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Fortuna Redux
''Fortuna Redux'' was a form of the goddess Fortuna in the Roman Empire who oversaw a return, as from a long or perilous journey. Her attributes were Fortuna's typical cornucopia, with her specific function represented by a rudder or steering oar sometimes in conjunction with a globe.Carlos F. Noreña, ''Imperial Ideals in the Roman West: Representation, Circulation, Power'' (Cambridge University Press, 2011), p. 140.Lawrence Richardson, ''A New Topographical Dictionary of Ancient Rome'' (Johns Hopkins University Press, 1992), p. 157. Origins The cult of Fortuna Redux was introduced to Roman religion in 19 BC, creating a new holiday ''(feriae)'' on October 12 that originally marked the return of Augustus to Rome from Asia Minor in 19 BC. From that time, she received annual sacrifices from the pontiffs and Vestals at an altar dedicated to her ''(Ara Fortunae Reducis)''. After the death of Augustus, the holiday was known as the Augustalia, and was a major development in the complex of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortuna Redux Dupondius-Didius Julianus-RIC 0012
Fortuna ( la, Fortūna, equivalent to the Greek goddess Tyche) is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy ''fortuna / sfortuna'' (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La eafortuna è cieca" (latin ''Fortuna caeca est''; "Luck oddessis blind"). Fortuna is often depicted with a gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does not hold a balance. Fortuna came to represent life's capriciousness. She wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porta Capena
Porta Capena was a gate in the Servian Wall in Rome, Italy. The gate was located in the area of Piazza di Porta Capena, where the Caelian, Palatine and Aventine hills meet. Probably its exact position was between the entrance of Via di Valle delle Camene and the beginning of Via delle Terme di Caracalla (known as the "Archaeological Walk"), facing the curved side of the Circus Maximus. Nowadays Piazza di Porta Capena hosts the FAO Headquarters. Between 1937 and 2004, it was home to the obelisk of Axum. History The valley around what is now the avenue of the Baths of Caracalla was in ancient times covered with woods, caves and water springs. In this area (called the valley of the '' Camenae''), considered sacred and mysterious, it is said (and Livy punctually reports) that the peaceful king Numa Pompilius, the first successor of Romulus, had his nocturnal encounters with the goddess (or nymph) Egeria, who on those occasions provided him with all the necessary information for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tutelary Deity
A tutelary () (also tutelar) is a deity or a spirit who is a guardian, patron, or protector of a particular place, geographic feature, person, lineage, nation, culture, or occupation. The etymology of "tutelary" expresses the concept of safety and thus of guardianship. In late Greek and Roman religion, one type of tutelary deity, the ''genius'', functions as the personal deity or ''daimon'' of an individual from birth to death. Another form of personal tutelary spirit is the familiar spirit of European folklore. Ancient Greece Socrates spoke of hearing the voice of his personal spirit or ''daimonion'': The Greeks also thought deities guarded specific places: for instance, Athena was the patron goddess of the city of Athens. Ancient Rome Tutelary deities who guard and preserve a place or a person are fundamental to ancient Roman religion. The tutelary deity of a man was his Genius, that of a woman her Juno. In the Imperial era, the Genius of the Emperor was a focus of Imperia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forma Urbis
The ''Forma Urbis Romae'' or Severan Marble Plan is a massive marble map of ancient Rome, created under the emperor Septimius Severus between 203 and 211. Matteo Cadario gives specific years of 205–208, noting that the map was based on property records. It originally measured 18 m (60 ft) wide by 13 m (45 ft) high and was carved into 150 Proconnesian marble slabs mounted on an interior wall of the Temple of Peace. Created at a scale of approximately 1 to 240 (Cadario states 1:260 to 1:270), the map was detailed enough to show the floor plans of nearly every temple, bath, and '' insula'' in the central Roman city. The boundaries of the plan were decided based on the available space on the marble, instead of by geographical or political borders as modern maps usually are. The map was oriented with south at the top. On the map are names and plans of public buildings, streets, and private homes. The creators used signs and details like columns and stairc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prostyle
