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Floorwork
In dance, floorwork refers to movements performed on the floor. Floorwork is used extensively in modern dance, particularly Graham technique and Hawkins technique, as well as in vernacular breakdancing. Some dance training practices, notably Floor-Barre, consist entirely of floorwork. Floorwork changes the body's relationship with gravity, and requires dancers to navigate between higher and lower levels ("going in and out of the floor"). These features are central to the use of floorwork in choreography, and also affect its role in technique classes. Executing floorwork smoothly requires flexible joints, a relaxed body, and attention to the kinesthetic feedback provided by the floor. The "low" or floorwork level is one of three principal spatial levels dancers may occupy, along with the middle or bipedestrian (upright) and the high or aerial (jumping) levels. Concert dance The use of floorwork is one of the major differences between modern dance and previous Western concert da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belly Dance
Belly dance (Egyptian Arabic: رقص بلدي, translated: Dance of the Country/Folk Dance, romanized: Raks/Raas Baladi) is a dance that originates in Egypt. It features movements of the hips and torso. It has evolved to take many different forms depending on the country and region, both in costume and dance style; with the Egyptian styles and costumes being the most recognized worldwide due to Egyptian cinema. The Egyptian style with its traditional Egyptian rhymes is popular worldwide with many schools around the globe now practicing it. Names and terminology "Belly dance" is a translation of the French term ''danse du ventre''. The name first appeared in 1864 in a review of the Orientalist painting ''The Dance of the Almeh'' by Jean-Léon Gérôme. The first known use of the term "belly dance" in English is in reference to the Middle Eastern dancers who performed at the Exposition Universelle in Paris in 1893. The informal, social form of the dance is known as '' Raq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Technique
Graham technique is a modern dance movement style and pedagogy created by American dancer and choreographer Martha Graham (1894–1991). Graham technique has been called the "cornerstone" of American modern dance, and has been taught worldwide. It is widely regarded as the first codified modern dance technique, and strongly influenced the later techniques of Merce Cunningham, Lester Horton, and Paul Taylor. Graham technique is based on the opposition between contraction and release, a concept based on the breathing cycle which has become a "trademark" of modern dance forms. Its other dominant principle is the "spiraling" of the torso around the axis of the spine. Graham technique is known for its unique dramatic and expressive qualities and distinctive floorwork; dance critic Anna Kisselgoff described it as "powerful, dynamic, jagged and filled with tension". The phrase "Graham technique" was registered as a trademark before Graham's death, and was the subject of a trademar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athlet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Dance
Contemporary dance is a genre of dance performance that developed during the mid-twentieth century and has since grown to become one of the dominant genres for formally trained dancers throughout the world, with particularly strong popularity in the U.S. and Europe. Although originally informed by and borrowing from classical, modern, and jazz styles, it has come to incorporate elements from many styles of dance. Due to its technical similarities, it is often perceived to be closely related to modern dance, ballet, and other classical concert dance styles. In terms of the focus of its technique, contemporary dance tends to combine the strong but controlled legwork of ballet with modern that stresses on torso. It also employs contract-release, floor work, fall and recovery, and improvisation characteristics of modern dance. Unpredictable changes in rhythm, speed, and direction are often used, as well. Additionally, contemporary dance sometimes incorporates elements of non-western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adaptive Dance
The physically integrated dance movement is part of the disability culture movement, which recognizes and celebrates the first-person experience of disability, not as a medical model construct but as a social phenomenon, through artistic, literary, and other creative means. History Modern integrated or inclusive dance was first explored during the late 1960s. Dance instructor Hilde Holger taught dance to her son, who had Down Syndrome, and went on to stage a performance that included intellectually disabled dancers at Sadler's Wells in 1968. Among Holger's students was Wolfgang Stange, who was inspired to found a company to perform integrated dance works, the Amici Dance Theatre Company. Yvonne Rainer, a prominent post-modern dancer and choreographer, was recovering from a surgery in 1967 when she restaged a version of her famous work ''Trio A'' on herself, called it ''Convalescent Dance'' and performed it at the Playhouse at Hunter College in New York. In 2010, in her 70s, Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masha Archer
Fat Chance Belly Dance or FCBD (formerly known as American Tribal Style or ATS) is a modern style of belly dance created by Fat Chance Belly Dance director, Carolena Nericcio-Bohlman. The primary defining characteristic of FCBD style is group improvisation. It is generally performed in a group, often at community events such as festivals and parades, with dancers typically favoring a look provided by wide-legged pants gathered at the ankles (also known as pantaloons), tops known as cholis and full skirts. Tribal style The roots of tribal bellydance are accredited to Jamila Salimpour,. She fostered a fusion of costumes and folkloric dances styles from the Middle East, North African, Spain, and India (such as the Banjara of Rajasthan). Salimpour teaches and performs along the West Coast of North America. Using traditional folkloric dance elements and costumes inspired by traditional and ethnographic traditions, she presented on stage through Bal Anat, a colorful company of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Property
