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Follow The Colours
"Follow the Colours" is a marching song written by the English composer Edward Elgar in 1907, with words by Capt. William de Courcy Stretton. The song is for male voice solo with an optional male voice chorus, accompanied by piano, orchestra or military band. History In January 1907 William Henry Ash, grandson of pioneer dental manufacturer Claudius Ash, as a Liveryman of the Worshipful Company of Musicians offered a prize of 20 guineas for the words of "a marching song for British soldiers". The popular writers Rudyard Kipling, Kipling and Sir Arthur Conan Doyle, Conan Doyle having refused, the offer was advertised in the newspapers. In November the company announced that the winner (of 96 applicants) was William de Courcy Stretton - a 45 year old retired Royal Artillery captain from Salcombe in Devon - and that the music was to be written by Elgar. Alfred Littleton, chairman of publishers Novello and also a Liveryman of the company, had to plead with Elgar to go ahead, as there ...
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Marching Song
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Beethoven's ''Eroica'' Symphony, in the Marches Militaires of Franz Schubert, in the Marche funèbre in Chopin's Sonata in B flat minor, the "''Jäger March''" in the by Jean Sibelius, and in the Dead March in Handel's ''Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , (''alla breve'' , although this may refer to 2 time of Johannes Brahms, or ''cut time''), or . However, some modern marches are being written in or time. The modern march tempo is typically around 120 beats per minute. Many fun ...
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Clara Butt
Dame Clara Ellen Butt, (1 February 1872 – 23 January 1936) was an English contralto and one of the most popular singers from the 1890s through to the 1920s. She had an exceptionally fine contralto voice and an agile singing technique, and impressed contemporary composers such as Saint-Saëns and Elgar; the latter composed his ''Sea Pictures'', Op. 37 with her voice in mind. Her main career was as a recitalist and concert singer. She appeared in only two operatic productions, both of Gluck's '' Orfeo ed Euridice''. Later in her career she frequently appeared in recitals together with her husband, the baritone Kennerley Rumford. She made numerous recordings for the gramophone. Early life and career Clara Butt was born in Southwick, Sussex, the eldest daughter of Henry Albert Butt, a sea captain, and his wife Clara ''née'' Hook. Kennedy, Michael"Butt, Dame Clara Ellen (1872–1936)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. Online edition, Ja ...
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Songs By Edward Elgar
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers f ...
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Songs About Soldiers
A song is a musical composition intended to be performed by the human voice. This is often done at melody, distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various song form, forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained clas ...
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A War Song
"A War Song", originally called "A Soldier's Song", was a poem written by C. Flavell Hayward and set to music by the English composer Edward Elgar in 1884. As ''A Soldier's Song'', it was Elgar's first published song, appearing in ''Magazine of Music'' in 1890. It was dedicated to "F. G. P." (Frederick Pedley), who gave its first performance on 18 March 1884 at a Worcester Glee Club meeting in the Crown Hotel, Broad Street, Worcester. In 1903 it was re-published by Boosey & Co. with the name ''A War Song'', as Elgar's Op. 5. The cover of the song clearly shows "Op.5, No.1", but no other Op.5 work is known, though J.F. Porte in his book describing the works of Elgar commends 'the two numbers comprising ''Opus 5''.'Porte, p.22 It was performed at the Royal Albert Hall on 1 October of that year, sung by Kennerley Rumford. Lyrics A SOLDIER'S SONG / A WAR SONG :Hear the whiz of the shot as it flies, :Hear the rush of the shell in the skies, :Hear the bayonet’s clash, ringing br ...
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Sapper
A sapper, also called a pioneer (military), pioneer or combat engineer, is a combatant or soldier who performs a variety of military engineering duties, such as breaching fortifications, demolitions, bridge-building, laying or clearing minefields, preparing field defenses, and road and airfield construction and repair. They are also trained and equipped to serve as provisional infantry, fighting as such as a secondary mission. A sapper's duties facilitate and support movement, defense, and survival of allied forces and impede those of enemies. The term "sapper" is used in the British Army and Commonwealth of Nations, Commonwealth nations and the U.S. military. The word "sapper" comes from the French word ''sapeur'', itself being derived from the verb ''saper'' (to undermine, to dig under a wall or building to cause its collapse). Historical origin Sapping A sapper, in the sense first used by the French military, was one who dug trenches to allow besieging forces to advance ...
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Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ...
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Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ...
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Triangle (musical Instrument)
The triangle is a musical instrument in the percussion family, and is classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is formed into a triangle shape by bending or casting methods. The instrument is usually held by a loop of some form of thread or wire at the top curve. The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being "allied" with the sistrum throughout history, but not a direct descendant. It is thought that if ...
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Snare Drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Snare drums are usually played with drum sticks, but other beaters such as the brush or the rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and responsiveness. The sensitivity of the snare drum allows it to respond audibly to the softest strokes, even with a wire brush. It can be used for complex rhythmic patterns and engaging solos at moderate volumes. Its high dynamic range allows the player to produce po ...
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ...
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For The Fallen
"For the Fallen" is a poem written by Laurence Binyon. It was first published in ''The Times'' in September 1914. Over time, the third and fourth stanzas of the poem (usually now just the fourth) have been claimed as a tribute to all casualties of war, regardless of state. This selection of the poem is often taken as an ode that is often recited at Remembrance Day services, and is what the term "Ode of Remembrance" usually refers to. Background Laurence Binyon (10 August 1869 – 10 March 1943), a British poet, was described as having a "sober" response to the outbreak of World War I, in contrast to the euphoria many others felt (although he signed the "Author's Declaration" that defended British involvement in the war, appearing in ''The New York Times'' on 18 September with 54 other British authors—including Thomas Hardy, Arthur Conan Doyle, and H.G. Wells). A week after the war began in 1914, Binyon published his first war poem, " The Fourth of August" in ''The Times.' ...
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