In two-dimensional works of art, such as
painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...
,
printmaking,
photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employe ...
or
bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that th ...
, ''repoussoir'' (, ''pushing back'') is an object along the right or left foreground that directs the viewer's eye into the composition by bracketing (
framing) the edge. It became popular with
Mannerist
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Ita ...
and
Baroque artists, and is found frequently in Dutch seventeenth-century landscape paintings.
Jacob van Ruisdael
Jacob Isaackszoon van Ruisdael (; 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural ach ...
, for example, often included a tree along one side to enclose the scene (see illustration). Figures are also commonly employed as ''repoussoir'' devices by artists such as
Paolo Veronese,
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradi ...
and
Impressionists such as
Gustave Caillebotte
Gustave Caillebotte (; 19 August 1848 – 21 February 1894) was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early ...
.
Pitti Palace
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present ...
, Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany Regions of Italy, region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilan ...
). In his friendship portrait of himself, his brother Philip Rubens, Justus Lipsius
Justus Lipsius (Joest Lips or Joost Lips; 18 October 1547 – 23 March 1606) was a Flemish Catholic philologist, philosopher, and humanist. Lipsius wrote a series of works designed to revive ancient Stoicism in a form that would be compatible w ...
and Jan van den Wouwer (left to right), the painter Rubens's self-portrait on the left is an example of a figural ''repoussoir'' that is further accentuated by the flowing red curtain.
File:Gustave Caillebotte - Paris Street; Rainy Day - Google Art Project.jpg, Gustave Caillebotte
Gustave Caillebotte (; 19 August 1848 – 21 February 1894) was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early ...
. '' Paris Street; Rainy Day'' (1877, Art Institute of Chicago). The rear-facing man on the right with the tilted umbrella is an example of ''repoussoir'' figure leading the viewer's gaze into the composition.
References
Artistic techniques
Painting techniques
Photographic techniques
Composition in visual art
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