A prop, formally known as (theatrical) property, is an object used on stage or screen by actors during a performance or screen production. In practical terms, a prop is considered to be anything movable or portable on a stage or a set, distinct from the actors, scenery, costumes, and electrical equipment. Term The earliest known use of the term "properties" in English to refer to stage accessories is in the 1425 CE morality play, ''The Castle of Perseverance ''The Castle of Perseverance'' is a c. 15th-century morality play and the earliest known full-length (3,649 lines) vernacular play in existence. Along with ''Mankind'' and ''Wisdom'', ''The Castle of Perseverance'' is preserved in the Macro Manus ...''. The ''Oxford English Dictionary'' finds the first usage of "props" in 1841, while the singular form of "prop" appeared in 1911. During the Renaissance in Europe, small acting troupes functioned as cooperatives, pooling resources and dividing any income. Many performers p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belly Dancer 9 (3363119354)
Belly may refer to: Anatomy * The abdomen, the part of the body between the pelvis and the thorax; or the stomach ** A beer belly, an overhang of fat above the waist, presumed to be caused by regular beer drinking ** Belly dance * The fleshy, central part of a skeletal muscle (also known as a "muscle belly") People * The nickname of the England cricketer Ian Bell * Leon-August-Adolphe Belly, a 19th-century French painter * Pierre Belly (1738–1814), Louisiana planter, lawyer and judge * Belly Mujinga (1972/3–2020), Congolese-born transport worker who died in London from COVID-19 Places * Belly River, river in Alberta, Canada Music * Belly (band), American alternative rock band * Belly (rapper) (born 1984), Canadian rap artist of Palestinian origin * Lead Belly (1889–1949), real name Huddie William Ledbetter, American folk and blues musician * The surface of a sound board, of a string instrument * A kind of steelpan Other * Belly (loyalty program), a digital loyalty progr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Steady Crew
Rock Steady Crew is an American breaking and hip hop group which has become a franchise name for multiple groups in other locations. The group's 1983 international hit song " (Hey You) The Rock Steady Crew" (from the group's first studio album ''Ready for Battle'') peaked at No. 6 on the UK Singles Chart, and reached the top 10 in many European countries. Members of Rock Steady Crew featured in the films ''Flashdance'' and ''Beat Street'', which ignited international interest in the b-boy subculture. History The group was initially formed in The Bronx, New York City in 1977 by b-boys Jimmy Dee and Jimmy Lee. The Manhattan branch was created by Crazy Legs and B-Boy Fresh. ''The New York Times'' called the Rock Steady Crew "the foremost breakdancing group in the world today." Notable members * Crazy Legs * DJ Cucumber Slice *DJ Qbert *Fever One *Madchild *Mr. Wiggles *Q-Unique *Rahzel *Tony Touch Former members *Frosty Freeze *Mix Master Mike * Ken Swift *Rhettmatic *Daisy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flare (acrobatic Move)
The ''flare'' is an acrobatic move in which the performer alternates balancing the torso between either arm while swinging the legs beneath in continuous circles. It is a fundamental b-boying/bgirl power move, and in gymnastics it may be performed on a pommel horse or during the floor exercise. The move is commonly spelled flair in gymnastics and further may be called a "Thomas flair" after its originator, Kurt Thomas. Step by step :''The description assumes counter-clockwise rotation'' The left leg begins about 10 inches behind the right (not lined up). If the breaker already has momentum, he/she quickly puts down his left hand close to the left leg facing the fingers away from the body, towards the left. Next, the left leg is swung around as hard as possible while doing a jump. The breaker is prepared to put down the right hand. All of the breaker's weight shifts to the right arm, and he/she kicks the left leg up as high as possible. The right leg swings under the left and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Windmill (b-boy Move)
The ''Windmill'' (or briefly ''Mill'') is a popular b-boying move. The breaker rolls his torso continuously in a circular path on the floor, across the upper chest/shoulders/back, while twirling his legs in a V-shape through the air. Origin The discovery of this move is credited to Ken Swift of the Rock Steady Crew from Bronx, NY. It was accidentally created when he overshot his chair freeze into a continuous back spin. From then on, it became a widely popular move. The move was inspired by a Kung Fu kick from the ground, drawing inspiration from kung fu films (notably Bruce Lee films). The move also originated earlier in the acrobatics world. It was performed by a French acrobatic duo called Les Mathurins in an edition of the UK television show Sunday Night at the London Palladium broadcast live on 24 November 1957. For the full performance see . Description The twirling of the legs is akin to twirling a math compass around in the hands; the momentum created by this twirlin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
6-step
The ''6-step'' is the basic sequence of breakdancing Breakdancing, also called breaking or b-boying/b-girling, is an athletic style of street dance originating from the African American and Puerto Rican communities in the United States. While diverse in the amount of variation available in t ... footwork. The dancer uses their arms to support their body above the floor while moving their legs in a circle. Description The 6-step is foundational to b-boying not only because it is the first footwork sequence breakers often learn, but also because it remains the move around which many sets are structured. Many break moves can begin from the 6-step. The move sets up the direction of rotation and builds momentum while imparting body control. The breaker stays low and in contact with the ground, which places him in perfect position for performing other moves. Each of the six distinct steps puts the body in a different position which can be used as starting points for other mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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