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François Joullain
François Joullain (1697–1778) was a French etcher, engraver and art dealer. His career and that of his son, François-Charles Joullain (died 1790), expanded from their initial roles as engravers and printmakers to merchants of paintings and publishers. He became a noted publisher for producing books of engravings which were of high quality and very popular in the 18th century and a prominent art dealer in Paris. Life and career François Joullain began his career as an engraver, etcher and print-maker. He received some of his early art education from the engraver, Claude Gillot and was entered as a member the Académie de Saint-Luc, 13 August 1733, as an engraver, and became its director, 19 October 1747. In his early career, he illustrated a number of books, sometimes in collaboration with other engravers, especially his former teacher, Claude Gillot. In around 1827, he provided three engravings for Coypel's edition of ''Don Quixote'' alongside many other engravers. Onc ...
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Académie De Saint-Luc
The Académie de Saint-Luc was the guild of painters and sculptors set up in Paris in 1391, and dissolved in 1776.Alfred Fierro (1996). ''Histoire et Dictionnaire de Paris''. Paris: Robert Laffont. It was set up by the Provost of Paris in 1391, along the lines of the Guilds of Saint Luke in other parts of Europe. The Académie de Saint-Luc was successful, as it attracted the artists who did not have access to the Académie Royale de Peinture et de Sculpture. This was particularly the case for women artists. In the 18th-century, there were 130 female members of the Académie de Saint-Luc, many more than at the Academie Royale de Peinture et de Sculpture, which in 1783 limited its female members to four. In the 1770s, the success of the Académie de Saint-Luc provoked the enmity of the Academie Royale de Peinture et de Sculpture, which complained to the King and successfully petitioned for the closure of their rival. In February 1776 therefore, the Académie de Saint-Luc was closed ...
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François-Charles Joullain
François-Charles Joullain ( – 1790) was a French art dealer, son of François Joullain, a respected 18th century engraver, publisher and art dealer. The careers of the father and son as merchants of paintings expanded from their roles as printmakers, editors and printsellers. Life and career François-Charles Joullain, born in about 1734, was the eldest son of a successful French engraver, art dealer and publisher, François Joullain. The careers of father and son were closely intertwined. Initially, Joullain assisted his father with in his auctioneer's business in Paris. When Charles Joullain married Catherine Louise Leclerc, the daughter of Sébastien Leclerc (1676-1763) in around 1756, his father transferred to him the portion of his business that dealt with framesHellyer 1996. and he supplied his father with frames for his auctioneer's rooms at ''Quai de la Mégisserie à la Ville de Rome, Paris.'' After his father's death in 1778, he continued to run the family business ...
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Printmaker
Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (Printer (computing), a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of prin ...
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Claude Gillot
Claude Gillot (April 27, 1673 – May 4, 1722) was a French painter, print-maker and illustrator, best known as the master of Watteau and Lancret. Life Gillot was born in Langres. He was a painter, engraver, book illustrator, metal worker, and designer for the theater. He had Watteau as an apprentice between 1703 and 1708. Gillot's sportive mythological landscape pieces, with such titles as ''Feast of Pan'' and ''Feast of Bacchus'', opened the Academy of Painting at Paris to him in 1715; and he then adapted his art to the fashionable tastes of the day, and introduced the decorative '' fêtes champêtres'', in which he was afterwards surpassed by his pupils, though Gillot's examples usually lack the contemporary dress of Watteau's. His paintings often include characters from the ''commedia dell'arte'', a taste he passed on to Watteau. Gollot was also closely connected with the opera and theatre as a designer of scenery and costumes. He died in Paris, aged 49. Gallery File:Cla ...
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Edmé Bouchardon
Edmé Bouchardon (; 29 May 169827 July 1762) was a French sculptor best known for his neoclassical statues in the gardens of the Palace of Versailles, his medals, his equestrian statue of Louis XV of France for the Place de la Concorde (destroyed during the French Revolution); and for the Fountain of Four Seasons in Paris. He was also a draftsman and painter, and made celebrated series of engravings of working-class Parisians.''Le Petit Robert des Noms Propres'', Paris (2010) Biography Bouchardon was born in Chaumont-en-Bassigny, the son of a sculptor and architect, Jean-Baptiste Bouchardon. He learned sculpture first in the studio of his father, and then with Guillaume Coustou. He won the Prix de Rome of the Académie royale de peinture et de sculpture in 1722, and as a consequence lived and worked in Rome from 1722 to 1732. He resisted the more ornate tendencies of the Rocaille style, and moved toward neoclassicism. While in Rome, he specialized in busts of distinguishe ...
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Dezallier D'Argenville
The family of Dezallier d'Argenville produced two writers and connoisseurs, father and son, in the course of the 18th century. The father, Antoine-Joseph Dezallier d'Argenville (1680–1765) is now best known for writing the fullest French treatise on the French formal garden style of his lifetime, as well as books on natural history, and as a significant collector of old master prints. His son, Antoine-Nicolas Dezallier d'Argenville (1723–1796), wrote successful guides to Paris and its monuments, as well as books on natural history, a biographical collection on architects and sculptors, and other subjects. Antoine-Joseph Dezallier d'Argenville Antoine-Joseph Dezallier d'Argenville (Paris, 1 July 1680 – 29 November 1765), avocat to the Parlement de Paris and secretary to the king, was a connoisseur of gardening who laid out two for himself and his family, before writing ''La théorie et la pratique du jardinage'' (published anonymously, 1709; second edition, 1713), based ...
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Everhard Jabach
Everhard or Eberhard Jabach (10 July 1618 – 9 March 1695) was a French businessman, art collector and director of the French East India Company. He was born in Cologne in the Holy Roman Empire but later naturalised as a French subject. Life His father had expanded the family fortune and founded a bank in Antwerp, then in the Spanish Netherlands. Everhard himself settled in France in 1638 and was naturalised as a French subject in 1647. In 1648 he married Anna Maria de Groote in Cologne – she was a daughter of one of the city's senators and he had four children with her. Francis Haskell called him "an opulent banker", associated with a trading company based in Amsterdam and one of the directors of the French East India Company, managing the 'factory' at Corbeil. In 1671 his fortune was valued at 2 million livres. Now lost, his town house or 'hôtel particulier' was on rue Neuve-Saint-Merri – he put on plays there, whose audiences included Voltaire, before it became the base of ...
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Sébastien Leclerc (1637–1714)
Sébastien Leclerc or Le Clerc ([baptized] 26 September 1637— 25 October 1714) was a French artist from the Lorraine (duchy), Duchy of Lorraine. He specialized in subtle reproductive drawings, etchings, and engravings of paintings; and worked mostly in Paris, where he was counseled by the King's painter, Charles Le Brun, to devote himself entirely to engraving. Leclerc joined the Académie Royale de Peinture et de Sculpture in 1672 and taught perspective there. He worked for Louis XIV of France, Louis XIV, being made "''graveur du Roi''" (attached to the Menus-Plaisirs du Roi, Cabinet du Roi), doing engraving work for the royal house. Leclerc also engaged in periodic work as a drafter, technical draftsman and military engineer. Of his reproductive engravings, the connoisseur and chronicler of artistic life, Pierre-Jean Mariette, wrote in his ''Abecedario'': Early life Sébastien Leclerc was born in 1637 in Metz; the son of Laurent Leclerc (1590–1695), a local goldsmith a ...
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Horace Walpole
Horatio Walpole (), 4th Earl of Orford (24 September 1717 – 2 March 1797), better known as Horace Walpole, was an English writer, art historian, man of letters, antiquarian, and Whigs (British political party), Whig politician. He had Strawberry Hill House built in Twickenham, southwest London, reviving the Gothic Revival, Gothic style some decades before his Victorian era, Victorian successors. His literary reputation rests on the first Gothic fiction, Gothic novel, ''The Castle of Otranto'' (1764), and his ''Letters'', which are of significant social and political interest. They have been published by Yale University Press in 48 volumes. In 2017, a volume of Walpole's selected letters was published. The youngest son of the first British Prime Minister, Sir Robert Walpole, 1st Earl of Orford, he became the 4th and last Earl of Orford of the second creation on his nephew's death in 1791. Early life: 1717–1739 Walpole was born in London, the youngest son of Prime Minister ...
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Marie Anne De Vichy-Chamrond, Marquise Du Deffand
Marie Anne de Vichy-Chamrond, marquise du Deffand (25 September 1696 – 23 September 1780) was a French hostess and patron of the arts. Life Madame du Deffand was born at the Château de Chamrond, in Ligny-en-Brionnais, a village near Charolles (''département'' of Saône-et-Loire) of a noble family. Educated at a Benedictine convent in Paris, she showed great intelligence and a skeptical, cynical turn of mind. The abbess of the convent, alarmed at the freedom of her views, arranged for Jean Baptiste Massillon to visit and reason with her, but he accomplished nothing. At twenty-one years of age and without consulting her, her parents married her to her kinsman, Jean Baptiste de la Lande, marquis du Deffand. The marriage was an unhappy one and the couple separated in 1722. Madame du Deffand is said by Horace Walpole (in a letter to Thomas Gray) to have been for a short time the mistress of the regent, the duke of Orléans. She appeared in her earlier days to be incapable of any ...
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Peddler
A peddler, in British English pedlar, also known as a chapman, packman, cheapjack, hawker, higler, huckster, (coster)monger, colporteur or solicitor, is a door-to-door and/or travelling vendor of goods. In England, the term was mostly used for travellers hawking goods in the countryside to small towns and villages. In London, more specific terms were used, such as costermonger. From antiquity, peddlers filled the gaps in the formal market economy by providing consumers with the convenience of door-to-door service. They operated alongside town markets and fairs where they often purchased surplus stocks which were subsequently resold to consumers. Peddlers were able to distribute goods to the more geographically-isolated communities such as those who lived in mountainous regions of Europe. They also called on consumers who, for whatever reason, found it difficult to attend town markets. Thus, peddlers played an important role in linking these consumers and regions to wider trade ...
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