Fostex Foundation 2000
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Fostex Foundation 2000
The Fostex Foundation 2000 was a high-end digital audio workstation that Fostex introduced in 1993, at a cost of about $60,000. Many of its engineers were refugees from the recently bankrupt New England Digital, makers of the highly regarded and much more pricey Synclavier music workstation. It was considered a very innovative product in its time for its intuitive touch-screen user-interface and very high performance. Huber, David Miles. Hard disk recording for musicians'. Amsco Publications, 1995. 51, 53. The Foundation 2000 cost approximately $60,000 when it was introduced and ended up not being successful in the market. Software updates were still being released as late as 1996. A cheaper version called the Fostex Foundation 2000RE was also sold. Among its most highly touted features was a hot-swappable SCSI drive enclosure (referred to as the RPE, or Removable Project Environment) that maintains the entire system state at all times, allowing one to immediately switch bet ...
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The Fostex Foundation 2000 was a high-end digital audio workstation that Fostex introduced in 1993, at a cost of about $60,000. Many of its engineers were refugees from the recently bankrupt New England Digital, makers of the highly regarded and much more pricey Synclavier music workstation. It was considered a very innovative product in its time for its intuitive touch-screen user-interface and very high performance. Huber, David Miles. Hard disk recording for musicians'. Amsco Publications, 1995. 51, 53. The Foundation 2000 cost approximately $60,000 when it was introduced and ended up not being successful in the market. Software updates were still being released as late as 1996. A cheaper version called the Fostex Foundation 2000RE was also sold. Among its most highly touted features was a hot-swappable SCSI drive enclosure (referred to as the RPE, or Removable Project Environment) that maintains the entire system state at all times, allowing one to immediately switch bet ...
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Toslink
TOSLINK (from ''Toshiba Link'') is a standardized optical fiber connector system. Also known generically as optical audio, its most common use is in consumer audio equipment (via a "digital optical" socket), where it carries a digital audio stream from components such as CD and DVD players, Digital Audio Tape recorders, computers, and modern video game consoles, to an AV receiver that can decode two channels of uncompressed lossless pulse-code modulated (PCM) audio or surround sound such as Dolby Digital or DTS Surround System. Unlike HDMI, TOSLINK does not have the bandwidth to carry the lossless versions of Dolby TrueHD, DTS-HD Master Audio, or more than two channels of PCM audio. Although TOSLINK supports several different media formats and physical standards, digital audio connections using the rectangular EIAJ/JEITA RC-5720 (also CP-1201 and JIS C5974-1993 F05) connector are by far the most common. 100621 digikey.com The optical signal is a red light with a peak wave ...
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Motorola 56000
The Motorola DSP56000 (also known as 56K) is a family of digital signal processor (DSP) chips produced by Motorola Semiconductor (later Freescale Semiconductor then NXP) starting in 1986 with later models are still being produced in the 2020s. The 56k series was quite popular for a time in a number of computers, including the NeXT, Atari Falcon030 and SGI Indigo workstations all using the 56001. Upgraded 56k versions are still used in audio equipment, radar systems, communications devices (like mobile phones) and various other embedded DSP applications. The 56000 was also used as the basis for the updated 96000, which was not commercially successful. Technical description The DSP56000 uses fixed-point arithmetic, with 24-bit program words and 24-bit data words. It includes two 24-bit registers, which can also be referred to as a single 48-bit register. It also includes two 56-bit accumulators, each with an 8-bit "extension" (aka headroom); otherwise, the accumulators are sim ...
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Motorola 68030
The Motorola 68030 ("''sixty-eight-oh-thirty''") is a 32-bit microprocessor in the Motorola 68000 family. It was released in 1987. The 68030 was the successor to the Motorola 68020, and was followed by the Motorola 68040. In keeping with general Motorola naming, this CPU is often referred to as the 030 (pronounced ''oh-three-oh'' or ''oh-thirty''). The 68030 is essentially a 68020 with a memory management unit (MMU) and instruction and data caches of 256 bytes each. It added a burst mode (computing), burst mode for the caches, where four longwords can be loaded into the cache in a single operation. The MMU was mostly compatible with the external Motorola 68851, 68851 that would be used with the 68020, but being internal allowed it to access memory one cycle faster than a 68020/68851 combo. The 68030 did not include a built-in floating-point unit (FPU), and was generally used with the Motorola 68881, 68881 and the faster Motorola 68882, 68882. The addition of the FPU was a major d ...
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Firmware
In computing, firmware is a specific class of computer software that provides the low-level control for a device's specific hardware. Firmware, such as the BIOS of a personal computer, may contain basic functions of a device, and may provide hardware abstraction services to higher-level software such as operating systems. For less complex devices, firmware may act as the device's complete operating system, performing all control, monitoring and data manipulation functions. Typical examples of devices containing firmware are embedded systems (running embedded software), home and personal-use appliances, computers, and computer peripherals. Firmware is held in non-volatile memory devices such as ROM, EPROM, EEPROM, and flash memory. Updating firmware requires ROM integrated circuits to be physically replaced, or EPROM or flash memory to be reprogrammed through a special procedure. Some firmware memory devices are permanently installed and cannot be changed after manufacture. C ...
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Analog-to-digital Converter
In electronics, an analog-to-digital converter (ADC, A/D, or A-to-D) is a system that converts an analog signal, such as a sound picked up by a microphone or light entering a digital camera, into a digital signal. An ADC may also provide an isolated measurement such as an electronic device that converts an analog input voltage or current to a digital number representing the magnitude of the voltage or current. Typically the digital output is a two's complement binary number that is proportional to the input, but there are other possibilities. There are several ADC architectures. Due to the complexity and the need for precisely matched components, all but the most specialized ADCs are implemented as integrated circuits (ICs). These typically take the form of metal–oxide–semiconductor (MOS) mixed-signal integrated circuit chips that integrate both analog and digital circuits. A digital-to-analog converter (DAC) performs the reverse function; it converts a digital signa ...
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Digital-to-analog Converter
In electronics, a digital-to-analog converter (DAC, D/A, D2A, or D-to-A) is a system that converts a digital signal into an analog signal. An analog-to-digital converter (ADC) performs the reverse function. There are several DAC architectures; the suitability of a DAC for a particular application is determined by figures of merit including: resolution, maximum sampling frequency and others. Digital-to-analog conversion can degrade a signal, so a DAC should be specified that has insignificant errors in terms of the application. DACs are commonly used in music players to convert digital data streams into analog audio signals. They are also used in televisions and mobile phones to convert digital video data into analog video signals. These two applications use DACs at opposite ends of the frequency/resolution trade-off. The audio DAC is a low-frequency, high-resolution type while the video DAC is a high-frequency low- to medium-resolution type. Due to the complexity a ...
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RS-422
RS-422, also known as TIA/EIA-422, is a technical standard originated by the Electronic Industries Alliance that specifies electrical characteristics of a digital signaling circuit. It was meant to be the foundation of a suite of standards that would replace the older RS-232C standard with standards that offered much higher speed, better immunity from noise, and longer cable lengths. RS-422 systems can transmit data at rates as high as 10 Mbit/s, or may be sent on cables as long as at lower rates. It is closely related to RS-423, which uses the same signaling systems but on a different wiring arrangement. RS-422 specifies differential signaling, with every data line paired with a dedicated return line. It is the voltage difference between these two lines that define the mark and space, rather than, as in RS-232, the difference in voltage between a data line and a local ground. As the ground voltage can differ at either end of the cable, this required RS-232 to use signals with ...
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MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ...
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Society Of Motion Picture And Television Engineers
The Society of Motion Picture and Television Engineers (SMPTE) (, rarely ), founded in 1916 as the Society of Motion Picture Engineers or SMPE, is a global professional association of engineers, technologists, and executives working in the media and entertainment industry. As an internationally recognized standards organization, SMPTE has published more than 800 technical standards and related documents for broadcast, filmmaking, digital cinema, audio recording, information technology (IT), and medical imaging. SMPTE also publishes the ''SMPTE Motion Imaging Journal'', provides networking opportunities for its members, produces academic conferences and exhibitions, and performs other industry-related functions. SMPTE membership is open to any individual or organization with an interest in the subject matter. In the US, SMPTE is a 501(c)3 non-profit charitable organization. History The Motion Picture and Television Engineers was founded in 1913 by Charles Francis Jenkins, w ...
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XLR Connector
The XLR connector is a type of electrical connector primarily used in professional audio, video, and stage lighting equipment. XLR connectors are cylindical in design, and have three to seven connector pins, and are often employed for analog balanced audio interconnections, AES3 digital audio, portable intercom, DMX512 lighting control, and for low-voltage power supply. XLR connectors are included to the international standard for dimensions, IEC 61076-2-103. The XLR connector is superficially similar to the smaller DIN connector, with which it is physically incompatible. History and manufacturers The XLR connector (also Cannon plug and Cannon connector) was invented by James H. Cannon, founder of the Cannon Electric company, Los Angeles, California. The XLR connector originated from the ''Cannon X'' series of connectors in 1915; by 1950, a latching mechanism was added to the connector, which produced the ''Cannon XL'' model of connector, and by 1955, the female connector ...
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Digital Audio Workstation
A digital audio workstation (DAW) is an electronic device or application software used for Sound recording and reproduction, recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece. DAWs are used for producing and recording music, songs, human speech, speech, Radio broadcasting, radio, television, soundtracks, podcasts, sound effects and nearly any other situation where complex recorded audio is needed. Hardware Early attempts at digital audio workstations in the 1970s and 1980s faced limitations such as the high price of storage, and the vastly slower processing and disk speeds of the time. In 1978, ...
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