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Franz Joachim Burmeister
Franz Joachim Burmeister (29 October 1633 – 21 April 1672) was a German Protestant hymn writer. Born in Lüneburg, Burmeister was the son of the church musician (''Kantor'') at St. Michaelis, Lüneburg, St. Michaelis in Lüneburg, Anton Burmeister, and his wife Dorothea, née Pörtken, and the nephew of the musicologist Joachim Burmeister. In 1660, Burmeister was included by his friend Johann Rist in the Elbschwanenorden. He held a position as preacher (''Prediger'') at St. Michaelis from 1670. Many of his hymns were set to music by Johann Rudolph Ahle. The best-known hymn is "Es ist genug", especially by its setting in Bach's cantata O Ewigkeit, du Donnerwort, BWV 60, ''O Ewigkeit, du Donnerwort'', BWV 60, which Alban Berg quoted in his Violin Concerto (Berg), Violin Concerto. Burmeister died in his hometown. References Literature * * * Hans-Cord Sarnighausen: ''Die Lüneburger Kirchenmusiker und Prediger Burmeister um 1600'', in: Zeitschrift für Niederdeutsche Familien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lüneburg
Lüneburg (officially the ''Hanseatic City of Lüneburg'', German: ''Hansestadt Lüneburg'', , Low German ''Lümborg'', Latin ''Luneburgum'' or ''Lunaburgum'', Old High German ''Luneburc'', Old Saxon ''Hliuni'', Polabian ''Glain''), also called Lunenburg ( ) in English, is a town in the German state of Lower Saxony. It is located about southeast of another Hanseatic city, Hamburg, and belongs to that city's wider metropolitan region. The capital of the district which bears its name, it is home to roughly 77,000 people. Lüneburg's urban area, which includes the surrounding communities of Adendorf, Bardowick, Barendorf and Reppenstedt, has a population of around 103,000. Lüneburg has been allowed to use the title " Hansestadt" (''Hanseatic Town'') in its name since 2007, in recognition of its membership in the former Hanseatic League. Lüneburg is also home to Leuphana University. History ImageSize = width:1050 height:100 PlotArea = width:1000 height:50 left:50 bottom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Burmeister
Joachim Burmeister (1564 in Lüneburg – 5 May 1629 in Rostock) was a north German composer and music theorist. He was the oldest of five children born to a beadworker and townsman of Lüneburg. His brother Anton (d. 1634) became the cantor of St. Michaelis, Lüneburg, following Christian Praetorius. Burmeister attended the University of Rostock, where he received the master's degree and became cantor at the Nicolaikirche and St. Mary's Church, Rostock. He then taught grammar, Latin, rhetoric and poetry at the Rostock Gymnasium (Scholae Rostochiensis Collega Classicus). In Rostock Burmeister was acquainted with some famous humanists such as , , , and Johannes Posselius. His aim while publishing his books was to prove that music was an art full of dignity, like eloquence.See Agathe Sueur, ''Le Frein et l'Aiguillon. Eloquence musicale et nombre oratoire (XVIe-XVIIIe siècle)'', Paris, Classiques, Garnier, 2014. In ''Musica autoschédiastikè'' and ''Musica Poetica'' Burmeister pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Rist
Johann Rist (8 March 1607 – 31 August 1667) was a German poet and dramatist best known for his hymns, which inspired musical settings and have remained in hymnals. Life Rist was born at Ottensen in Holstein-Pinneberg (today Hamburg) on 8 March 1607; the son of the Lutheran pastor of that place, Caspar Rist. He received his early training at the Gelehrtenschule des Johanneums in Hamburg and the Gymnasium Illustre in Bremen; he then studied theology at the university of Rinteln. Under the influence of Josua Stegman there, his interest in hymn writing began. On leaving Rinteln, he tutored the sons of a Hamburg merchant, accompanying them to the University of Rostock, where he himself studied Hebrew, mathematics, and medicine. During his time at Rostock, the Thirty Years War almost emptied the university, and Rist himself lay there for several weeks, suffering from pestilence. In 1633, he became tutor in the house of Landschreiber Heinrich Sager at Heide, in Holstein. Two years l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elbschwanenorden
The ''Elbschwanenorden'' (Order of Elbe Swans) was a literary association of the Baroque, founded between 1656 and 1660, dissolved in 1667. It was initiated by the poet and Protestant minister Johann Rist in Wedel and is named after the situation of the town on the lower Elbe. One of the goals was to maintain the integrity of the German language. Members The members took ''Ordensnamen'' which are given in italics. * (''Philoclythus'') * (''Sylvander'') * Constantin Christian Dedekind (''ConCorD'') * (''Celadon'') * (''Candorin'') * F riedrich Hofmann (''Epigrammatocles'') * (''Kleodor'') * Balthasar Kindermann (''Kurandor'') * Matthäus Merian (''Artisander'') * Johannes Praetorius (''Prophulidor'') * Johann Rist (''Palatin'') * Gottfried Wilhelm Sacer (''Hierophilo'') * (''Philosophander'') * Jacob Sturm Jacob Sturm (21 March 1771 – 28 November 1848) was a leading engraver of entomological and botanical scientific publications in Germany at the end of the 18th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Rudolph Ahle
