Francisco Pradilla
Francisco Pradilla Ortiz (24 July 1848 – 1 November 1921) was a prolific Spanish painter famous for creating historical scenes. Biography He was born in Villanueva de Gállego, in Zaragoza Province and began his studies in Zaragoza. He then transferred to the Real Academia de Bellas Artes de San Fernando and, later, the "Academia de Acuarelistas" (Academy of Watercolorists) in Madrid. In 1873, he became one of the first students chosen to study at the new . From there he had opportunities to travel to France and Venice and studied the old masters. In 1878 he submitted his painting ''Doña Joanna the Mad'' or (Juana la Loca) to the National Exhibition of Fine Arts and was awarded the Medal of Honor. In 1879, the Spanish Senate then commissioned him to create ''La Rendición de Granada'' (The Surrender of Granada), which took him three years to complete.The painting hangs in the Capilla Real at Granada In 1881 he became the Director of the , but resigned from this pos ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Villanueva De Gállego
Villanueva de Gállego is a municipality located in the province of Zaragoza, Aragon, Spain. According to the 2004 census (INE INE, Ine or ine may refer to: Institutions * Institut für Nukleare Entsorgung, a German nuclear research center * Instituto Nacional de Estadística (other) * Instituto Nacional de Estatística (other) * Instituto Nacional Elec ...), the municipality has a population of 3,662 inhabitants. References Municipalities in the Province of Zaragoza {{Zaragoza-geo-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Doña Joanna The Mad
''Doña Juana la Loca'' () is an 1877 oil on canvas painting by the Spanish painter Francisco Pradilla. It is now in the Museo del Prado in Madrid, Spain. The painting was created and sent from Rome, and it was so successful that many copies of the original were eventually made. The painting is an example of the Spanish historical painting genre. It obtained the medal of honor in the National Exposition of Fine Arts (Spanish: Exposición Nacional de Bellas Artes) of 1878, as well as having success in the Universal Expositions of Paris in 1878, as well as that of Berlin. In the painting, Pradilla represents Joanna of Castile watching over the casket of her dead husband, Philip I of Castile. She stands upright with an expression of emptiness on her lean face and hands clenched at her side. Around her, the courtiers gather with varied expressions. Philip I of Castile Philip the Handsome, es, Felipe, french: Philippe, nl, Filips (22 July 1478 – 25 September 1506), also called ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Juana Of Castile
Joanna (6 November 1479 – 12 April 1555), historically known as Joanna the Mad ( es, link=no, Juana la Loca), was the nominal Queen of Castile from 1504 and Queen of Aragon from 1516 to her death in 1555. She was married by arrangement to Philip the Handsome, Archduke of Austria, of the House of Habsburg, on 20 October 1496.Bethany Aram, ''Juana the Mad: Sovereignty and Dynasty in Renaissance Europe'' (Baltimore, Johns Hopkins UP, 2005), p. 37 Following the deaths of her brother, John, Prince of Asturias, in 1497, her elder sister Isabella in 1498, and her nephew Miguel in 1500, Joanna became the heir presumptive to the crowns of Castile and Aragon. When her mother, Queen Isabella I of Castile, died in 1504, Joanna became Queen of Castile. Her father, King Ferdinand II of Aragon, proclaimed himself Governor and Administrator of Castile.Bergenroth, G A, Introduction. Letters, Despatches, and State Papers to the Negotiations between England and Spain. Suppl. to vols 1 and 2 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Landscape Painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Costumbrista
''Costumbrismo'' (sometimes anglicized as costumbrism, with the adjectival form costumbrist) is the literary or pictorial interpretation of local everyday life, mannerisms, and customs, primarily in the Hispanic scene, and particularly in the 19th century. ''Costumbrismo'' is related both to artistic realism (arts), realism and to Romanticism, sharing the Romantic interest in expression as against simple representation and the romantic ''and'' realist focus on precise representation of particular times and places, rather than of humanity in the abstract.Antonio Reina PalazónEl Costumbrismo en la Pintura Sevillana del Siglo XIX Biblioteca Virtual Miguel Cervantes. Accessed online 2010-01-22. It is often satiric and even moralizing, but unlike mainstream realism does not usually offer or even imply any particular analysis of the society it depicts. When not satiric, its approach to quaint folklore, folkloric detail often has a romanticizing aspect. ''Costumbrismo'' can be found in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Puerto Del Suspiro Del Moro
