Frankfurt Opera
The Oper Frankfurt (Frankfurt Opera) is a German opera company based in Frankfurt. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Shrek's ''Der ferne Klang'' in 1912, '' Fennimore und Gerda'' by Frederick Delius in 1919, and Carl Orff's ''Carmina Burana'' in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated. A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, the Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot. Voted best 'Opera house of the year' by ''Opernwelt'' several times since 1996, including 2020, Oper Frankfurt is part of the Städtische Bühnen Frankfurt. H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oper Frankfurt
The Oper Frankfurt (Frankfurt Opera) is a German opera company based in Frankfurt. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Shrek's ''Der ferne Klang'' in 1912, '' Fennimore und Gerda'' by Frederick Delius in 1919, and Carl Orff's ''Carmina Burana'' in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated. A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, the Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot. Voted best 'Opera house of the year' by ''Opernwelt'' several times since 1996, including 2020, Oper Frankfurt is part of the Städtische Bühnen Frankfurt. H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Willy Hess (violinist)
Willy Hess (14 July 185917 February 1939) was a German violinist and violin teacher. Biography Willy Hess was born in Mannheim on 14 July 1859. He commenced the study of violin when only five years of age with his father, who was a pupil of Ludwig Spohr. When aged seven his family moved to the United States and as a youth he performed with his sister Joanna who accompanied him on pianoforte, making a number of successful tours around the country. In 1872 he moved back to Europe, spending a year in the Netherlands and performing in a number of continental cities. In 1874 he made an extended tour including London, Belgium and France. In 1876 he went to Berlin to be a student of Joseph Joachim and after two years left to take up the leadership of the Oper Frankfurt. He resigned from that post in 1886 to take up a professorship in the Rotterdam Conservatorium voor Muziek which he held for two years. In 1888 he moved to Manchester to become leader of The Hallé Orchestra and from i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Georg Solti
Sir Georg Solti ( , ; born György Stern; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics and, being of Jewish background, he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist. After the war, Solti was appointed musical director of the Bavarian State O ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Willy-Brandt-Platz
The Willy-Brandt-Platz is a central square in Frankfurt am Main, Hesse, Germany. Its name was Theaterplatz (Theatre square) until 1992, when it was named after Willy Brandt, the former chancellor. It is located between the Main Station and the Altstadt, at the Frankfurter Anlagenring, and is part of the so-called Bankenviertel. Major buildings are the Städtisches Opern- und Schauspielhaus, the municipal theatre that opened in 1963, and the Eurotower skyscraper. Below the square are the U-Bahnhof Willy-Brandt-Platz and the Theatertunnel street tunnel. History The square was the location of a city gate to the West, the Neues Galgentor. The fortifications () were demolished in 1809. The former fortifications were replaced by a park called Wallanlagen. When the theatre (Schauspielhaus) was completed in 1902, the square was named Theaterplatz. It was renamed again in 1992 to honour Willy Brandt. Description The square is open for pedestrians, the tram, cars, and the U-Bahn ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Festhalle Frankfurt
Festhalle Frankfurt is a multi-purpose arena located in Frankfurt, Germany. The interior of the dome at its highest reaches a height of 40 meters. It provides an area of 5,646 square metres, offering by a variable grandstand system space for up to 8,500 people (together with the two tiers) seated, and 13,500 people unseated. History Opening in 1909 At the end of the 19th century, the Frankfurt fair was held in various facilities. Frequently it was housed in the Hippodrome in Sachsenhausen (the quarters located south of the river Main), while at other times it was held in single-use pavilions. After a time many felt the city needed a dedicated exhibition hall. A competition was advertised, and the plans of the Marburg architect Friedrich von Thiersch made the short list of finalists. After several amendments, von Thiersch's concept was widely accepted. Construction began on 11 June 1907. On 19 May 1909, it was officially opened by Kaiser Wilhelm II. At the time of its completion, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Magda Spiegel
