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Forever For Now (Harry Connick Jr. Album)
Forever For Now is a compilation album from Harry Connick Jr., released in the United Kingdom in 1993. The album was a blend of original studio recordings from seven of Connick's previous albums, two of which he had won a Grammy Award for. The album has five tracks from '' When Harry Met Sally...'' (1989), one track from '' 20'' (1988), one from ''Harry Connick Jr.'' (1987), five from ''We Are in Love'' (1990), one from Lofty's Roach Souffle (1990), two from ''Blue Light, Red Light'' (1991) and one from '' 25'' (1992). Five of those seven albums have sold to platinum or multi platinum in the United States. Track listing # " It Had to Be You" (Isham Jones, Gus Kahn) # "Our Love Is Here to Stay" (George Gershwin, Ira Gershwin) # "Forever, for Now" (Harry Connick Jr., Ramsey McLean) # " Stardust" (Hoagy Carmichael, Mitchell Parish) – feat. Ellis Marsalis # "Do You Know What It Means To Miss New Orleans" (Eddie DeLange, Louis Alter) # "Recipe for Love" (Connick) # "One Last Pitc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Or When
"Where or When" is a show tune from the 1937 Rodgers and Hart musical ''Babes in Arms''. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of ''Babes in Arms'' two years later. Babes in Arms "Where or When" is the first number to appear in the original Broadway production of ''Babes in Arms''. The musical opens in Seaport, Long Island on a hectic morning that finds most of the adult population embarking on a five-month vaudeville tour. Soon after his parents' departure, 20-year-old Valentine LaMar (played by Ray Heatherton) discovers at his doorstep a young hitchhiker named Billie Smith (played by Mitzi Green). Instantly smitten, he engages her in a discussion of movie stars, self-defense maneuvers, and Nietzsche's theory of individualism, at which point Val impulsively steals a kiss. Both admit to a powerful sense of déjà vu and sing "Where or When" as a duet. MGM bought t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Alter
Louis Alter (June 18, 1902 – November 5, 1980) was an American pianist, songwriter and composer. At 13, he began playing piano in theaters showing silent films. He studied at the New England Conservatory of Music under the tutelage of Stuart Mason. Biography He was born on June 18, 1902, in Haverhill, Massachusetts. Alter played in vaudeville houses as the accompanist for the headliners Irène Bordoni and Nora Bayes. He appeared with Bayes from 1924 until her death in 1928, touring the United States and abroad. Since he had previously written some songs for Broadway shows, Alter decided to concentrate on songwriting after her death. His first hit was " Manhattan Serenade" (1929), originally an instrumental that later became the theme music of the ''Easy Aces'' radio program. There are numerous recordings of "Manhattan Serenade" and it was featured prominently in Nancy Groce's book, ''New York: Songs of the City'' (Watson-Guptill, 1999). Alter recalled, "I was a great fan o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie DeLange
Eddie DeLange (''né'' Edgar DeLange Moss; 15 January 1904 – 15 July 1949) was an American bandleader and lyricist. Famous artists who recorded some of DeLange's songs include Frank Sinatra, Ella Fitzgerald, Louis Armstrong, Nat King Cole, Duke Ellington, and Benny Goodman. Biography DeLange was born in Long Island City, Queens, New York. He graduated from the University of Pennsylvania in 1926. He became a stunt man in twenty-four comedies produced by Universal Studios, often for Reginald Denny. DeLange went back to New York City in 1932, earning a contract with Irving Mills. He had several hits in his first year, including " Moonglow." He and composer Will Hudson ''(né'' Arthur Murray Hainer; 1908–1981) formed the Hudson-DeLange Orchestra in 1935. The Orchestra recorded many of their collaborative songs and did many road shows as well. Hudson and DeLange's partnership dissolved in 1938, but DeLange created a new band that played on several tours. He formed a new part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Do You Know What It Means To Miss New Orleans
"Do You Know What It Means to Miss New Orleans" is a song written by Eddie DeLange and Louis Alter, which was first heard in the movie ''New Orleans'' in 1947, where it was performed by Louis Armstrong and sung by Billie Holiday Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop s .... The song has been recorded by various artists, including: References 1947 songs Songs about New Orleans Music of New Orleans Louis Armstrong songs Songs with music by Louis Alter Songs with lyrics by Eddie DeLange Film theme songs {{1940s-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellis Marsalis Jr
Ellis Louis Marsalis Jr. (November 14, 1934 – April 1, 2020) was an American jazz pianist and educator. Active since the late 1940s, Marsalis came to greater attention in the 1980s and 1990s as the patriarch of the musical Marsalis family, when sons Branford and Wynton became popular jazz musicians. Early life Born in New Orleans, Louisiana, Marsalis was the son of Florence Marie (née Robertson) and Ellis Marsalis Sr., a businessman and social activist. Marsalis and his wife Dolores Ferdinand Marsalis had six sons: Branford, Wynton, Ellis III, Delfeayo, Mboya, and Jason. Branford, Wynton, Delfeayo, and Jason also became jazz musicians. Ellis III is a poet and photographer. Marsalis played saxophone during high school but switched to piano while studying classical music at Dillard University, graduating in 1955. He later attended graduate school at Loyola University New Orleans. In the 1950s and 1960s he worked with Ed Blackwell, Cannonball Adderley, Nat Adderley, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoagy Carmichael
Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as television, electronic microphones, and sound recordings. Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing the music for " Stardust", "Georgia on My Mind" (lyrics by Stuart Gorrell), "The Nearness of You", and " Heart and Soul" (in collaboration with lyricist Frank Loesser), four of the most-recorded American songs of all time. He also collaborated with lyricist Johnny Mercer on " Lazybones" and "Skylark". Carmichael's "Ole Buttermilk Sky" was an Academy Award nominee in 1946, from ''Canyon Passage'', in which he co-starred as a musician riding a mule. " In the Cool, Cool, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stardust (1927 Song)
"Stardust" is a jazz song composed by American singer, songwriter and musician Hoagy Carmichael with lyrics by Mitchell Parish. Now considered a standard and part of the Great American Songbook, the song has been recorded over 1,500 times either as an instrumental or vocal track, featuring different performers. During his time attending Indiana University, Carmichael developed a taste for jazz. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
