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Folk Roots, New Routes
''Folk Roots, New Routes'' is a collaborative folk album by Shirley Collins and Davy Graham, released by Decca in 1964. The album was produced by Ray Horricks and recorded by Gus Dudgeon; the sleeve featured a photograph by Crispian Woodgate and sleeve notes by Austin John Marshall. According to Bob Stanley, the album took inspiration from the North African scale, modal music and Miles Davis; it was the first time many of these English folk songs had been recorded with guitar backing. Track listing Personnel * Shirley Collins: vocals; five-string banjo ("The Cherry Tree Carol") * Davy Graham: guitar Reception ''Folk Roots, New Routes'' is regarded as a landmark album of the folk revival; Jude Rogers writing for NPR called it "an uncompromising work that spearheaded innovation in the middle of the folk music revival. It set a template for the folk-rock that followed it, and inspired 21st century psych-folk decades later." It is described as a template for Fairport Conventi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Collins
Shirley Elizabeth Collins MBE (born 5 July 1935) is an English folk singer who was a significant contributor to the English Folk Revival of the 1960s and 1970s. She often performed and recorded with her sister Dolly, whose accompaniment on piano and portative organ created unique settings for Shirley's plain, austere singing style. Biography Early life Shirley Collins was born in Hastings, East Sussex, England on 5 July 1935. She grew up, with her older sister Dolly, in the area, in a family which kept alive a great love of traditional song. Songs learnt from their grandfather and from their mother's sister, Grace Winborn, were to be important in the sisters' repertoire throughout their career. On leaving school, at the age of 17, Collins enrolled at a teachers' training college in Tooting, south London. In London she also involved herself in the early folk revival, making her first appearance on vinyl on the 1955 compilation ''Folk Song Today''. In 1954, at a party hos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ewan MacColl
James Henry Miller (25 January 1915 – 22 October 1989), better known by his stage name Ewan MacColl, was a folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town". MacColl collected hundreds of traditional folk songs, including the version of " Scarborough Fair" later popularised by Simon & Garfunkel, and released dozens of albums with A.L. Lloyd, Peggy Seeger and others, mostly of traditional folk songs. He also wrote many left-wing political songs, remaining a steadfast communist throughout his life and engaging in political activism. Early life and early career MacColl was born as James Henry Miller at 4 Andrew Street, in Broughton, Salford, England, to Scottish parents, William Miller and Betsy (née Henry), both socialists. William Miller was an iron moulde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five-string Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Timmons
Robert Henry Timmons (December 19, 1935 – March 1, 1974) was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods (July 1958 to September 1959; February 1960 to June 1961), between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively. Timmons was strongly associated with the soul jazz style that he helped initiate. This link to apparently simple writing and playing, coupled with drug and alcohol addiction, led to a decline in his career. Timmons died, aged 38, from cirrhosis. Several critics have commented that his contribution to jazz remains undervalued. Early life Timmons was born in Philadelphia, Pennsylvania, the son of a minister.Kernfeld, Barr"Timmons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lass Of Roch Royal
"The Lass of Roch Royal" (Roud 49) is Child ballad number 76, existing in several variants. Synopsis A woman comes to Gregory's castle, pleading to be let in; she is either pregnant or with a newborn son. His mother turns her away; sometimes she tells her that he went to sea, and she goes to follow him and dies in shipwreck. Gregory wakes and says he dreamed of her. He chases her, finds her body, and dies. Variants Alternate titles of "The Lass of Roch Royal" include "Lord Gregory", "Fair Anny", "Oh Open the Door Lord Gregory", "The Lass of Loch Royal" "The Lass of Aughrim", and "Mirk Mirk". "The New-Slain Knight" has, in some variants, verses identical to those of some variants of "The Lass of Roch Royal", where the woman laments her baby's lack of a father. Also Child ballad number 216 ("The Mother's Malison") is almost identical to "The Lass of Roch Royal" only in a reversed manner, telling the story of a young man looking for his beloved. Literary influences The Northamp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Unfortunate Rake
"The Unfortunate Lad", also known as "The Unfortunate Rake", is a traditional folk ballad (), which through the folk process has evolved into a large number of variants. Synopsis In nineteenth-century broadside versions, the narrator meets a comrade outside a lock hospital. Despite the weather, the comrade is wrapped up in flannel. When asked why, he replies that he has been wronged by a woman, sometimes inferred to be a prostitute or camp follower, but in the Such and Carrot broadsides referred to as 'my heart's delight'. She failed to warn him when she 'disordered' him, so he was unable to obtain ' salts and the pills of white mercury', and he is dying, complaining that he has been "cut down in my prime". He has ignored the warnings of his father that his 'wicked ways would never do'. He asks the narrator to arrange for him a specific funeral: for his coffin to be carried by six 'jolly fellows', his 'pall' by six 'pretty maidens'. They should carry 'bunches of roses' to cover th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marjory Kennedy-Fraser
Marjory Kennedy-Fraser (1 October 1857 – 22 November 1930) was a Scottish singer, composer and music teacher and supporter of women's suffrage and pacifism. According to Ray Perman, Kennedy-Fraser "made a career of collecting Gaelic songs in the Hebrides and singing her own Anglicized versions of them." Biography Marjory Kennedy was born in Perth to a well-known Scottish singer, David Kennedy and his second wife, Elizabeth Fraser. As a child she used to accompany her father on his tours in Scotland and abroad, playing the piano while he sang. Various of her siblings were also professional musicians, and three of them (Lizzie, Kate and James — soprano, contralto and baritone respectively) died in the fire that burnt down the Théâtre municipal of Nice, France, in 1881. Her youngest sister Jessie married the pianist and teacher Tobias Matthay. Their father David Kennedy died aged 61 in 1886 in Ontario, Canada, while on a tour. She became an extra-academical student at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Lomax
Alan Lomax (; January 31, 1915 – July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. He was also a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in preserving folk music traditions in both countries, and helped start both the American and British folk revivals of the 1940s, 1950s, and early 1960s. He collected material first with his father, folklorist and collector John Lomax, and later alone and with others, Lomax recorded thousands of songs and interviews for the Archive of American Folk Song, of which he was the director, at the Library of Congress on aluminum and acetate discs. After 1942, when Congress terminated the Library of Congress's funding for folk song collecting, Lomax continued to collect independentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Seeger
Peter Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of the Weavers, notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes. A prolific songwriter, his best-known songs include "Where Have All the Flowers Gone?" (with additional lyrics by Joe Hickerson), " If I Had a Hammer (The Hammer Song)" (with Lee Hays of the Weavers), " Kisses Sweeter Than Wine" (also with Hays), and "Turn! Turn! Turn!", which have been recorded by many artists both in and outside the folk revival movement. "Flowers" was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pretty Saro
''Pretty Saro'' (Roud 417) is an English folk ballad originating in the early 1700s. The song died out in England by the mid eighteenth century but was rediscovered in North America (particularly in the Appalachian Mountains) in the early twentieth century, where it had been preserved through oral traditions. Cecil Sharp and later folklorists and proponents of the folk revival helped keep songs such as Pretty Saro alive well into modern times. Traditional Versions The famous Appalachian musician Jean Ritchie was recorded with her sisters in 1946 by Mary Elizabeth Barnacle singing her family's traditional version on the song, before recording it on the album ''Jean Ritchie And Doc Watson At Folk City'' (1963). The Appalachian traditional singer Horton Barker also recorded a traditional version on his eponymous 1962 album. Several other traditional Appalachian versions were recorded, particularly by Alan Lomax A few traditional Ozark recordings were also made (many of which c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Hughes (composer)
Herbert Hughes (16 May 1882 – 1 May 1937) was an Irish composer, music critic and a collector and arranger of Irish folksongs. He was the father of Spike Hughes. Biography Hughes was born and brought up in Belfast, Ireland, but completed his formal music education at the Royal College of Music, London, where he studied with Charles Villiers Stanford and Charles Wood, graduating in 1901. Subsequently, he worked as a music critic, notably for ''The Daily Telegraph'' from 1911 to 1932. Described as having an "ardent and self-confident manner", Hughes is first heard of in an Irish musical capacity (beyond being honorary organist at St Peter's Church on Antrim Road at the age of fourteen) collecting traditional airs and transcribing folksongs in North Donegal in August 1903 with his brother Fred, F.J. Bigger, and John Campbell. Dedicated to seeking out and recording such ancient melodies as were yet to be found in the more remote glens and valleys of Ulster, he produced ''Songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reynardine
Reynardine is a traditional English ballad (Roud 397). In the versions most commonly sung and recorded today, Reynardine is a werefox who attracts beautiful women so that he can take them away to his castle. What fate meets them there is usually left ambiguous. The Mountains High The original English ballads upon which Reynardine are based, most of which date to the Victorian era, are generally found under the title The Mountains High. In the original story, Ranordine (also given as Rinordine, Rinor Dine, Ryner Dyne, Rine-a-dine, Rynadine, Retterdyne, Randal Rhin or Randal Rine) is a bandit or outlaw who encounters a young woman in the wilderness and seduces or abducts her. The song ends with a warning to young women to beware of strange men. "The Mountains High" appears not to be very old, since only one version was collected before 1800. A version appears in George Petrie's 1855 collection of ballads; other variants appear in a number of broadside ballads from the nineteenth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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