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Franco And Ciccio
Franco () and Ciccio () were a comic comedy duo formed by Italian actors Franco Franchi (1928–1992) and Ciccio Ingrassia (1922–2003), particularly popular in the 1960s and 1970s. Their collaboration began in 1954 in the theater field, and ended with Franchi's death in 1992. The two made their cinema debuts in 1960 with the film ''Appuntamento a Ischia''. They remained active until 1984 when their last film together, ''Kaos'', was shot, although there were some interruptions in 1973 and from 1975 to 1980. Together, they appeared in 112 films. Considered at the time as protagonists of B movies, they were subsequently reevaluated by critics for their comedy and creative abilities, becoming the subject of study. The huge success with the public is evidenced by the box office earnings, which in the 1960s, represented 10% of the annual box office earnings in Italy. History Both born in Palermo, Sicily, their collaboration began in 1954 in the theater field, and ended with Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Franchi & Ciccio Ingrassia
Franco may refer to: Name * Franco (name) * Francisco Franco (1892–1975), Spanish general and dictator of Spain from 1939 to 1975 * Franco Luambo (1938–1989), Congolese musician, the "Grand Maître" Prefix * Franco, a prefix used when referring to France, a country * Franco, a prefix used when referring to French people and their diaspora, e.g. Franco-Americans, Franco-Mauritians * Franco, a prefix used when referring to Franks, a West Germanic tribe Places * El Franco, a municipality of Asturias in Spain * Presidente Franco District, in Paraguay * Franco, Virginia, an unincorporated community, in the United States Other uses * Franco (band), Filipino band * Franco (General Hospital), Franco (''General Hospital''), a fictional character on the American soap opera ''General Hospital'' * Franco, the Luccan franc, a 19th-century currency of Lucca, Italy * ''Franco, Ciccio e il pirata Barbanera'', a 1969 Italian comedy film directed by Mario Amendola * ''Franco, ese hombr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Criticism
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Journalism, journalistic criticism that appears regularly in newspapers, magazines and other popular mass-media outlets; and academic criticism by film scholars who are informed by film theory and are published in academic journals. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre or in the whole of History of film, film history. Film criticism is also labeled as a type of writing that perceives films as possible achievements and wishes to convey their differences, as well as the films being made in a level of quality that is satisfactory or unsatisfactory. Film criticism is also associated with the journalistic type of criticism, which is grounded in the media's effects being developed, and journalistic criticism resides in standard structures su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Camera
A movie camera (also known as a film camera and cine-camera) is a type of photographic camera that rapidly takes a sequence of photographs, either on an image sensor or onto film stock, in order to produce a moving image to project onto a movie screen. In contrast to the still camera, which captures a single image at a time, by way of an intermittent mechanism, the movie camera takes a series of images; each image is a ''frame'' of film. The strips of frames are projected through a movie projector at a specific frame rate (number of frames per second) to show a moving picture. When projected at a given frame rate, the persistence of vision allows the eyes and brain of the viewer to merge the separate frames into a continuous moving picture. History An interesting forerunner to the movie camera was the machine invented by Francis Ronalds at the Kew Observatory in 1845. A photosensitive surface was drawn slowly past the aperture diaphragm of the camera by a clockwork mechanism to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Improvisational Theatre
Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted: created spontaneously by the performers. In its purest form, the dialogue, action, story, and characters are created collaboratively by the players as the improvisation unfolds in present time, without use of an already prepared, written script. Improvisational theatre exists in performance as a range of styles of improvisational comedy as well as some non-comedic theatrical performances. It is sometimes used in film and television, both to develop characters and scripts and occasionally as part of the final product. Improvisational techniques are often used extensively in drama programs to train actors for stage, film, and television and can be an important part of the rehearsal process. However, the skills and processes of improvisation are also used outside the context of performing arts. This practice, known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canovaccio
A canovaccio is a scenario used by '' commedia dell'arte'' players. It consisted only of a list of acts and scenes; the details were left to the improvisation of the actors. Actors in the ''commedia dell'arte'' thus had to be endowed with an inventive mind since the success of the play depended largely on their creativity and above all on their ''lazzi'' (jokes and gags). The spotlight fell on the actors rather than on the play itself. The use of improvisation on top of ''canovaccio'' enabled the avoidance of censorship Censorship is the suppression of speech, public communication, or other information. This may be done on the basis that such material is considered objectionable, harmful, sensitive, or "inconvenient". Censorship can be conducted by governments ... because censors cannot censor that which is not written. Since the dialogue was almost entirely improvised on stage, actors and theatre companies could get away with almost anything. In the late 19th century schola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screenplay
