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For The People (Jerome Cooper Album)
''For the People'' is a live album by Jerome Cooper. It was recorded in May 1979 at The Kitchen in New York City, and was released on LP by Hat Hut Records in 1980. On the album, Cooper, who plays a variety of instruments, including drums, chirimia, African balaphone, and whistle, is joined by Oliver Lake, who performs on alto saxophone, flute, bells, and vocals. Reception The editors of AllMusic awarded the album 3 stars. A writer for ''Modern Drummer'' called the music "compelling duets that never fail to swing." Mats Gustafsson and Björn Thorstensson wrote: "Killer duo album with Cooper and the always-as-amazing Oliver Lake... True interaction with a great sound... Very recommendable music." Track listing All compositions by Jerome Cooper. Side A # "Movement" – 13:50 # "Movement" – 5:40 Side B # "Movement" – 5:35 # "Movement" – 4:45 # "Movement" – 5:00 # "Movement" – 5:40 * Recorded on May 12, 1979, at The Kitchen in New York City. Personnel * Jerome Cooper â ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Cooper
Jerome Douglas Cooper (December 14, 1946 – May 6, 2015) was an American free jazz musician. In addition to trap drums, Cooper played balafon, chirimia and various electronic instruments, and referred to himself as a "multi-dimensional drummer," meaning that his playing involved "layers of sounds and rhythms". AllMusic reviewer Ron Wynn called him "A sparkling drummer and percussionist... An excellent accompanist". Another Allmusic reviewer stated that "in the truest sense this drummer is a magician, adept at transformation and the creation of sacred space". Career Cooper studied with Oliver Coleman and Walter Dyett in the late 1950s and early 1960s, then studied at the American Conservatory of Music and Loop College. In 1968, he worked with Oscar Brown, Jr. and Kalaparusha Maurice McIntyre in the U.S. but moved to Europe before the end of the decade, where he played with Rahsaan Roland Kirk, Steve Lacy, Lou Bennett (with whom he visited Gambia and Senegal), the Art Ensemble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kitchen (performance Venue)
The Kitchen is a non-profit, multi-disciplinary avant-garde performance and experimental art institution located at 512 West 19th Street, between Tenth and Eleventh Avenues in the Chelsea neighborhood of Manhattan, New York City. It was founded in Greenwich Village in 1971 by Steina and Woody Vasulka, who were frustrated at the lack of an outlet for video art. The space takes its name from the original location, the kitchen of the Mercer Arts Center which was the only available place for the artists to screen their video pieces. Although first intended as a location for the exhibition of video art, The Kitchen soon expanded its mission to include other forms of art and performance. In 1974, The Kitchen relocated to a building at the corner of Wooster and Broome Streets in SoHo, and incorporated as a not-for-profit arts organization. In 1987 it moved to its current location. The first music director of The Kitchen was composer Rhys Chatham. The venue became known as a plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hat Hut Records
Hathut Records is a Swiss record company and label founded by Werner Xavier Uehlinger in 1974 that specializes in jazz and classical music. The name of the label comes from the artwork of Klaus Baumgartner. Hathut encompasses the labels hat ART, hatOLOGY, and hat NOIR. The label's first releases were by Joe McPhee. Its roster includes Ray Anderson, Anthony Braxton, Lisle Ellis, Georg Graewe, Gerry Hemingway, Franz Koglmann, Steve Lacy, Joelle Leandre, Myra Melford, Paul Plimley, Max Roach, Horace Tapscott, Cecil Taylor, Mike Westbrook, John Zorn, Vienna Art Orchestra, David Murray, Luzia von Wyl, Archie Shepp, Jimmy Lyons, Tony Coe, Michel Portal, and Sun Ra, The label progressed through a range of series featuring distinct packaging styles, from the initial runs of initial 12 inch LP's with alphabetical and numerical catalog numbers with sleeve drawings and paintings by Klaus Baumgärtner, to elaborately packaged boxes with inserts and postcards, and then black and white ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Unpredictability Of Predictability
