index No. 11765. Composer William Grant Still arranged a version of the song in 1916 while working with Handy. Smythe, Middleton and Gillham version The three men were involved in the music publishing business in St. Louis, Missouri. About 1914 they joined a band and went to Los Angeles. They passed their traveling time making up verses to a traditional tune. When they returned to St. Louis the trio went their se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Belly
Huddie William Ledbetter (; January 20, 1888 – December 6, 1949), better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", " Goodnight, Irene", " Midnight Special", " Cotton Fields", and " Boll Weevil". Lead Belly usually played a twelve-string guitar, but he also played the piano, mandolin, harmonica, violin, and windjammer. In some of his recordings, he sang while clapping his hands or stomping his foot. Lead Belly's songs covered a wide range of genres, including gospel music, blues, and folk music, as well as a number of topics, including women, liquor, prison life, racism, cowboys, work, sailors, cattle herding, and dancing. He also wrote songs about people in the news, such as Franklin D. Roosevelt, Adolf Hitler, Jean Harlow, Jack Johnson, the Scottsboro Boys and Howard Hughes. Lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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