''ScreenPlay'' is a television drama anthology series broadcast on BBC2 between 9 July 1986 and 27 October 1993. Background After single-play anthology series went off the air, the BBC introduced several showcases for made-for-television, feature length filmed dramas, including ''ScreenPlay''. Various writers and directors were utilized on the series. Writer Jimmy McGovern was hired by producer George Faber to pen a series five episode based upon the Merseyside needle exchange programme of the 1980s. The episode, directed by Gillies MacKinnon, was entitled ''Needle'' and featured Sean McKee, Emma Bird, and Pete Postlethwaite''.'' The last episode of the series was titled "Boswell and Johnson's Tour of the Western Islands" and featured Robbie Coltrane as English writer Samuel Johnson, who in the autumn of 1773, visits the Hebrides off the north-west coast of Scotland. That episode was directed by John Byrne and co-starred John Sessions and Celia Imrie. Some scenes were shot a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucio Fulci
Lucio Fulci (; 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and Spaghetti Westerns, he garnered an international cult following for his giallo and horror films. His most notable films include the "Gates of Hell" trilogy—''City of the Living Dead'' (1980), '' The Beyond'' (1981), and ''The House by the Cemetery'' (1981)—as well as ''Massacre Time'' (1966), ''One on Top of the Other'' (1969), ''Beatrice Cenci'' (1969), ''A Lizard in a Woman's Skin'' (1971), ''Don't Torture a Duckling'' (1972), ''White Fang'' (1973), ''Four of the Apocalypse'' (1975), ''Sette note in nero'' (1977), ''Zombi 2'' (1979), '' Contraband'' (1980), ''The New York Ripper'' (1982), ''Murder Rock'' (1984), and ''A Cat in the Brain'' (1990). Although a number of films over the years were said to have been "co-produced" by Fulci, he was just allowing them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcello Ciorciolini
Marcello Ciorciolini (16 January 1922 – 5 September 2011) was an Italian screenwriter, director, playwright, television and radio author and lyricist. Life and career Born in Rome, Ciorciolini began his career in 1950 as a radio writer, often collaborating with Alberto Talegalli. Shorty later he entered the cinema industry as screenwriter, specializing in the comedy genre and also directing a number of films. As a lyricist he was author of several hits, notably Mina's "Una zebra a pois" and " Ti guarderò nel cuore", the theme song of ''Mondo cane''. Between 1970s and 1980s he was mainly active as an author of television variety shows. On stage, he was active as an author of revues and comedy plays, and more sporadically of dramas. Ciorciolini was one of the favorite authors of the comic duo Franco and Ciccio, with whom he collaborated in television, cinema and even for some songs. Selected filmography ;Screenwriter * ''Il coraggio'' (1955) * ''Terror of the Red Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmelo Bene
Carmelo Pompilio Realino Antonio Bene, known as Carmelo Bene (1 September 1937 – 16 March 2002), was an Italian actor, poet, film director and screenwriter. He was an important exponent of the Italian experimental theatre, avant-garde theatre and cinema. He died of a heart ailment in 2002. Works Literature In 1979 he wrote, in collaboration with French philosopher Gilles Deleuze, the essay "Superpositions". In 1984 his play ''Adelchi'' was published. In 1970 he wrote the screenplay ''A boccaperta, A Boccaperta''. * ''I Appeared to the Madonna'', translated with a preface by Carole Viers-Andronico (Contra Mundum Press: 2020) Partial filmography * ''Oedipus Rex (1967 film), Oedipus Rex'' (1967, directed by Pier Paolo Pasolini) - Creonte * ''Nostra Signora dei Turchi - Our Lady of the Turks'' (1968, director, Venice Film Festival Special Jury Prize) - The Man / Narrator * ''Catch as Catch Can (1967 film), Catch as Catch Can'' (1968) - Priest * ''Capricci'' (1969, director) - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Moravia
Alberto Moravia ( , ; born Alberto Pincherle ; 28 November 1907 – 26 September 1990) was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation and existentialism. Moravia is best known for his debut novel ''Gli indifferenti'' (''The Time of Indifference'' 1929) and for the anti-fascist novel ''Il Conformista'' (''The Conformist'' 1947), the basis for the film ''The Conformist'' (1970) directed by Bernardo Bertolucci. Other novels of his adapted for the cinema are ''Agostino'', filmed with the same title by Mauro Bolognini in 1962; ''Il disprezzo'' (''A Ghost at Noon'' or ''Contempt''), filmed by Jean-Luc Godard as ''Le Mépris'' (''Contempt'' 1963); ''La Noia'' (''Boredom''), filmed with that title by Damiano Damiani in 1963 and released in the US as ''The Empty Canvas'' in 1964 and ''La ciociara'', filmed by Vittorio De Sica as ''Two Women'' (1960). Cédric Kahn's ''L'Ennui'' (1998) is another version of ''La Noia''. Moravia onc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, ''Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
