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Forever People
Forever People are a fictional group of extraterrestrial superheroes appearing in American comic books published by DC Comics. They first appeared in ''Forever People'' #1 (cover-dated February–March 1971), and were created by Jack Kirby as part of his " Fourth World" epic. Publication history The protagonists of the series are a group of young New Gods from New Genesis who were on a mission to oppose Darkseid on Earth, and talked, dressed, and acted much like the flower children of the 1960s. In addition to the individual abilities and equipment of the members, the group can join together using the technology of a Mother Box to summon the powerful hero known as the Infinity-Man. The group travels by use of their Super-Cycle. The first issue of their title also introduced the Boom Tube. Their own title, ''The Forever People'', debuted in 1971 and lasted 11 issues. They mainly fought Darkseid's forces, such as Glorious Godfrey in issue #3. Issues #9 and 10 guest-starre ...
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Dan Jurgens
Dan Jurgens (; born June 27, 1959) is an American comic book writer and artist. He is known for his work on the DC comic book storyline "The Death of Superman" and for creating characters such as Doomsday, Hank Henshaw and Booster Gold. Jurgens had a lengthy run on the Superman comic books including '' The Adventures of Superman'', '' Superman vol. 2'' and ''Action Comics''. At Marvel, Jurgens worked on series such as ''Captain America'', ''The Sensational Spider-Man'' and was the writer on ''Thor'' for seven years. He also had a brief run as writer and artist on '' Solar'' for Valiant Comics in 1995. Career 1980s After graduating from Minneapolis College of Art and Design in 1981, Jurgens' first professional comic work was for DC Comics on '' The Warlord'' #63 (Nov. 1982). He was hired due to a recommendation of Warlord creator Mike Grell who was deeply impressed by Jurgens' work after being shown his private portfolio at a convention. In 1984, Jurgens was the artist for the ...
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Boom Tube
The New Gods are a fictional extraterrestrial race appearing in the eponymous comic book series published by DC Comics, as well as selected other DC titles. Created and designed by Jack Kirby, they first appeared in February 1971 in ''New Gods'' #1. Publication history Volume 1 (1971) The New Gods are natives of the twin planets of New Genesis and Apokolips. New Genesis is an idyllic planet filled with unspoiled forests, mountains, and rivers that is ruled by the benevolent Highfather, while Apokolips is a nightmarish, polluted, and ruined dystopia filled with machinery and fire pits that is ruled by the tyrannical Darkseid. The two planets were once part of the same world, a planet called ''Urgrund'' (German for "primeval ground"), but it was split apart millennia ago after the death of the Old Gods during Ragnarök. The characters associated with the New Gods are often collectively referred to as "Jack Kirby's Fourth World". Unhappy with Marvel Comics at the time, as he had ...
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Retroactive Continuity
Retroactive continuity, or retcon for short, is a literary device in which established diegetic facts in the plot of a fictional work (those established through the narrative itself) are adjusted, ignored, supplemented, or contradicted by a subsequently published work which recontextualizes or breaks continuity with the former. There are various motivations for applying retroactive continuity, including: * To accommodate desired aspects of sequels or derivative works which would otherwise be ruled out. * To respond to negative fan reception of previous stories. * To correct and overcome errors or problems identified in the prior work since its publication. * To change or clarify how the prior work should be interpreted. * To match reality, when assumptions or projections of the future are later proven wrong. Retcons are used by authors to increase their creative freedom, on the assumption that the changes are unimportant to the audience compared to the new story which can be tol ...
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Final Crisis
"Final Crisis" is a crossover storyline that appeared in comic books published by DC Comics in 2008, primarily the seven-issue miniseries of the same name written by Grant Morrison. Originally DC announced the project as being illustrated solely by J. G. Jones; artists Carlos Pacheco, Marco Rudy and Doug Mahnke later provided art for the series. The storyline directly follows ''DC Universe'' #0 after the conclusion of the 51-issue ''Countdown to Final Crisis'' weekly limited series.SDCC '07: DC's 'Countdown...To The End?' PANEL
, , July 26, 2007
Promotion about the limited series describes its story as "the day evil won". The series deals with alien villain
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Death Of The New Gods
''Death of the New Gods'' was an eight-issue comic book Limited series (comics), limited series published in 2007 in comics, 2007 and 2008 in comics, 2008 by DC Comics. It was written and pencilled by Jim Starlin. The series follows the final days of the New Gods as they are stalked by a mysterious killer. The events of the series set the foundation for the 2008 storyline ''Final Crisis''. Background ''Death of the New Gods'' was conceived by DC as a series that would lead- and tie-in to ''Final Crisis'', much like ''Countdown to Final Crisis''. Jim Starlin stated in an interview that: "I sort of think of this project as putting an ending to Jack's New Gods saga. Since Kirby's initial run on the characters, others have presented them with mixed results. Looking back I'd say at least half of the past New Gods series have done more harm than good. So for me, ''Death of the New Gods'' is half honoring Jack Kirby, half mercy killing."
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Paris Cullins
Paris Cullins is an Americans, American comics artist best known for his work on DC Comics' ''Blue Devil (DC Comics), Blue Devil'' and ''Ted Kord, Blue Beetle'' and Marvel Comics' ''Hyperkind''. Career Early career Cullins had sent DC Comics samples of his comic art since 1976, finally meeting with Dick Giordano in the last week of 1979. Cullins recalled in 2007 that, Cullins' first known credited comics work was as penciler-inker of the six-page story "Mystic Murder", by writer Steve Skeates, in the DC Comics supernatural anthology ''Secrets of Haunted House'' #42 (Nov. 1981). He drew four "I ... Vampire" stories in the ''House of Mystery'' series and pencilled stories in such similar DC titles as ''Ghosts (comics), Ghosts'', ''The Unexpected (1968 comic book), The Unexpected'', and ''Weird War Tales'' through the early 1980s, and made his superhero debut penciling an eight-page "Green Lantern Corps, Tales of the Green Lantern Corps" backup feature in ''Green Lantern (comic bo ...
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Limited Series (comics)
In the field of comic books, a limited series is a comics series with a predetermined number of issues. A limited series differs from an ongoing series in that the number of issues is finite and determined before production, and it differs from a One-shot (comics), one shot in that it is composed of multiple issues. The term is often used interchangeably with miniseries (mini-series) and maxiseries (maxi-series), usually depending on the length and number of issues. In Dark Horse Comics' definition of a limited series, "this term primarily applies to a connected series of individual comic books. A limited series refers to a comic book series with a clear beginning, middle and end". Dark Horse Comics and DC Comics refer to limited series of two to eleven issues as miniseries and series of twelve issues or more as maxiseries, but other publishers alternate terms. Characteristics A limited series can "vary widely in length, but often run from three to ten issues. They can usually be ...
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Mike Royer
Michael W. Royer (; born June 28, 1941) is an American comics artist and inker, best known for his work with pencilers Russ Manning and Jack Kirby. In later life Royer became a freelance product designer and character artist for The Walt Disney Company. Biography Early life and career Mike Royer was born on June 28, 1941, in Lebanon, Oregon. He moved to southern California in early 1965 to pursue a career in comic book art, although his first confirmed credit, inking penciler Tony Strobl on the two-page story "Pluto Helps Babysitting" in publisher Gold Key Comics' ''Walt Disney's Comics and Stories'' #282 (March 1964), appeared a year earlier. He became an assistant to artist Russ Manning on Gold Key's ''Magnus, Robot Fighter'' comic book, beginning with issue #12 (Jan. 1966), and ''Tarzan'', beginning with issue #158 (June 1966). By the following year, he was also working with artists Warren Tufts and Alberto Giolitti on the company's '' Korak, Son of Tarzan'' comic. He fully d ...
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Cliffhanger
A cliffhanger or cliffhanger ending is a plot device in fiction which features a main character in a precarious or difficult dilemma or confronted with a shocking revelation at the end of an episode or a film of serialized fiction. A cliffhanger is hoped to incentivize the audience to return to see how the characters resolve the dilemma. Some serials end with the caveat, "To Be Continued" or "The End?". In serial films and television series the following episode sometimes begins with a recap sequence. Cliffhangers were used as literary devices in several works of the Middle Ages with '' One Thousand and One Nights'' ending on a cliffhanger each night. Cliffhangers appeared as an element of the Victorian era serial novel that emerged in the 1840s, with many associating the form with Charles Dickens, a pioneer of the serial publication of narrative fiction.Grossman, Jonathan H. (2012). ''Charles Dickens's Networks: Public Transport and the Novel''. p. 54. Oxford: Oxford Universi ...
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Fictioneer Books
David Anthony Kraft (May 31, 1952 – May 19, 2021) was an American comic book writer, publisher, and critic. He was primarily known for his long-running journal of interviews and criticism, ''Comics Interview'', as well as for work for Marvel Comics in the late 1970s and early 1980s. Writing career Before his comics career, Kraft worked as a rock and roll journalist. In September 1976, he became editor of ''FOOM'' with issue #15, Marvel's self-produced fan magazine, lasting as editor until the magazine's final issue (#22) in 1978. Known for his offbeat approach, Kraft first made a name for himself as a comic book author with his work on Marvel Comics' '' The Defenders'', particularly the 1977 "Scorpio Saga" story-arc (issues #46, 48–50). In ''The Defenders'', Kraft wrestled with large philosophical issues: the temptations of power, the Cold War and nuclear power, sibling rivalry, and growing old alone. Scorpio also listened to a record by Edgard Varèse. Kraft also merged ...
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Comics Interview
David Anthony Kraft (May 31, 1952 – May 19, 2021) was an American comic book writer, publisher, and critic. He was primarily known for his long-running journal of interviews and criticism, ''Comics Interview'', as well as for work for Marvel Comics in the late 1970s and early 1980s. Writing career Before his comics career, Kraft worked as a rock and roll journalist. In September 1976, he became editor of ''FOOM'' with issue #15, Marvel's self-produced fan magazine, lasting as editor until the magazine's final issue (#22) in 1978. Known for his offbeat approach, Kraft first made a name for himself as a comic book author with his work on Marvel Comics' '' The Defenders'', particularly the 1977 "Scorpio Saga" story-arc (issues #46, 48–50). In ''The Defenders'', Kraft wrestled with large philosophical issues: the temptations of power, the Cold War and nuclear power, sibling rivalry, and growing old alone. Scorpio also listened to a record by Edgard Varèse. Kraft also merged ...
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Mark Evanier
Mark Stephen Evanier (; born March 2, 1952) is an American comic book and television writer, known for his work on the animated TV series ''Garfield and Friends'' and on the comic book ''Groo the Wanderer''. He is also known for his columns and blog News from ME, and for his work as a historian and biographer of the comics industry, such as his award-winning Jack Kirby biography, '' Kirby: King of Comics''. Early life Evanier identifies as Jewish. His father was Jewish and his mother was Catholic. He chose to be a writer after witnessing the misery his father felt from working for the Internal Revenue Service and contrasting that with the portrayal of a writer's life on ''The Dick Van Dyke Show''. He graduated from University High School (Los Angeles, California), University High School in 1969. Evanier attended UCLA but left before graduating. Career Evanier was president of a Los Angeles comic book club from 1966–69. In 1967, he suggested the titles of the officers of the Mer ...
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