Johann Rudolph Ahle (24 December 1625 – 9 July 1673) was a German composer, organist, theorist, and Protestant church musician. Biography Ahle was born in Mühlhausen, Thuringia. While not much is known of his early musical training, he attended the grammar school in Göttingen and then studied theology at the University of Erfurt from 1645 to 1649. In 1646 he became cantor at the in Erfurt. In 1648 he published the ''Compendium per tenellis'', a theoretical treatise on choral singing which was reprinted several times during his lifetime and for a last time 50 years later by his son Johann Georg (the last edition appeared in 1704). In 1654 Ahle assumed the post of organist at the Divi Blasii in Mühlhausen. The next year he married Anna Maria Wölfer; their son, Johann Georg Ahle (1651–1706), was also a well-known composer and organist. Ahle was elected a town councillor in Mühlhausen in the 1650s, and was elected mayor shortly before his death in 1673. His immediate succe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Es Ist Genug
"" ("It is enough") is a German Lutheran hymn, with text by Franz Joachim Burmeister, written in 1662. The melody, Zahn number, Zahn No. 7173, was written by Johann Rudolph Ahle who collaborated with the poet. It begins with a sequence of three consecutive rising Whole tone scale, whole tone Interval (music), intervals. The hymn's last stanza was used by Johann Sebastian Bach as the closing chorale of his cantata O Ewigkeit, du Donnerwort, BWV 60, ''O Ewigkeit, du Donnerwort'', BWV 60. His Musical setting, setting has been quoted in music, notably in Violin Concerto (Berg), Alban Berg's Violin Concerto. History Franz Joachim Burmeister wrote "" in 1662. The topic is a yearning for death. It is inspired by the sentiment the prophet Elijah expresses in the First Book of Kings: "It is enough; now, O Lord, take away my life; for I am not better than my fathers" (). All seven stanzas begin and end with the line "". It was printed in 1844 in the hymnal ''Gesangbuch zum gottesdien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Ewigkeit, Du Donnerwort, BWV 60
(O eternity, you word of thunder), 60, is a church cantata for the 24th Sunday after Trinity composed by Johann Sebastian Bach. It was first performed in Leipzig on 7 November 1723, and is part of Bach's first cantata cycle. It is one of Bach's dialogue cantatas: its topic, fear of death and hope of salvation, plays out mainly through a conversation between two allegorical figures, Fear (sung by an alto voice) and Hope (sung by a tenor). There are five movements. The orchestral accompaniment is assigned to a Baroque instrumental ensemble of horn, two oboes d'amore, strings and continuo. The first four movements are duets. The opening movement is a chorale fantasia containing a stanza from Johann Rist's "" and a biblical quotation from the Book of Genesis. The second and third movements are respectively a recitative and an aria. The fourth movement is a dialogue between Fear and Christ (vox Christi, sung by a bass), who quotes " Selig sind die Toten" from the Book of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Berg)
Alban Berg's Violin Concerto was written in 1935 (the score is dated 11 August 1935). It is probably Berg's best-known and most frequently performed instrumental piece, in which the composer sought to reconcile diatonicism and dodecaphony. The work was commissioned by Louis Krasner, and dedicated by Berg to "the memory of an angel", Manon Gropius. It was the last work that Berg completed. Krasner performed the solo part in the premiere at the Palau de la Música Catalana, Barcelona, on 19 April 1936, after the composer's death. Conception and composition The piece stemmed from a commission from the violinist Louis Krasner. When he first received the commission, Berg was working on his opera ''Lulu'', and he did not begin work on the concerto for some months. The event that spurred him into writing was the death by polio of 18-year-old Manon Gropius, the daughter of Alma Mahler (once Gustav Mahler's wife) and Walter Gropius. Berg set ''Lulu'' aside to write the concerto, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century German Writers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century German Male Writers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Protestant Hymnwriters
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Lüneburg
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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