Footprints Studio
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Footprints Studio
Footprints Studio was a textile printing workshop in the manner of the Arts and Crafts movement established by Celandine Kennington in 1925 at Durham Wharf in London's Hammersmith. Typical products were hand block printed fabric, curtains, coats and shawls. The name ‘Footprints’ is said to have been on account of the foot pressure workers applied to the blocks to print onto fabric. Footprints was known for its preference of aniline dyes over vegetable dyes and lino blocks over wood. The workshop was supervised by Gwen Pike and goods were sold through the shop ‘Modern Textiles' owned by Elspeth Little. Following the death of Gwen Pike and retirement of Celandine Kennington, Joyce Clissold (1903-1982) took over management of the workshop with Germaine Tallents. In 1933 workshop moved to larger premises in Brentford and a new outlet opened New Bond Street followed by another in Knightsbridge two years later. By this stage the workshop employed up to 50 people, typically workin ...
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Aniline
Aniline is an organic compound with the formula C6 H5 NH2. Consisting of a phenyl group attached to an amino group, aniline is the simplest aromatic amine In organic chemistry, an aromatic amine is an organic compound consisting of an aromatic ring attached to an amine. It is a broad class of compounds that encompasses aniline Aniline is an organic compound with the formula C6 H5 NH2. Consi .... It is an industrially significant Commodity chemicals, commodity chemical, as well as a versatile starting material for fine chemical synthesis. Its main use is in the manufacture of precursors to polyurethane, dyes, and other industrial chemicals. Like most volatile amines, it has the odor of rotten fish. It Combustion, ignites readily, burning with a smoky flame characteristic of aromatic compounds. It is toxic to humans. Relative to benzene, it is electron-rich. It thus participates more rapidly in electrophilic aromatic substitution reactions. Likewise, it is also prone ...
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Phyllis Barron
Mabel Phyllis Barron (19 March 1890 – 23 November 1964) was an English designer, known for her textile printing workshop with Dorothy Larcher. These textiles are ‘noted for the assurance and originality of the designs, their distinctive and subtle colouring, and the quality of the materials selected’ Early life and education Barron was born in Taplow House in Taplow, Buckinghamshire, the daughter of Alice (née Clark) and Walter Barron. She later described her father as 'something in the City' and considered her family to be rich. She encountered block printing in her mid teens while on a sketching holiday in Normandy, when the tutor gave her some old printing blocks to experiment with. On realising that the blocks were designed for textiles not paper, she researched further in the library of the Victoria and Albert Museum. She attended the Slade School of Fine Art, where she studied fine art under Henry Tonks, but continued her independent efforts to experiment with printi ...
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Marion Dorn
Marion Victoria Dorn also known as Marion Dorn Kauffer (born in Menlo Park, California on December 25, 1896—died in Tangier, Morocco on January 28, 1964) was a textile designer primarily in the form of wall hangings, carpeting and rugs, however she is also known to have produced wallpaper, graphics, and illustrations. Known for her significant contributions to modern British interiors in particular for her 'sculpted' carpets, she contributed to some of the best-known interiors of the time including the Savoy Hotel, Claridges, the Orion and the Queen Mary. In the late 1930s and early 1940s she created moquette fabric designs for use in London Transport passenger vehicles. Early life Marion Victoria Dorn's parents were Diodemus Socrates Dorn (1860–1913), a lawyer, and Camille Johnson (1870–1932); she was one of five children. From 1912 to 1916 she was educated at Stanford University, graduating with a bachelor of arts in graphic arts. She moved to San Francisco and shared ...
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Eric Kennington
Eric Henri Kennington (12 March 1888 – 13 April 1960) was an English sculptor, artist and illustrator, and an official war artist in both World Wars. As a war artist, Kennington specialised in depictions of the daily hardships endured by soldiers and airmen. In the inter-war years he worked mostly on portraits and a number of book illustrations. The most notable of his book illustrations were for T. E. Lawrence's ''Seven Pillars of Wisdom''. Kennington was also a gifted sculptor, best known for his 24th East Surrey Division War Memorial in Battersea Park, for his work on the Shakespeare Memorial Theatre in Stratford-upon-Avon and for the effigy of Lawrence at Wareham in Dorset. Biography Early life Kennington was born in Chelsea, London, the second son of the genre and portrait painter, Thomas Benjamin Kennington (1856–1916), a founder member of the New English Art Club. He was educated at St Paul's School and the Lambeth School of Art. Kennington first exhibited at t ...