Magda Spiegel (1887–1944) was a German contralto who was a member of the Frankfurt Opera ensemble and was murdered in the Auschwitz concentration camp. The baritone Richard Breitenfeld, also of the Frankfurt Opera, shared the same fate. Peter Hugh Reed wrote in ''American Record Guide The ''American Record Guide'' (''ARG'') is a classical music magazine. It has reviewed classical music recordings since 1935. History and profile The magazine was founded by Peter Hugh Reed in May 1935 as the ''American Music Lover''. It chang ...'', 1949: I have also learned with the deepest regret about the similar death of the contralto Magda Spiegel, from Frankfurt. She made some excellent acoustic records in the early 1920s for Odeon, Vox and Homochard – I remember her as a thrilling Adriano in Wagner's Rienzi when the Frankfurt opera company visited Holland in 1934.''American Record Guide'', No. 16 References External links Magda Spiegelon operanostalgia.be German opera singer ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Richard Breitenfeld
Richard Breitenfeld (13 October 1869 – 16 December 1944) was a German baritone. He was a member of the Frankfurt Opera ensemble and was murdered in the Theresienstadt concentration camp. Breitenfeld was born in Reichenberg (now in the Czech Republic) and made his debut in 1897 as Count Luna in Verdi's ''Il trovatore'' in Cologne. In 1912, he sang the role of the count in Act II of Franz Schreker's ''Der ferne Klang'' in its world premiere at the Frankfurt Opera. The contralto Magda Spiegel, also of the Frankfurt Opera, was murdered in Auschwitz. According to Peter Hugh Reed writing in ''American Record Guide'' (1949), Breitenfeld recorded for Odeon and HMV Sunrise Records and Entertainment, trading as HMV (for His Master's Voice), is a British music and entertainment retailer, currently operating exclusively in the United Kingdom. The first HMV-branded store was opened by the Gramophone Company ... between 1910 and 1914. Richard Breitenfeld has a memorial stone in F ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Der Schatzgräber
''Der Schatzgräber'' (''The Treasure Hunter'') is an opera in 5 parts: Prologue, Act I, Act II, Act III and Epilogue by Franz Schreker with a libretto by the composer. Composition history Schreker wrote the libretto for the opera in the summer of 1915. He then broke off to attend to a revision of ''Das Spielwerk und die Prinzessin'' and compose the '' Chamber Symphony'', returning to ''Der Schatzgräber'' in the summer of 1917. He dated the manuscript full score 12 November 1918. The score is published by Universal Edition Vienna. Performance history The opera was first performed on 21 January 1920 by the Oper Frankfurt, conducted by Ludwig Rottenberg.Christopher Hailey: ''Franz Schreker: A Cultural Biography'' (Cambridge University Press, 1993) It was Schreker's most (but also his last) successful opera. It received 354 performances in over fifty cities between 1920 and 1924/1925, but after the change in the cultural and political climate in Germany, only a further 31 performa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hans Erl
Hans Tobias Erl (Warsaw or Vienna 1882 — Deported to Auschwitz, 1942?) was a German operatic bass. Professional career He began his actual career in the theatre during the 1908-1909 season at the Raimund-Theater in Vienna, after already having sung in the world premiere performance of Oscar Straus' operetta '' Die lustigen Nibelungen'' at the Wiener Carl-Theater in 1904. Further engagements were at the Stadttheater Augsburg (1911–1913), the Stadttheater Elberfeld (1913–1914), and the Stadttheater Chemnitz (1914–1918, interrupted by military service during World War I in 1914-1915). In 1918 he began a fifteen-year engagement with the Frankfurt Opera as the first bass, where he became one of the ensemble's best known singers. He was dismissed from the Opera on 11 June 1933. His repertoire included the major basso profondo roles (Padre Guardiano in Verdi's ''La forza del destino'', Il Commendatore in Mozart's ''Don Giovanni'' and Sarastro in Mozart's ''Die Zauberflöte'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hermann Schramm
Hermann Schramm (1871–1951) was a German tenor who sang at the Oper Frankfurt in the 1920s and made several recordings for HMV Germany. Although he was Jewish he escaped the deportation and subsequent fate of his colleagues at the Oper Frankfurt, Richard Breitenfeld, Magda Spiegel, bass Hans Erl and violinist Moses Slager, since he was married to an "Aryan" wife, and his children had been raised as Christians. Hans Meissner, head of the opera, intervened personally for Schramm with the mayor in 1933 when Erl and others had to be dismissed from the opera. A chance anecdote reveals Schramm, then 72, as a witness in the 1950 trial of low-ranking Gestapo officer Heinrich Baab who scoured the streets of Frankfurt after 1940 looking for Jews. Schramm was witness to the arrest of a Jewish woman caught with a tramway ticket in her handbag – evidence of her using public transport. Schramm attempted to intervene and was repeatedly struck in the face by Baab, but not himself arrested.Zei ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |