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Framing (visual Arts)
In visual arts and particularly cinematography, framing is the presentation of visual elements in an image, especially the placement of the subject in relation to other objects. Framing can make an image more aesthetically pleasing and keep the viewer's focus on the framed object(s). It can also be used as a repoussoir, to direct attention back into the scene. It can add depth to an image, and can add interest to the picture when the frame is thematically related to the object being framed. Purpose The goal is often to focus the viewer's attention upon the subject, but the ends and means are ultimately at the discretion of the artist. It is accomplished by manipulating the viewpoint of the image, rather than the object(s) within. Framing, especially in the photographic arts, is primarily concerned with the position and perspective of the viewer. The position of the observer has tremendous impact on their perception of the main subject, both in terms of aesthetics and in their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A View Of Uetersen Rosarium HP 16622 Edit
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Arts
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art. Current usage of the term "visual arts" includes fine art as well as the applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, craft, or applied Visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many fields of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attention
Attention is the behavioral and cognitive process of selectively concentrating on a discrete aspect of information, whether considered subjective or objective, while ignoring other perceivable information. William James (1890) wrote that "Attention is the taking possession by the mind, in clear and vivid form, of one out of what seem several simultaneously possible objects or trains of thought. Focalization, concentration, of consciousness are of its essence." Attention has also been described as the allocation of limited cognitive processing resources. Attention is manifested by an attentional bottleneck, in terms of the amount of data the brain can process each second; for example, in human vision, only less than 1% of the visual input data (at around one megabyte per second) can enter the bottleneck, leading to inattentional blindness. Attention remains a crucial area of investigation within education, psychology, neuroscience, cognitive neuroscience, and neuropsychology. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repoussoir
In two-dimensional works of art, such as painting, printmaking, photography or bas-relief, ''repoussoir'' (, ''pushing back'') is an object along the right or left foreground that directs the viewer's eye into the composition by bracketing ( framing) the edge. It became popular with Mannerist and Baroque artists, and is found frequently in Dutch seventeenth-century landscape paintings. Jacob van Ruisdael, for example, often included a tree along one side to enclose the scene (see illustration). Figures are also commonly employed as ''repoussoir'' devices by artists such as Paolo Veronese, Peter Paul Rubens and Impressionists such as Gustave Caillebotte. File:Jacob Isaaksz. van Ruisdael 009b.jpg, Jacob Isaaksz. van Ruisdael, ''The Jewish Cemetery'' (1655–60, oil on canvas, 141 x 182.9 cm). The tree in the right-foreground of Ruisdael's painting is an example of ''repoussoir'' that pushes the viewer's eye into the composition. File:Peter Paul Rubens 118.jpg, ''The Four P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Repoussoir
In two-dimensional works of art, such as painting, printmaking, photography or bas-relief, ''repoussoir'' (, ''pushing back'') is an object along the right or left foreground that directs the viewer's eye into the composition by bracketing ( framing) the edge. It became popular with Mannerist and Baroque artists, and is found frequently in Dutch seventeenth-century landscape paintings. Jacob van Ruisdael, for example, often included a tree along one side to enclose the scene (see illustration). Figures are also commonly employed as ''repoussoir'' devices by artists such as Paolo Veronese, Peter Paul Rubens and Impressionists such as Gustave Caillebotte. File:Jacob Isaaksz. van Ruisdael 009b.jpg, Jacob Isaaksz. van Ruisdael, ''The Jewish Cemetery'' (1655–60, oil on canvas, 141 x 182.9 cm). The tree in the right-foreground of Ruisdael's painting is an example of ''repoussoir'' that pushes the viewer's eye into the composition. File:Peter Paul Rubens 118.jpg, ''The Four P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depth Of Field
The depth of field (DOF) is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus. "Acceptably sharp focus" is defined using a property called the "circle of confusion". The depth of field can be determined by focal length, distance to subject, the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: : \text \approx \frac for a given circle of confusion (c), focal length (f), f-number (N), and distance to subject (u). As distance or the size of the acceptable circle of confusion increases, the depth of field increases; however, increasing the size of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Space (visual Arts)
In page layout, illustration and sculpture, white space is often referred to as negative space. It is the portion of a page left unmarked: margins, gutters, and space between columns, lines of type, graphics, figures, or objects drawn or depicted, and is not necessarily actually white if the background is of a different colour. The term arises from graphic design practice, where printing processes generally use white paper. White space may be an element of design rather than just space left blank. When space is at a premium, such as in some types of magazine, newspaper, and yellow pages advertising, white space is restricted in order to get as much information onto the page as possible. A page full of text or graphics with very little white space may appear cluttered, and be difficult to read. Some designs compensate for restricted white space by use of leading and typeface. Extensive white space may be left intentionally, with the purpose of giving an appearance deemed classic, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vignetting
In photography and optics, vignetting is a reduction of an image's brightness or saturation toward the periphery compared to the image center. The word ''vignette'', from the same root as ''vine'', originally referred to a decorative border in a book. Later, the word came to be used for a photographic portrait that is clear at the center and fades off toward the edges. A similar effect is visible in photographs of projected images or videos off a projection screen, resulting in a so-called "hotspot" effect. Vignetting is often an unintended and undesired effect caused by camera settings or lens limitations. However, it is sometimes deliberately introduced for creative effect, such as to draw attention to the center of the frame. A photographer may deliberately choose a lens that is known to produce vignetting to obtain the effect, or it may be introduced with the use of special filters or post-processing procedures. When using superzoom lenses, vignetting may occur all alo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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