''The Unpredictability of Predictability'' is a live solo percussion album by Jerome Cooper. It was recorded in July 1979 at Soundscape in New York City, and was released on LP by About Time Records later that year. On the album, Cooper plays a variety of instruments, including flute, whistle, balaphone, chirimia, bass drum, cymbal, drums, and tom tom. Writer John Szwed commented: "Cooper added a balafon and horns to his kit... so that he could play like an old-time one-man band (though the results sounded more African than African American)". In the album liner notes, Cooper wrote: "This is not just an album for drummers... anyone into music can dig this music. Classical music people can dig it because it's structured. People into rock, because of the beat, people into jazz because of the improvisational aspect, and those into ethnic music because of the instruments involved". Reception In a review for AllMusic, Brian Olewnick wrote: "This superb musician... treats his solo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root Assumptions
''Root Assumptions'' is a solo percussion album by Jerome Cooper. It was recorded in April 1978 in New York City, and was released by Anima Productions in 1982. On the album, Cooper performs on a variety of percussion instruments, including African balaphone, bass drum, and sock cymbal. Reception In a review for AllMusic, Brian Olewnick wrote: "On ''Root Assumptions'', with a balaphone (an African antecedent to the marimba) featured prominently, Cooper creates an amazing and beautiful variety of percussive sounds, rhythms, and melodies... making the session an unforgettable one. His main source of inspiration appears to have been the West African percussive tradition and, possibly, the minimalism of Steve Reich, himself heavily influenced by Ghanaian drumming. The pure musicality of Cooper's sound is astonishing and the listener quickly forgets that he/she is listening to a 'mere' drummer. ''Root Assumptions'' is one of the finest solo efforts by any jazz musician, regardless of in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chirimia
ChirimÃa (sometimes chirisuya in Peru) is a Spanish term for a type of woodwind instrument similar to an oboe. The chirimÃa is a member of the shawm family of double-reed instruments, introduced to North, Central and South America in the sixteenth and seventeenth centuries by the Spanish clergy. Distribution Usage of the chirimÃa varies widely across Latin America and Iberia, with the instrument being extinct in some areas, but a living tradition in others. The chirimÃa and drum are used to accompany religious processions and annual commemorative dance-dramas in many remote areas of Latin America, including Jacaltenango, Guatemala. The music produced is quite unique and varies from one region to another. This tradition is an adaptation of the pre-Columbian practice of accompanying religious ceremonies and processions with drums, flutes, and whistles. There are two types of chirimÃas in Guatemala, a small one and a large one. The size of the holes and their location determi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balafon
The balafon is a gourd-resonated xylophone, a type of struck idiophone. It is closely associated with the neighbouring Mandé, Senoufo and Gur peoples of West Africa, particularly the Guinean branch of the Mandinka ethnic group, but is now found across West Africa from Guinea to Mali. Its common name, ''balafon'', is likely a European coinage combining its Mandinka name ''bala'' with the word ''fôn'' 'to speak' or the Greek root ''phono''. History Believed to have been developed independently of the Southern African and South American instrument now called the marimba, oral histories of the balafon date it to at least the rise of the Mali Empire in the 12th century CE. Balafon is a Manding name, but variations exist across West Africa, including the ''balangi'' in Sierra Leone and the #Gyil, gyil of the Dagara, Lobi and Gurunsi from Ghana, Burkina Faso and Ivory Coast. Similar instruments are played in parts of Central Africa, with the ancient Kingdom of Kongo denoting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Lake
Oliver Lake (born September 14, 1942) is an American jazz saxophonist, flutist, composer, poet, and visual artist. He is known mainly for alto saxophone, but he also performs on soprano and flute. During the 1960s, Lake worked with the Black Artists Group in St. Louis. In 1977, he founded the World Saxophone Quartet with David Murray, Julius Hemphill, and Hamiet Bluiett. He worked in the group Trio 3 with Reggie Workman and Andrew Cyrille. He has appeared on more than 80 albums as a bandleader, co-leader, and side musician. He is the father of drummer Gene Lake. Lake has been a resident of Montclair, New Jersey. '' |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
