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Francis Kirkman
Francis Kirkman (1632 – c. 1680) appears in many roles in the English literary world of the second half of the seventeenth century, as a publisher, bookseller, librarian, author and bibliographer. In each he is an enthusiast for popular literature and a popularising businessman, described by one modern editor as "hovering on the borderline of roguery". Early life Francis Kirkman was the eldest son of Francis Kirkman senior (1602–61), who was a member of the Blacksmith's Company and a citizen of the City of London. Little is known of the younger Kirkman's life beyond his publications. He wrote ''The Unlucky Citizen'' (1673), which is taken to be autobiographical, though Kirkman was anything but reliable. However, the part in which he refers to his discovery of literature rings true, and is a good example of his style and enterprise: As will be seen, Kirkman’s enthusiasm for some of these books led him to publish them himself. He claims to have been forbidden to travel or ...
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Francis Kirkman Portrait Engraving, 1798
Francis may refer to: People *Pope Francis, the head of the Catholic Church and sovereign of the Vatican City State and Bishop of Rome *Francis (given name), including a list of people and fictional characters *Francis (surname) Places *Rural Municipality of Francis No. 127, Saskatchewan, Canada * Francis, Saskatchewan, Canada **Francis (electoral district) *Francis, Nebraska *Francis Township, Holt County, Nebraska * Francis, Oklahoma *Francis, Utah Other uses * ''Francis'' (film), the first of a series of comedies featuring Francis the Talking Mule, voiced by Chill Wills *''Francis'', a 1983 play by Julian Mitchell *FRANCIS, a bibliographic database * ''Francis'' (1793), a colonial schooner in Australia *Francis turbine, a type of water turbine *Francis (band), a Sweden-based folk band * Francis, a character played by YouTuber Boogie2988 See also *Saint Francis (other) *Francies, a surname, including a list of people with the name *Francisco (other) *Francisc ...
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Picaresque
The picaresque novel (Spanish: ''picaresca'', from ''pícaro'', for " rogue" or "rascal") is a genre of prose fiction. It depicts the adventures of a roguish, but "appealing hero", usually of low social class, who lives by his wits in a corrupt society. Picaresque novels typically adopt a realistic style. There are often some elements of comedy and satire. While the term "picaresque novel" was only coined in 1810, the picaresque novel originated in Imperial Rome during the 1st-2nd century CE, in particular with works such as the Satyricon of Petronius and later, and more particularly with authors such as Apuleius in Roman Numidia. It would see a revival in Spain during the Spanish Golden Age in 1554. Early Spanish contributors included Mateo Alemán and Francisco de Quevedo, who were influenced in particular by Apuleius' 2nd century work. Other notable ancient influences of the modern picaresque genre include Roman playwrights such as Plautus and Terence. The Golden Ass of Apu ...
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Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, ''Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' (Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he ...
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The Old Law
''The Old Law, or A New Way to Please You'' is a seventeenth-century tragicomedy written by Thomas Middleton, William Rowley, and Philip Massinger. It was first published in 1656, but is generally thought to have been written about four decades earlier. The first edition The play first appeared in a badly-printed 1656 quarto issued by the bookseller Edward Archer (his shop was "at the sign of the Adam and Eve"), with the three dramatists' names on the title page. Scholars have little doubt about the general accuracy of the attribution; the doubt that does exist centres on the role of Massinger, since the play shows many typical signs of being a Middleton/Rowley collaboration. "Probably all critics are sure of the presence of Middleton and Rowley, but Massinger's contribution has been difficult to trace." David Lake, in his study of attribution problems in the Middleton canon, holds that Massinger's share consisted only of a light revision, and that signs of his hand are strongest ...
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The Careless Shepherdess
''The Careless Shepherdess'' is a Jacobean era stage play, a pastoral tragicomedy generally attributed to Thomas Goffe. Its 1656 publication is noteworthy for the introduction of the first general catalogue of the dramas of English Renaissance theatre ever attempted. Date and performance The dates of authorship and first performance for the play are not known with any certainty; the 1619–29 era is usually cited, with "c. 1625" as a common approximation. The play was revived at the Salisbury Court Theatre in 1638, and also was twice performed at Court before King Charles I and Queen Henrietta Maria, in 1629 and 1632. The play was well-enough known to have influenced Ben Jonson as he wrote his final work, ''The Sad Shepherdess'' (1637). Authorship All of the external evidence, including the 1656 first edition, assigns the authorship of the play to Thomas Goffe; one modern scholar, however, has argued that this may have been an error for John Gough, author of ''The Strange ...