Prostyle is an architectural term designating temples (especially Greek and Roman) featuring a row of columns on the front. The term is often used as an adjective when referring to the portico of a classical building, which projects from the main structure. First used in Etruscan and Greek temples, this motif was later incorporated by the Romans into their temples. Examples of prostyle include the Temple of Athena Nike A temple (from the Latin ) is a building reserved for spiritual rituals and activities such as prayer and sacrifice. Religions which erect temples include Christianity (whose temples are typically called churches), Hinduism (whose temple ..., Akropolis, Athens, a prostyle tetrastyle (i.e. with four columns). There are also prostyle hexastyle and prostyle octastyle temples. This architectural element probably originated in the eastern Greek isles in the 8th century BCE, but there are also many examples in archaic temples in southern Italy. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrastyle
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Of Marcus Aurelius
The Arch of Marcus Aurelius ( ar, قوس ماركوس أوريليوس, Qaus Mārkūs Aurīliyūs) is a Roman triumphal arch in the city of Oea, modern Tripoli, Libya, where it is found near the northeastern entrance to the Medina. Characteristics It is a quadrifrons triumphal arch, surmounted by an unusual octagonal cupola, and was erected (entirely in marble) by Gaius Calpurnius Celsus, quinquennial duumvir of the city, to commemorate the victories of Lucius Verus, junior colleague and adoptive brother of the Emperor Marcus Aurelius, over the Parthians in the Roman–Parthian War of 161–66. The monument was actually erected in 165, and cannot be dated later, because the Emperor is referred to with the title ''Armenicus'', but not with the titles of ''Medicus'' and ''Parthicus'', which were conferred on him in 166. The patron deities of the city, Apollo and Minerva appear on the two front pediments, in bigae drawn by griffons and sphinxes. Other interpretations take the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adventus (ceremony)
In the Roman Empire during Late Antiquity, the ''adventus'' () was a ceremony held to celebrate the arrival () at a city of a Roman emperor or other dignitaries. The imperial ''adventus'' was the period's "ceremonial ''par excellence''", celebrating both the emperor's arrival and the blessing of the imperial presence itself on the city's security. The term is also used to refer to artistic depictions (usually in relief sculpture, including coins) of such ceremonies. The city would be decorated for the occasion, a public procession would come out of the city to meet and welcome the honorand on the road, and after ritually escorting them into town, a panegyric would be delivered in their honour, followed by a festival and games. Its 'opposite' was the ''profectio''. Besides the emperors, governors of the Roman provinces and bishops could be received by an ''adventus''. For an emperor, especially one having newly acceded or usurped power, celebrating an ''adventus'' confirmed the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porta Triumphalis
Porta can refer to: People * Porta (rapper) (born 1988), stagename of Christian Jiménez Bundo, a Spanish rap singer * Bernardo Porta (1758–1829), Italian composer active in France * Bianca Della Porta (born 1991), Canadian ice hockey and rugby player * Carlo Porta (1775–1821), Italian poet in the Milanese dialect * Costanzo Porta (1528–1601), Italian composer of the Renaissance * Giacomo della Porta (1532–1602), Italian sculptor and architect * Giambattista della Porta (1535–1615), Neapolitan physician and playwright * Giovanni Porta (1675–1755), Italian composer * Hugo Porta (born 1951), Argentine rugby union footballer * Livio Dante Porta (1923–2003), Argentine engineer * Luigi Porta (1800–1875), Italian surgeon * Miquel Porta (born 1957), Spanish epidemiologist and scholar * Richard Porta (born 1983), Uruguayan Australian footballer Places * La Porta, a commune in the Haute-Corse department of France on the island of Corsica * Porta (Barcelona) a neighbourh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitoline Hill
The Capitolium or Capitoline Hill ( ; it, Campidoglio ; la, Mons Capitolinus ), between the Forum and the Campus Martius, is one of the Seven Hills of Rome. The hill was earlier known as ''Mons Saturnius'', dedicated to the god Saturn. The word ''Capitolium'' first meant the temple of Jupiter Optimus Maximus later built here, and afterwards it was used for the whole hill (and even other temples of Jupiter on other hills), thus ''Mons Capitolinus'' (the adjective noun of ''Capitolium''). In an etymological myth, ancient sources connect the name to ''caput'' ("head", "summit") and the tale was that, when laying the foundations for the temple, the head of a man was found, some sources even saying it was the head of some ''Tolus'' or ''Olus''. The ''Capitolium'' was regarded by the Romans as indestructible, and was adopted as a symbol of eternity. By the 16th century, ''Capitolinus'' had become ''Capitolino'' in Italian, and ''Capitolium'' ''Campidoglio''. The Capitoline Hill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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