Puerto del Suspiro del Moro or Pass of the Moor's Sigh is a mountain pass in the Spanish Sierra Nevada. History Muhammad XII, the last Moorish Sultan of Granada, and his court are said to have crossed this Alpujarras pass after being ejected from Granada by the Catholic Monarchs in 1492. Its name comes from the moment when he loudly sighed while looking back and longing for his Granada palaces, and in particular the Alhambra The Alhambra (, ; ar, الْحَمْرَاء, Al-Ḥamrāʾ, , ) is a palace and fortress complex located in Granada, Andalusia, Spain. It is one of the most famous monuments of Islamic architecture and one of the best-preserved palaces of the ..., an act which reportedly moved his mother Aisha to whip him, giving the famous quip "''Yora, yora como mujer, lo que no supiste defender como hombre''", meaning "Weep, weep like a woman, for that which you have not been able to defend as a man." External linksSpanish poemby Aguijarro detailedly describing t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Emirate Of Granada
The Emirate of Granada ( ar, إمارة غرﻧﺎﻃﺔ, Imārat Ġarnāṭah), also known as the Nasrid Kingdom of Granada ( es, Reino Nazarí de Granada), was an Emirate, Islamic realm in southern Iberia during the Late Middle Ages. It was the last independent Muslim state in Western Europe. Muslims had been present in the Iberian Peninsula, which they called ''Al-Andalus'', since the early eighth century. At its greatest geographical extent, Muslim-controlled territory occupied most of the peninsula and part of present-day southern France. From the ninth to the tenth century, under the Caliphate of Córdoba, the region was one of the most prosperous and advanced in Europe. Conflict with the northern Christian kingdoms was recurrent, while mounting civil strife led to a Taifa, fragmenting of Muslim states in the early eleventh century. This marked a precipitous decline in Muslim power and facilitated the centuries-long Christian ''Reconquista.'' By 1230, the Almohad Caliphate ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nasrid Dynasty
The Nasrid dynasty ( ar, بنو نصر ''banū Naṣr'' or ''banū al-Aḥmar''; Spanish: ''Nazarí'') was the last Muslim dynasty in the Iberian Peninsula, ruling the Emirate of Granada from 1230 until 1492. Its members claimed to be of Arab origin. Twenty-three emirs ruled Granada from the founding of the dynasty in 1230 by Muhammad I of Granada, Muhammad I until 2 January 1492, when Muhammad XII of Granada, Muhammad XII surrendered all lands to Queen Isabella I of Castile. Today, the most visible evidence of the Nasrid dynasty is part of the Alhambra palace complex built under their rule. Background The dynasty founded by Muhammad I of Granada held a territory that included Granada, Province of Jaén (Spain), Jaén, Almería, and Málaga. Valencia, Játiva, and Jaén were conquered by Christians during the campaigns of the Reconquista and for the most part, the Nasrids were made into tribute-paying vassals from 1243. Granada continued as a center of Islamic culture. The N ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Muhammad XII Of Granada
Abu Abdallah Muhammad XII ( ar, أبو عبد الله محمد الثاني عشر, Abū ʿAbdi-llāh Muḥammad ath-thānī ʿashar) (c. 1460–1533), known in Europe as Boabdil (a Spanish rendering of the name ''Abu Abdallah''), was the 22nd and last Nasrid ruler of the Emirate of Granada in Iberia. Sultan Muhammad XII was the son of Abu l-Hasan Ali, Sultan of the Emirate of Granada whom he succeeded in 1482, as a result of both court intrigue and unrest amongst the population at large. Muhammad XII soon sought to gain prestige by invading Castile, but was taken prisoner at Lucena in 1483. Muhammad's father was then restored as ruler of Granada, to be replaced in 1485 by his uncle Muhammad XIII, also known as Abdullah ez Zagal. Muhammad obtained his freedom and Christian support to recover his throne in 1487, by consenting to hold Granada as a tributary kingdom under the Catholic monarchs. He further undertook not to intervene in the Siege of Málaga, in which Mál ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Sigh Of The Moor
''The Sigh of the Moor'' is an oil-on-canvas painting of Muhammad XII, (Boabdil), last Nasrid Emir of Granada. It was painted in the late 19th century by the Spanish artist Francisco Pradilla Ortiz. The painting depicts Boabdil, having ceded Granada to the Catholic Monarchs of Spain, Ferdinand and Isabella, turning to take a last look at the city he has lost, before going into exile. History The picture The painting depicts Muhammad XII, the last Nasrid ruler of Granada, turning to take his final look at the city from the Puerto del Suspiro del Moro before going into exile. Boabdil was upbraided by his mother, Aixa; “weep like a woman for the kingdom you could not defend like a man.” Historians have generally followed Aixa in condemning Boabdil, but a 21st-century revisionist view by Elizabeth Drayson, a historian at the University of Cambridge, sees him as; “a last stand against religious intolerance, fanatical power and cultural ignorance”. The writer Giles Tremlett, i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Museo Del Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |