Flabiol
The flabiol () is a Catalan woodwind musical instrument of the family known as ''fipple flutes''. It is one of the 12 instruments of the cobla. The flabiol measures about 25 centimeters in length and has five or six holes on its front face and three underneath. Overview The two main types are the ''dry flabiol'' without keys, usually made of a hardwood such as bubinga, and the keyed flabiol, used in coblas for sardana dances and in other folk music ensembles. The flabiol is normally played by the left hand while the player uses the right hand to beat a small drum (called '' tamborí'') attached to the left elbow. All sardanes played by a cobla begin with a short introduction (''introit'') from the flabiol which is terminated by a single tap of the ''tamborí''. Its traditional geographic zone extends from the south of Catalonia to the Roussillon area of France, and from the Eastern strip of Aragon to the Balearic islands, where it is used as solo instrument with its own me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Flabiol Range
The flabiol () is a Catalan woodwind musical instrument of the family known as ''fipple flutes''. It is one of the 12 instruments of the cobla. The flabiol measures about 25 centimeters in length and has five or six holes on its front face and three underneath. Overview The two main types are the ''dry flabiol'' without keys, usually made of a hardwood such as bubinga, and the keyed flabiol, used in coblas for sardana dances and in other folk music ensembles. The flabiol is normally played by the left hand while the player uses the right hand to beat a small drum (called '' tamborí'') attached to the left elbow. All sardanes played by a cobla begin with a short introduction (''introit'') from the flabiol which is terminated by a single tap of the ''tamborí''. Its traditional geographic zone extends from the south of Catalonia to the Roussillon area of France, and from the Eastern strip of Aragon to the Balearic islands, where it is used as solo instrument with its own me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Flabiol Back
The flabiol () is a Catalan woodwind musical instrument of the family known as ''fipple flutes''. It is one of the 12 instruments of the cobla. The flabiol measures about 25 centimeters in length and has five or six holes on its front face and three underneath. Overview The two main types are the ''dry flabiol'' without keys, usually made of a hardwood such as bubinga, and the keyed flabiol, used in coblas for sardana dances and in other folk music ensembles. The flabiol is normally played by the left hand while the player uses the right hand to beat a small drum (called '' tamborí'') attached to the left elbow. All sardanes played by a cobla begin with a short introduction (''introit'') from the flabiol which is terminated by a single tap of the ''tamborí''. Its traditional geographic zone extends from the south of Catalonia to the Roussillon area of France, and from the Eastern strip of Aragon to the Balearic islands, where it is used as solo instrument with its o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Flabiol Fingering Chart
The flabiol () is a Catalan woodwind musical instrument of the family known as ''fipple flutes''. It is one of the 12 instruments of the cobla. The flabiol measures about 25 centimeters in length and has five or six holes on its front face and three underneath. Overview The two main types are the ''dry flabiol'' without keys, usually made of a hardwood such as bubinga, and the keyed flabiol, used in coblas for sardana dances and in other folk music ensembles. The flabiol is normally played by the left hand while the player uses the right hand to beat a small drum (called '' tamborí'') attached to the left elbow. All sardanes played by a cobla begin with a short introduction (''introit'') from the flabiol which is terminated by a single tap of the ''tamborí''. Its traditional geographic zone extends from the south of Catalonia to the Roussillon area of France, and from the Eastern strip of Aragon to the Balearic islands, where it is used as solo instrument with its own me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tambori
The tambori ( ca, tamborí ) is a percussion instrument of about 10 centimetres diameter, a small shallow cylinder formed of metal or wood with a drumhead of skin. Its usual function is to accompany the playing of the flabiol in a cobla band, beating the rhythm of the sardana, the traditional dance of Catalonia. It is attached to the elbow of the left arm and struck with a little drumstick called a ''broqueta'' held by the right hand, while the flabiol can be played at the same time with the left hand. See also *Pipe and tabor External linksEl testament n'AmèliaVideo of a performance of this sardana (composer Joan Lamote de Grignon Joan Lamote de Grignon i Bocquet (; 7 July 1872 – 11 March 1949) was a Catalan Spanish pianist, composer and orchestra director. Life Joan Lamote de Grignon was born and died in Barcelona, the son of parents of French descent, Lluis Lamote de ...) by the cobla "Comptat d'Empúries" at the Castelló d'Empúries. The flabiol player can be seen ta ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fipple
The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple, itself. Nomenclature The accompanying illustration of the mouthpiece of a recorder shows a wooden block (A) with a channel carved into the body of the instrument (B), together forming a duct that directs a ribbon of air across an opening toward a sharp edge (C). The edge splits the air in a manner that alternately directs it into and outside of the tube, setting the contained column of air into periodic vibration. This flow-controlled "air reed" is a definitive characteristic of all flutes, which therefore all have an edge or equivalent ai ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pipe And Tabor
Pipe and tabor is a pair of instruments played by a single player, consisting of a three-hole pipe played with one hand, and a small drum played with the other. The tabor (drum) hangs on the performer's left arm or around the neck, leaving the hands free to beat the drum with a stick in the right hand and play the pipe with thumb and first two fingers of the left hand. The pipe is made out of wood, metal or plastic and consists of a cylindrical tube of narrow bore (1:40 diameter:length ratio) pierced with three holes near one end, two in front and one in back. At the opposite end is a fipple or block, similar to that used in a recorder. Tabor pipes are widespread throughout the globe, found on most continents and in many countries. Each culture has developed a different style of pipe, so a different method of playing and a different range of notes. The smallest of the family is the Picco pipe, while the largest is the fujara. In Europe there are many variations of instrument ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Perfect Fourth
A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). The perfect fourth may be derived from the harmonic series as the interval between the third and fourth harmonics. The term ''perfect'' identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents (), while in equal temperament a perfect fourth is equal to five semitones, or 500 cents (see additive s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tonette
The stub-ended Swanson Tonette is a small (6" cavity), end-blown vessel flute made of plastic, which was once popular in American elementary music education. Though the Tonette has been superseded by the recorder in many areas, due to their price, durability and simplicity, plastic Tonettes are still in use in elementary schools around the nation. The range of the Tonette is from C4 to D5. A skilled player can produce notes above the principal register by overblowing and half-covering holes. Similar instruments are the Song Flute, Flutophone, and Precorder. The Swanson Tonette was introduced in 1938. Designed as a pre-band instrument, the Tonette was nearly unbreakable, chromatic, and tunable. It was easy to blow and the fingering was simple. By 1941 over half of the grammar schools in the United States had adopted the Tonette as standard pre-band equipment. The Tonette's pleasant flute-like sound was also used for special novelty effects in radio, television and film. As a cl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bubinga
''Guibourtia'' is a flowering plant genus in the family Fabaceae, also known by the common names as Rhodesian copalwood, African Rosewood, Amazique, Bubinga, Kevazingo, and Ovangkol. Scientific Name being Guibourtia spp. Description ''Guibourtia'' contains 16 species that are native to tropical regions of Africa (13 species) and South America (3 species).International Legume Database & Information Service''Guibourtia'' They occur in swampy or periodically inundated forests, as well as near rivers or at lakeshores. The trees grow to 40–50 m tall, with a trunk diameter of 1–2 m, often with a heavily buttressed trunk.Translated from the German Wikipedia article Guibourtia Species ;Africa *'' Guibourtia arnoldiana'' (De Wild. & T.Durand) J.Léonard – benge, benzi, bubinga, essingang, kevazingo, m'penze, mbenge, mutenye, olive walnut, ovang, waka *''Guibourtia carrissoana'' (M.A.Exell) J.Léonard – African rosewood *''Guibourtia coleosperma'' (Benth.) J.Léonard – African ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Isaac Albéniz
Isaac Manuel Francisco Albéniz y Pascual (; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98. Transcriptions of many of his pieces, such as ''Asturias (Leyenda)'', ''Granada'', ''Sevilla'', '' Cadiz'', '' Córdoba'', '' Cataluña'', ''Mallorca'', and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. The personal papers of Albéniz are preserved in, among other institutions, the Library of Catalonia. Life Born in Camprodon, province of Girona, to Ángel Albéniz (a customs official) and his wife, Maria de los Dolores Pascual, Albéniz was a child prodigy who first performed at the age of four. At age seven, after apparently tak ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eleventh
In music or music theory, an eleventh is the note eleven scale degrees from the root of a chord and also the interval between the root and the eleventh. The interval can be also described as a compound fourth, spanning an octave plus a fourth. Since there are only seven degrees in a diatonic scale the eleventh degree is the same as the subdominant. The eleventh is considered highly dissonant with the major third. A perfect eleventh is an eleventh which spans exactly 17 semitones. See also *Eleventh chord *Suspended chord A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. The lack of a minor or a major third in the chord creates an open sound, while the dissonan ... References Chord factors Fourths (music) Compound intervals {{music-theory-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |