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Francisco De Peñalosa
Francisco de Peñalosa (c. 1470 – April 1, 1528) was a Spanish composer of the middle Renaissance. Life He was born in Talavera de la Reina in the province of Toledo. He spent most of his career in Seville, serving as the ''maestro di capilla'', though he also spent time in Burgos, and three years in Rome at the papal chapel (1518–1521). He died in Seville. Music and influence Peñalosa was one of the most famous Spanish composers of the generation before Cristóbal de Morales, and his compositions were highly regarded at the time. Unfortunately for him, his music was not widely distributed; he did not benefit from the invention of printing, since he mostly remained in Spain, away from cities such as Venice and Antwerp which were the first centers of printed music. Later generations of Spanish composers—Guerrero, Morales, Victoria—went to Italy for parts of their careers, where their compositions were printed and were as widely distributed as the music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James O'Donnell (organist)
James Anthony O'Donnell (born 15 August 1961) is a British organist, choral conductor and academic teacher. He was master of music at Westminster Cathedral in London from 1988 to 2000 and made recordings with the cathedral choir; their recording of Frank Martin's ''Mass for Double Choir'' and Ildebrando Pizzetti's ''Messa di Requiem'' received awards. O'Donnell has played organ concerts and appeared with choirs internationally. He recorded Poulenc's Organ Concerto and Saint-Saëns's Third Symphony, with organ, among others. He has held the position of organist and master of the choristers of Westminster Abbey since 2000. With the choir of the Westminster Abbey, he recorded ''Music for Remembrance'', written in memory of those who died in the two World Wars, including Duruflé's Requiem. He has been responsible for the music at several national functions at Westminster, including the funeral of Queen Elizabeth The Queen Mother in 2002, the wedding of Prince William and Cathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westminster Cathedral
Westminster Cathedral is the mother church of the Catholic Church in England and Wales. It is the largest Catholic church in the UK and the seat of the Archbishop of Westminster. The site on which the cathedral stands in the City of Westminster was purchased by the Diocese of Westminster in 1885, and construction completed in 1903. Designed by John Francis Bentley in neo-Byzantine style, and accordingly made almost entirely of brick, without steel reinforcements, Sir John Betjeman called it "a masterpiece in striped brick and stone" that shows "the good craftsman has no need of steel or concrete". History In the late 19th century, the Roman Catholic Church's hierarchy had only recently been restored in England and Wales, and it was in memory of Cardinal Wiseman (who died in 1865, and was the first Archbishop of Westminster from 1850) that the first substantial sum of money was raised for the new cathedral. The land was acquired in 1884 by Wiseman's successor, Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominique Vellard
Dominique Vellard (born 1953) is a French tenor and specialist in medieval music. In 1979 he founded the Ensemble Gilles Binchois, a leading ensemble in the performance of Ars Nova music. He is also a composer. Selected discography Harmonic: *Gregorian Chant. Ensemble Gilles Binchois - Dominique Vellard Harmonic 8827 * Les Escholiers de Paris - Motets, Chansons et Estampies du XIIIe siècle. Ensemble Gilles Binchois - Dominique Vellard Harmonic reissued Cantus Records: * Machaut: Messe de Notre Dame * Machaut: Le Jugement du Roi de Navarre Ballades, motets, virelais. Ensemble Gilles Binchois - Dominique Vellard Cantus Virgin Veritas: * Jehan de Lescurel: Fontaine de grace Ballades, virelais et rondeaux Ensemble Gilles Binchois - Dominique Vellard Virgin Veritas 45066 * Guillaume Dufay: Missa Ecce ancilla Domini Ensemble Gilles Binchois - Dominique Vellard Virgin Veritas 45050 * Le Banquet du Voeu 1454. Ensemble Gilles Binchois - Dominique Vellard Virgin Veritas 59043 * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Turner
Bruno Turner (born 7 February 1931) is a British musicologist, choral conductor, broadcaster, publisher and businessman. His scholarship and recordings have focused on early music, especially of Spanish polyphony. Biography Turner was born in London and raised in a strict Catholic household, his father being a convert from the Baptists. His interest in early music was shepherded by Thurston Dart and Denis Stevens; Turner began conducting Renaissance ensembles in the 1950s. Turner worked as secretary to the Renaissance Singers, and this inspired him to establish the Pro Musica Sacra choir, which gave numerous radio broadcasts in the late 1950s. He was the director of Pro Musica Sacra from 1956 to 1964. In 1962, he facilitated a complete liturgical reconstruction (of Robert Fayrfax's ''Missa Tecum Principium''), the first attempt to do so. Turner was a Catholic choirmaster until Vatican II, a radio broadcaster since 1958, and active as conductor and speaker. From the late 1960s int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pro Cantione Antiqua
Pro Cantione Antiqua of London (PCA) is a British choral group which was founded in 1968 by tenor James Griffett, counter-tenor Paul Esswood, and conductor and producer Mark Brown. Their first concert was at St Bartholomew's, Smithfield with Brian Brockless conducting but, from an early stage, they were closely associated with conductor and musicologist Bruno Turner. Arguably, they were the leading British performers of a cappella music, especially early music, prior to the founding of the Tallis Scholars. Singers have included: * countertenors: Paul Esswood, Tom Sutcliffe, Geoffrey Mitchell, James Bowman, Keith Davis, Timothy Penrose, Kevin Smith, Michael Chance, Ashley Stafford, Richard Hill and Charles Brett. * tenors: Paul Elliott, James Griffett, James Lewington, Ian Partridge, Ian Thompson and Andrew Carwood. * basses: David Beavan, Ian Caddy, Brian Etheridge, Michael George, Christopher Keyte, Christopher Underwood, Stephen Roberts, David Thomas and Adrian Peacock. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayne Van Ghizeghem
Hayne van Ghizeghem ( 1445 – 1476 to 1497) was a Franco-Flemish composer of the early Renaissance Burgundian School. While many of his works have survived, little is known about his life. He was probably born in Gijzegem (near Aalst, in modern Belgium). His musical talent must have been noticed early by Charles, Count of Charolais (later to become Charles the Bold) because there is a record of his being personally assigned to a teacher by him; in 1467 he is shown in the Burgundian employment records as being a singer. In addition, he was named along with Adrien Basin and Antoine Busnois as "chantre et valet de chambre" to Charles, indicating the special regard in which he was held. In addition to serving as a singer and composer, he evidently served as a soldier as well, for there is a record of purchase of military equipment for him, prior to the campaign against Liège by Charles. Charles took his musicians along with him on his campaigns, because he loved music as much as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Permutation (music)
In music, a permutation (order) of a set is any ordering of the elements of that set. A specific arrangement of a set of discrete entities, or parameters, such as pitch, dynamics, or timbre. Different permutations may be related by transformation, through the application of zero or more ''operations'', such as transposition, inversion, retrogradation, circular permutation (also called ''rotation''), or multiplicative operations (such as the cycle of fourths and cycle of fifths transforms). These may produce reorderings of the members of the set, or may simply map the set onto itself. Order is particularly important in the theories of composition techniques originating in the 20th century such as the twelve-tone technique and serialism. Analytical techniques such as set theory take care to distinguish between ordered and unordered collections. In traditional theory concepts like voicing and form include ordering; for example, many musical forms, such as rondo, are defined by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainsong
Plainsong or plainchant (calque from the French ''plain-chant''; la, cantus planus) is a body of chants used in the liturgy, liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony. The Monophony, monophonic chants of plainsong have a non-metric rhythm. Their rhythms are generally freer than the metered rhythm of later Western music, and they are sung A cappella, without musical accompaniment. There are three types of chant melodies that plainsongs fall into, Syllabic verse, syllabic, Neume, neumatic, and melismatic. The free flowing melismatic melody form of plainsong is still heard in Middle Eastern music being performed today. Although the Catholic Church (both its Eastern and Western halves) and the Eastern Orthodoxy, Eastern Orthodox churches did not East–West Schism, split until lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
