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Franz Xaver Niemetschek
Franz Xaver Niemetschek ( cz, František Xaver Němeček, links=no; pl, Niemeczek, links=no) (24 July 1766 – 19 March 1849) was a Czech philosopher, teacher and music critic. He wrote the first full-length biography of Wolfgang Amadeus Mozart which has remained an important source of information about the composer. Life Born in Sadská, Bohemia, Niemetschek came from a large, musical family. He received his schooling in Prague at the Gymnasium and read philosophy at the university. He taught poetry and Latin at the Gymnasiums in Pilsen and started a music publishing business. In 1800 he was awarded a doctorate and in 1802 he became professor at Prague University, lecturing on logic, ethics and pedagogy. The composer Jan Václav Voříšek was one of his pupils. He was made a freeman of Pilsen and Prague for his many valuable contributions to the arts, e.g. as director of the institute for the deaf and dumb. He wrote books on music history. He lived near the residence of Jo ...
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František Xaver Němeček (1766-1849)
Franz Xaver Niemetschek ( cz, František Xaver Němeček, links=no; pl, Niemeczek, links=no) (24 July 1766 – 19 March 1849) was a Czech philosopher, teacher and music critic. He wrote the first full-length biography of Wolfgang Amadeus Mozart which has remained an important source of information about the composer. Life Born in Sadská, Bohemia, Niemetschek came from a large, musical family. He received his schooling in Prague at the Gymnasium and read philosophy at the university. He taught poetry and Latin at the Gymnasiums in Pilsen and started a music publishing business. In 1800 he was awarded a doctorate and in 1802 he became professor at Prague University, lecturing on logic, ethics and pedagogy. The composer Jan Václav Voříšek was one of his pupils. He was made a freeman of Pilsen and Prague for his many valuable contributions to the arts, e.g. as director of the institute for the deaf and dumb. He wrote books on music history. He lived near the residence of Jo ...
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Deaf And Dumb
Deaf-mute is a term which was used historically to identify a person who was either deaf and used sign language or both deaf and could not speak. The term continues to be used to refer to deaf people who cannot speak an oral language or have some degree of speaking ability, but choose not to speak because of the negative or unwanted attention atypical voices sometimes attract. Such people communicate using sign language. Some consider it to be a derogatory term if used outside its historical context; the preferred term today is simply ''deaf''. Historical usage of ''deaf-mute'' and other terms United Kingdom In 19th-century British English ''mute'' and ''dumb'' meant 'non-speaking', and were not pejorative terms. For example, in 1889 Queen Victoria instigated the ''Royal Commission on The Blind, the Deaf and Dumb etc. in the United Kingdom''. The intention was to examine contemporary education and employment of blind or deaf people, with a view to improving conditions for them. T ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ...
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Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Mozart And Prague
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ...
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Franz Xaver Wolfgang Mozart
Franz Xaver Wolfgang Mozart (26 July 1791 – 29 July 1844), also known as Wolfgang Amadeus Mozart, Jr., was the youngest child of six born to Wolfgang Amadeus Mozart and his wife Constanze and the younger of his parents' two surviving children. He was a composer, pianist, conductor, and teacher of the late classical period whose musical style was of an early Romanticism, heavily influenced by his father's mature style. He knew Franz Schubert and Robert Schumann who both had high esteem for him. Biography Franz Xaver Wolfgang Mozart was born in Vienna, five months before his father's death. Although he was baptized Franz Xaver Mozart, he was always called Wolfgang by his family. He received excellent musical instruction from Antonio Salieri and Johann Nepomuk Hummel, and studied composition with Johann Georg Albrechtsberger and Sigismund von Neukomm. He learned to play both the piano and violin. Like his father, he started to compose at an early age. "In April 1805, the thirtee ...
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Karl Thomas Mozart
Karl Thomas Mozart (21 September 1784 – 31 October 1858) was the second son, and the elder of the two surviving sons, of Wolfgang and Constanze Mozart. The other was Franz Xaver Wolfgang Mozart. Biography Karl was born in Vienna. His schooling, in Prague, was under Franz Xaver Niemetschek and František Xaver Dušek, and he became a gifted pianist. Before he finished his schooling, however, he left for Livorno in 1797 to begin his apprenticeship with a trading firm. He planned to open a piano store in the following years, but the project failed for lack of funds. He moved to Milan in 1805 and studied music with Bonifazio Asioli, though he gave up his studies in 1810 to become an official in the service of the Austrian financial administration and the governmental accounting department in Milan. He also served as official translator for Italian for the Austrian Court Chamber. Michael Lorenz"An Unknown Mozart Work", Vienna 2012/ref> He owned a house in the village of Cave ...
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Constanze Mozart
Maria Constanze Cäcilia Josepha Johanna Aloysia Mozart (née Weber; 5 January 1762 – 6 March 1842) was a trained Austrian singer. She was married twice, first to Wolfgang Amadeus Mozart; then to Georg Nikolaus von Nissen. She and Mozart had six children: Karl Thomas Mozart, Franz Xaver Wolfgang Mozart, and four others who died in infancy. She became Mozart's biographer jointly with her second husband. Early years Constanze Weber was born in Zell im Wiesental, a town near Lörrach in Baden-Württemberg, in the southwest of Germany, then Further Austria. Her mother was Cäcilia Weber, née Stamm. Her father, Fridolin Weber, worked as a "double bass player, prompter, and music copyist". Fridolin's half-brother was the father of composer Carl Maria von Weber. Constanze had two older sisters, Josepha and Aloysia, and one younger one, Sophie. All four were trained as singers and Josepha and Aloysia both went on to distinguished musical careers, later on performing in the premieres ...
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Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ...
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Music Critics
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ...
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Franz Xaver Niemeczek Grave, Vienna, 2016
Franz may refer to: People * Franz (given name) * Franz (surname) Places * Franz (crater), a lunar crater * Franz, Ontario, a railway junction and unorganized town in Canada * Franz Lake, in the state of Washington, United States – see Franz Lake National Wildlife Refuge Businesses * Franz Deuticke, a scientific publishing company based in Vienna, Austria * Franz Family Bakeries, a food processing company in Portland, Oregon * Franz-porcelains, a Taiwanese brand of pottery based in San Francisco Other uses * ''Franz'' (film), a 1971 Belgian film * Franz Lisp, a dialect of the Lisp programming language See also * Frantz (other) * Franzen (other) * Frantzen (other) Frantzen or Frantzén is a surname. It may refer to: * Allen Frantzen (born 1947/48), American medievalist * Björn Frantzén (born 1977), Swedish chef and owner of the Frantzén restaurant * Jean-Pierre Frantzen (1890–1957), Luxembourgian gym ...
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Bertramka
Bertramka () is a villa in Prague notable because of possible visits by Mozart. Now it is a museum dedicated to the memory of Mozart and to the former owners and Mozart’s hosts: František and Josefina Dušek. Background It is little known that Mozart's purported visits to the Bertramka are actually very scantily documented. No contemporary observer ever reported seeing him there, and Mozart himself never claimed to have stayed there in any of his surviving correspondence from Prague. There is furthermore no reliable documentary basis to support widespread assertions that Mozart completed the operas ''Don Giovanni'' and ''La clemenza di Tito'' at the Bertramka, or indeed ever even worked on them there. Claims of frequent visits are not recorded before the nineteenth century. For his first visit to Prague (in January and February 1787), Mozart is only recorded to have stayed in the palace of Count Johann Joseph Franz von Thun-Hohenstein in Malá Strana. For the other two exte ...
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