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Len Lye
Leonard Charles Huia Lye (; 5 July 1901 – 15 May 1980) was a New Zealand artist known primarily for his experimental films and kinetic sculpture. His films are held in archives including the New Zealand Film Archive, British Film Institute, Museum of Modern Art in New York City, and the Pacific Film Archive at University of California, Berkeley. Lye's sculptures are found in the collections of the Whitney Museum of American Art, the Art Institute of Chicago, the Albright-Knox Art Gallery and the Berkeley Art Museum. Although he became a naturalized citizen of the United States in 1950, much of his work went to New Zealand after his death, where it is housed at the Govett-Brewster Art Gallery in New Plymouth. Career As a student, Lye became convinced that motion could be part of the language of art, leading him to early (and now lost) experiments with kinetic sculpture, as well as a desire to make film. Lye was also one of the first Pākehā artists to appreciate the art of Māo ...
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Enid Marx
Enid Crystal Dorothy Marx, RDI (20 October 1902 – 18 May 1998), was an English painter and designer, best known for her industrial textile designs for the London Transport Board and the Utility furniture Scheme. Marx was the first female engraver to be designated as a Royal Designer for Industry. Early life Born in London to Annie Marie Neuberger and Robert Joseph Marx, Enid Marx was the youngest of three children. She was known familiarly throughout her life as "Marco". She was a distant cousin of Karl Marx. Her father was a paper-making engineer, and Marx would later describe his work as a major influence on her interest in mass-produced design and popular art. Her artistic inclinations were fostered from an early age, especially by her older sister Marguerite who lived in France for a period. As a young girl, she found pleasure in collecting samples of ribbon from textile shops. She travelled with her family in Europe before the First World War, witnessing the Avant-garde ...
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Paul Nash (artist)
Paul Nash (11 May 1889 – 11 July 1946) was a British surrealist painter and war artist, as well as a photographer, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art. Born in London, Nash grew up in Buckinghamshire where he developed a love of the landscape. He entered the Slade School of Art but was poor at figure drawing and concentrated on landscape painting. Nash found much inspiration in landscapes with elements of ancient history, such as burial mounds, Iron Age hill forts such as Wittenham Clumps and the standing stones at Avebury in Wiltshire. The artworks he produced during World War I are among the most iconic images of the conflict. After the war Nash continued to focus on landscape painting, originally in a formalized, decorative style but, throughout the 1930s, in an increasingly abstract and surreal manner. In his ...
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Norman Wilkinson (artist)
Norman Wilkinson (24 November 1878 – 30 May 1971) was a British artist who usually worked in oils, watercolours and drypoint. He was primarily a marine painter, but also an illustrator, poster artist, and wartime camoufleur. Wilkinson invented dazzle painting to protect merchant shipping during the First World War. Background Wilkinson was born in Cambridge, England, and attended Berkhamsted School in Hertfordshire and St. Paul's Cathedral Choir School in London. His early artistic training occurred in the vicinity of Portsmouth and Cornwall, and at Southsea School of Art, where he was later a teacher as well. He also studied with seascape painter Louis Grier. While aged 21, he studied academic figure painting in Paris, but by then he was already interested in maritime subjects. Illustration career Wilkinson's career in illustration began in 1898, when his work was first accepted by ''The Illustrated London News'', for which he then continued to work for many years, as we ...
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Textile Arts
Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. Textiles have been a fundamental part of human life since the beginning of civilization. The methods and materials used to make them have expanded enormously, while the functions of textiles have remained the same, there are many functions for textiles. Whether it be clothing or something decorative for the house/shelter. The history of textile arts is also the history of international trade. Tyrian purple dye was an important trade good in the ancient Mediterranean. The Silk Road brought Chinese silk to India, Africa, and Europe, and, conversely, Sogdian silk to China. Tastes for imported luxury fabrics led to sumptuary laws during the Middle Ages and Renaissance. The Industrial Revolution was shaped largely by innovation in textiles technology: the cotton gin, the spinning jenny, and the power loom mechanized production and led to the Luddite rebel ...
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Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ...
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