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First Quarto
The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall volumes; quartos are smaller, roughly half the size. The publications of the latter are usually abbreviated to Q1, Q2, etc., where the letter stands for "quarto" and the number for the first, second, or third edition published. Plays Eighteen of the 36 plays in the First Folio were printed in separate and individual editions prior to 1623. ''Pericles'' (1609) and ''The Two Noble Kinsmen'' (1634) also appeared separately before their inclusions in folio collections (the Shakespeare Third Folio and the second Beaumont and Fletcher folio, respectively). All of these were quarto editions, with two exceptions: ''The True Tragedy of Richard Duke of York'', the first edition of ''Henry VI, Part 3'', was printed in octavo form in 1595, as was the 1611 edition of ''The most lamentable tragedy of Titus Andronicus''. In chronological order, t ...
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Philip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His finely plotted plays, including ''A New Way to Pay Old Debts'', ''The City Madam'', and '' The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, succ ...
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Francis Beaumont
Francis Beaumont ( ; 1584 – 6 March 1616) was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher. Beaumont's life Beaumont was the son of Sir Francis Beaumont of Grace Dieu, near Thringstone in Leicestershire, a justice of the common pleas. His mother was Anne, the daughter of Sir George Pierrepont (d. 1564), of Holme Pierrepont, and his wife Winnifred Twaits. Beaumont was born at the family seat and was educated at Broadgates Hall (now Pembroke College, Oxford) at age thirteen. Following the death of his father in 1598, he left university without a degree and followed in his father's footsteps by entering the Inner Temple in London in 1600. Accounts suggest that Beaumont did not work long as a lawyer. He became a student of poet and playwright Ben Jonson; he was also acquainted with Michael Drayton and other poets and dramatists, and decided that was where his passion lay. His first work, ''Salmacis and Hermaphroditu ...
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John Fletcher (playwright)
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. He collaborated on writing plays with Francis Beaumont, and also with Shakespeare on three plays. Though his reputation has declined since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Biography Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as chaplain to Queen Elizabeth. As Dean of Pete ...
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Beggars' Bush
''Beggars' Bush'' is a Jacobean era stage play, a comedy in the canon of John Fletcher and his collaborators that is a focus of dispute among scholars and critics. Authorship The authorship and the date of the play have long been debated by commentators. Critics generally agree that the hands of Fletcher and Philip Massinger are manifest in the text, but they dispute the presence of Francis Beaumont. Cyrus Hoy, in his wide-ranging survey of authorship problems in Fletcher's canon, judged all three dramatists to have contributed to the play, and produced this breakdown among them: :Beaumont – Act II; Act V, scenes 1 and 2b (from Hubert's entrance to end); :Fletcher – Acts III and IV; :Massinger – Act I; Act V, scene 2a (to Hubert's entrance). Yet John H. Dorenkamp, in his 1967 edition of the play, rejects Beaumont's presence and attributes Acts I, II, and V to Massinger. (Dorenkamp agrees with Hoy and earlier critics in assigning Acts III and IV to Fletcher; Fletcher's ...
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William Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. He remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an ...
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The Birth Of Merlin
''The Birth of Merlin, or, The Child Hath Found his Father'' is a Jacobean play, probably written in whole or part by William Rowley. It was first performed in 1622 at the Curtain Theatre in Shoreditch. It contains a comic depiction of the birth of the fully grown Merlin to a country girl, and also features figures from Arthurian legend, including Uther Pendragon, Vortigern, and Aurelius Ambrosius. Authorship The 1662 first edition of ''The Birth of Merlin'' was a quarto printed by Thomas Johnson for the booksellers Francis Kirkman and Henry Marsh; it attributed the play to William Shakespeare and William Rowley. ''Merlin'' is thus one of two plays published in the seventeenth century as a Shakespearean collaboration, the other being ''The Two Noble Kinsmen''. Most scholars reject the attribution to Shakespeare and believe that the play is Rowley's, perhaps with a different collaborator. The play has occasionally been revived in the modern era, for example at Theatr Clwyd. ''Th ...
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