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For Lady
''For Lady'' (subtitled ''songs Billie Holiday made famous... an instrumental tribute to her great talents'') is an album by the American jazz cornetist Webster Young. It contains tracks recorded in 1957 for the Prestige label.Prestige Records discography
accessed May 28, 2013


Reception

awarded the album 3 stars, with its review by Jim Todd stating: "While trumpeter Webster Young pays tribute to on this, his only studio date as a leader, the set is equally a tribute to Young's musical role model,

Webster Young
Webster English Young (December 3, 1932 – December 13, 2003) was an American jazz trumpeter and cornetist. Born in Columbia, South Carolina and raised in Washington, D.C., Young was known for his lyrical playing, and performed with John Coltrane, Dexter Gordon, Hampton Hawes, Jackie McLean, and Ike Turner, Ike and Tina Turner, among others. He recorded only sparingly; his principal album as a leader, ''For Lady'' (Prestige Records, Prestige, 1957), was mainly dedicated to tunes associated with Billie Holiday. In the late 1950s, at the suggestion of Miles Davis, Webster Young moved to New York City, where he began performing with musicians such as Lester Young and Bud Powell. During the mid-1960s, Young returned to Washington, D.C., where he became an educator, teaching music theory at the University of the District of Columbia; he was also director of the District of Columbia Music Center jazz workshop band. Webster Young died on December 13, 2003 from brain cancer in Vancouv ...
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Ralph Rainger
Ralph Rainger ( Reichenthal; October 7, 1901 – October 23, 1942) was an American composer of popular music principally for films. Biography Born Ralph Reichenthal in New York City, United States, Rainger initially embarked on a legal career, having obtained his law degree at Brown University in 1926. He had, however, studied piano from a young age and attended the Institute of Musical Art in New York. Public performances include radio broadcasts from New York and WOR (New Jersey) as early as 1922. These were as soloist, accompanist to singers, and as duo-pianist with Adam Carroll or "Edgar Fairchild" (the name Milton Suskind used for commercial work).“Round the Radio Circuit.” New York Telegram and Evening Mail, 2 July 1924. He also prepared piano rolls between 1922 and 1928 for Ampico, Standard, and DeLuxe. Some of these used the "Reichenthal" surname, others the "Rainger" name he was gradually adopting commercially. Other early musical activities include arranging for ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Joe Puma
Joe Puma (August 13, 1927 – May 31, 2000) was an American jazz guitarist. Puma was born in the Bronx, New York. His first professional experience came with Joe Roland in 1949–50. He played in the band led by Cy Coleman. He acted as a session musician for many jazz musicians during the 1950s, including Louie Bellson, Artie Shaw's Gramercy Five, Eddie Bert, Herbie Mann, Mat Mathews, Chris Connor, and Paul Quinichette, Lee Konitz, and Dick Hyman; he also recorded extensively as a leader at this time. In the 1960s, he worked with Morgana King, Bobby Hackett, Gary Burton, and Carmen McRae, and between 1972 and 1977 he and Chuck Wayne led an ensemble. He continued to perform and teach into the late 1990s. Honors In 1957 he won the New Star Award for Guitar from ''Metronome Magazine''. Discography As leader * ''Joe Puma'' (Bethlehem, 1954) * ''Wild Kitten'' (Dawn, 1957) * ''The Fourmost Guitars'' with Jimmy Raney, Chuck Wayne, Dick Garcia (ABC-Paramount, 1957) * ''Jazz'' (Jubil ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Mal Waldron
Malcolm Earl "Mal" Waldron (August 16, 1925 – December 2, 2002) was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959. A breakdown caused by a drug overdose in 1963 left Waldron unable to play or remember any music; he regained his skills gradually, while redeveloping his speed of thought. He left the U.S. permanently in the mid-1960s, settled in Europe, and continued touring internat ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Paul Quinichette
Paul Quinichette (May 17, 1916 – May 25, 1983) was an American jazz tenor saxophonist. He was known as the "Vice President" or "Vice Prez" for his emulation of the breathy style of Lester Young, whose nickname was "The President", or simply "Prez". Young called Quinichette "Lady Q". Early life Quinichette was born in Denver, Colorado, United States. He had clarinet and alto saxophone lessons as a child, before switching to tenor saxophone. Around the age of 13, he had informal lessons from Lester Young. Quinichette attended Denver University, transferred to Tennessee State College, and then returned to Denver University, from which he graduated in music. While in college he played with local bands, and during summer vacations he toured with Nat Towles and the trumpeter Lloyd Hunter. Later life and career Quinichette worked with Shorty Sherock in the late 1930s, and was then with Ernie Fields (1942), and Jay McShann (1942–43). He was with Johnny Otis on the West Coast from 1 ...
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Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ...
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Abel Meeropol
Abel Meeropol (February 10, 1903 – October 29, 1986)Baker, Nancy Kovaleff, "Abel Meeropol (a.k.a. Lewis Allan): Political Commentator and Social Conscience," '' American Music'' 20/1 (2002), pp. 25–79, ; see especially note 3. was an American songwriter and poet whose works were published under his pseudonym, Lewis Allan. He wrote the poem "Strange Fruit" (1937), which was recorded by Billie Holiday. Meeropol was a member of the American Communist Party, but later quit. Biography Early life Meeropol was born in 1903 to Russian Jewish immigrants in The Bronx, New York City. Meeropol graduated from DeWitt Clinton High School in 1921 (his classmate Countee Cullen graduated in 1922); he earned a B.A. degree from City College of New York, and an M.A. from Harvard. He taught English at DeWitt Clinton High School for 17 years. During his tenure he taught the notable author and racial justice advocate James Baldwin. Song writing and poetry Meeropol wrote the anti-lynching poem "St ...
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Strange Fruit
"Strange Fruit" is a song written and composed by Abel Meeropol (under his pseudonym Lewis Allan) and recorded by Billie Holiday in 1939. The lyrics were drawn from a poem by Meeropol published in 1937. The song protests the lynching of Black Americans with lyrics that compare the victims to the fruit of trees. Such lynchings had reached a peak in the Southern United States at the turn of the 20th century and the great majority of victims were black.Gunnar Myrdal, An American Dilemma (New York, 1944), page 561. The song has been called "a declaration" and "the beginning of the civil rights movement". Meeropol set his lyrics to music with his wife and the singer Laura Duncan and performed it as a protest song in New York City venues in the late 1930s, including Madison Square Garden. Holiday's version was inducted into the Grammy Hall of Fame in 1978. It was also included in the "Songs of the Century" list of the Recording Industry of America and the National Endowment for the ...
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Don't Explain (song)
"Don't Explain" is a song written by jazz singer Billie Holiday and Arthur Herzog Jr. It was Billie Holiday’s final song. Overview In her 1956 autobiography, Holiday cites the infidelity of her first husband, Jimmy Monroe, as the inspiration for this song; specifically, an instance in which Monroe's woeful attempt to explain away lipstick on his collar elicits Holiday's disgusted response: "Take a bath, man; don't explain." Recording session Session #52: New York City, November 8, 1944, Decca, Toots Camarata and His Orchestra, with Russ Case (trumpet), Hymie Schertzer, Jack Cressey (alto saxophone), Larry Binyon and Dave Harris (tenor saxophone), Dave Bowman (piano), Carl Kress (guitar), Haig Stephens (bass), George Wettling (drums), Billie Holiday (vocals), and six strings. Notable cover versions * Helen Merrill (1954) * George Shearing (1956) * John Coltrane (1957) * Abbey Lincoln (1957) * Charlie Byrd (1958) * Wes Montgomery (1959) * Anita O'Day – for her album ' ...
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