Flight 180
Flight 180 (first known as 180 or One Eighty) was an American Christian ska band, with punk and swing influences, from Orange County, California. Fronted by Kim Tennberg, singer and songwriter, they formed in 1998 and disbanded in 2001, releasing three albums with BEC Recordings: ''Crackerjack'' (1998), ''Lineup'' (1999) and ''Girls and Boys'' (2001). Members Kim Tennberg, Chris Tennberg, Jamin Boggs and Josh Brisby continued to tour and record music independently after the third album was released. Background The band formed in Orange County, California, in 1999. Their members were Kim Tennberg (lead vocals, trumpet and songwriter), Madelyn Mendoza (vocals and percussion), Jerry Elekes (lead guitar), Chris Tennberg (rhythm guitar), Dave Des Armier (bass guitar), Jamin Boggs (drums), Josh Brisby (trombone) and John Anderson (tenor saxophone). They disbanded as a group, in 2001. The group was formed in 1998, with their major label released studio album, ''Crackerjack'' by BEC Record ...
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Orange County, California
Orange County is located in the Los Angeles metropolitan area in Southern California. As of the 2020 census, the population was 3,186,989, making it the third-most-populous county in California, the sixth-most-populous in the United States, and more populous than 19 American states and Washington, D.C. Although largely suburban, it is the second-most-densely-populated county in the state behind San Francisco County. The county's three most-populous cities are Anaheim, Santa Ana, and Irvine, each of which has a population exceeding 300,000. Santa Ana is also the county seat. Six cities in Orange County are on the Pacific coast: Seal Beach, Huntington Beach, Newport Beach, Laguna Beach, Dana Point, and San Clemente. Orange County is included in the Los Angeles-Long Beach- Anaheim Metropolitan Statistical Area. The county has 34 incorporated cities. Older cities like Old Town Tustin, Santa Ana, Anaheim, Orange, and Fullerton have traditional downtowns dating back to the 19th ...
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Christian Ska
Christian ska is a form of Christian alternative rock, and subgenre of ska and ska punk which is lyrically oriented toward contemporary Christian music. Though ska did not constitute a genre within the Christian music industry until after third wave ska had peaked in the general market, Christian ska continued to thrive independently into the early 2000s. Ska music came to be seen as "an excellent vehicle for exhortation and praise due to its up front lyrical style" and upbeat, energetic, joyful sound. While there were many smaller bands, ska in the Christian marketplace in the late 1990s came to be primarily represented by three bands: The Insyderz, The O. C. Supertones, and Five Iron Frenzy; all of whom were commercially successful and ministry-oriented in their own right. As with third wave ska in the general market the sound was often intermingled with that of punk, swing, or rockabilly. In parallel with mainstream ska, many underground Christian ska bands released one o ...
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Ska Punk
Ska punk (also spelled ska-punk) is a fusion genre that mixes ska music and punk rock music together. (sometimes spelled skacore) is a subgenre of ska punk that mixes ska with hardcore punk. Early ska punk mixed both 2 tone and ska with hardcore punk. Ska punk tends to feature brass instruments, especially horns such as trumpets, trombones and woodwind instruments like saxophones, making the genre distinct from other forms of punk rock. It is closely tied to third wave ska which reached its zenith in the mid-1990s. Before ska punk began, many ska bands and punk rock bands performed on the same bills together and performed to the same audiences. Some music groups from the late 1970s and early 1980s, such as the Clash, the Deadbeats, the Specials, the Beat, and Madness fused characteristics of punk rock and ska, but many of these were either punk bands playing an occasional ska-flavored song, or are usually considered 2-tone ska bands who played faster songs with a punk attit ...
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Pop Punk
Pop punk (or punk pop) is a rock music genre that combines elements of punk rock with power pop or pop. It is defined for its emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes, and is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, rap, emo, and boy bands. It is sometimes considered interchangeable with power pop and skate punk. Pop punk emerged in the late 1970s with groups such as the Ramones, the Undertones, and the Buzzcocks. 1980s punk bands like Bad Religion, Descendents and the Misfits were influential to pop punk, and it expanded in the 1980s and early 1990s by a host of bands signed to Lookout! Records, including Screeching Weasel, the Queers, and the Mr. T Experience. In the mid–late 1990s, the genre saw a massive widespread popularity increase w ...
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Swing Revival
The swing revival, also called retro swing and neo-swing, was a renewed interest in swing music, beginning around 1989 and reaching a peak from the early/mid to late 1990s. The music was generally rooted in the big bands of the swing era of the 1930s and 1940s, but it was also greatly influenced by rockabilly, boogie-woogie, the jump blues of artists such as Louis Prima, and the theatrics of Cab Calloway. Many neo-swing bands practiced contemporary fusions of swing, jazz, and jump blues with rock, punk rock, ska, and ska punk music or had roots in punk, ska, ska punk, and alternative rock music. History The roots of the swing revival are generally traced back to 1989, which saw the formation of several of the scene's most prominent figures: Los Angeles' Royal Crown Revue and Big Bad Voodoo Daddy, who often stuck close to playing traditionally-styled jump blues and rockabilly; San Francisco's Lavay Smith & Her Red Hot Skillet Lickers, who showcased vocal jazz and blues influence ...
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BEC Recordings
BEC (Brandon Ebel Company) Recordings is a Christian rock record label that is an imprint of Tooth & Nail Records. The label was formed in 1997 in partnership with the EMI Christian Music Group. The label promotes bands with more adult Christian rock sound than Tooth & Nail Records or Solid State Records, which concentrate on heavy metal, punk, and alternative rock. BEC's roster includes Jeremy Camp, KJ-52, Kutless, and Hawk Nelson. Uprok Records, a former imprint of Tooth & Nail, lists its catalog under BEC. Roster Active * All Things New * Among the Thirsty * Ashes Remain * Adam Cappa * Citizens & Saints * David Dunn * Ghost Ship * Aaron Gillespie * Kings Kaleidoscope * Dustin Kensrue * Kutless * Nine Lashes * Andrew Marcus * Diane Michelle * Rapture Ruckus * Shuree * Jon Micah Sumrall * The O.C. Supertones * 7eventh Time Down * Fearless BND Former Includes artists on Uprok Recordings * Ace Troubleshooter (disbanded, members now in Relient K and My Red Hot Nightmare) ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Cross Rhythms (magazine)
''Cross Rhythms'' was the eponymously titled music magazine, produced by the Christian media organisation of the same name. It was founded under the name ''Cross Rhythms Magazine'' by editor Tony Cummings, and printer Mark Golding in April 1989, with the first issue being made available in May 1990. Two years later, publication of the magazine was taken over by Cornerstone House, a publishing company owned by Chris Cole. After partnering with Christian radio station United Christian Broadcasters (UCB) in 1995, the magazine was given more financial stability. Around this time, ''Cross Rhythms'' had a circulation of approximately 15,000. Around 2000, ''Cross Rhythms'' official website was launched, which continued online after the paper magazine ceased publication in the summer of 2005 with its 85th issue. , the website is the sixth most viewed Christian website in the UK. ''Cross Rhythms'' centered almost exclusively on contemporary Christian music, with only the occasional rev ...
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CCM Magazine
''CCM Magazine'' is a twice-monthly online magazine focusing on contemporary Christian music, published by Salem Publishing, a division of Salem Communications. History ''CCM'' was first published in July 1978, as a printed magazine. It has been owned by Salem since 1999. On January 16, 2008, Salem announced that the April 2008 issue would be the final printed issue of the magazine, which would continue in an online-only format. When the magazine was first published, it was called ''Contemporary Christian Music'' and covered that music genre. The name was later shortened to ''CCM'', which was still an acronym for "Contemporary Christian Music". For a short time, the magazine changed its name to ''Contemporary Christian Magazine'' (keeping the "CCM" but broadening the scope) but then ultimately went back to ''Contemporary Christian Music'' (''CCM''). Then in May 2007, the name's meaning was changed to "Christ. Community. Music." The editor explained that the term "contemporary ...
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Musical Groups Established In 1998
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ...

Musical Groups Disestablished In 2001
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ...

Musical Groups From Orange County, California
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ...