Francesco Monti (painter)
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Francesco Monti (painter)
Francesco Monti may refer to: *Francesco Monti (il Brescianino) (1646–1712) *Francesco Monti (Bologna) (1683–1768) {{hndis, Monti, Francesco ...
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Francesco Monti (il Brescianino)
Francesco Monti (il Brescianino) (1646–1703) was an Italian painter of the late-Baroque period, mainly active in his natal city of Brescia, as well as Parma. He was a pupil of Pietro Ricchi (also known as ''il Lucchese''), then of Jacques Courtois (also known as ''il Borgognone''), who was well known as a battle painter. This association led Monti himself to be called ''Francesco della Battaglia''. For many years before 1700, he worked for the ruling family of Parma. He painted the ''Blessed Virgin in Adoration of Christ in the Manger'' for the church of Santa Maria Calcherà in Parma. There are at least three Italian painters that gained the nickname Brescianino (other), Brescianino. References

* 1646 births 1703 deaths 17th-century Italian painters Italian male painters 18th-century Italian painters Painters from Brescia Italian Baroque painters Italian battle painters 18th-century Italian male artists {{Italy-painter-17thC-stub ...
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Francesco Monti (Bologna)
Francesco Monti (1685 – 14 April 1768) was an Italian painter of the late Baroque. ''Death of St Anne'', originally in church of San Zeno al Foro, Brescia. Biography Born in Bologna, he studied art for three years with Sigismondo Caula in Modena, and then starting in 1701 with Giovanni Gioseffo dal Sole in Bologna. His neo-Mannerist style was influenced by Donato Creti, Giuseppe Maria Crespi, and Parmigianino. A prolific painter, he worked in oil and in fresco. His first known work, dating from 1713, is a ''Pentecost'' for the Basilica of San Prospero in Reggio Emilia. Other early works include a ''Rape of the Sabines'' for Count Ranuzzi and a ''Triumph of Mordecai'' for the court at Turin. Around this time, he was commissioned, along with other painters, to provide decorations for the Duke of Richmond's Goodwood Palace. He also executed commissions for a number of churches in Bolognia. Within a few years, he was admitted to the prestigious Accademia Clementina. In ...
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