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First Place Again
''First Place Again'' is the second album led by American jazz saxophonist Paul Desmond. The album was recorded in September 1959 and released on the Warner Bros. Records, Warner Bros. label.Paul Desmond Catalog
accessed February 29, 2016
Berry, S

accessed February 29, 2016
It was the first of five studio albums Desmond recorded with quartets that included guitarist Jim Hall (musician), Jim Hall and drummer Connie Kay. Percy Heath, who was Kay's bandmate from the Modern Jazz Quartet, completed the quartet for this album. For most of August 1959, Hall, Heath, and Kay had been faculty members at the Lenox School of Jazz music workshop. During that same month, Desmond finished recording Time ...
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Paul Desmond
Paul Desmond (born Paul Emil Breitenfeld; November 25, 1924 – May 30, 1977) was an American jazz alto saxophone, alto saxophonist and composer, best known for his work with the Dave Brubeck Quartet and for composing that group's biggest hit, "Take Five". He was one of the most popular musicians to come out of the cool jazz scene. In addition to his work with Brubeck, he led several groups and collaborated with Gerry Mulligan, Chet Baker, Jim Hall (musician), Jim Hall, and Ed Bickert. After years of chain smoking and poor health, Desmond succumbed to lung cancer in 1977 after a tour with Brubeck. Early life Desmond was born Paul Emil Breitenfeld in San Francisco, California, in 1924, the son of Shirley (née King) and Emil Aron Breitenfeld. His grandfather Sigmund Breitenfeld was, according to an obituary, born in Austria in 1857. Sigmund Breitenfeld, a medical doctor, emigrated to New York City with his wife Hermine (born Hermine Lewy) at the end of the 19th century, and the B ...
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For All We Know (1934 Song)
"For All We Know" is a popular song published in 1934, with music by J. Fred Coots and lyrics by Sam M. Lewis. Popular versions in 1934 were by Hal Kemp (vocal by Skinnay Ennis) and Isham Jones (vocal by Joe Martin). Background There are alternative verses but the main lyrics start: "For all we know we may never meet again...". Other artists' recordings * 1958 Billie Holiday 1958 Lady in Satin album By Columbia Records *The version by Dinah Washington reached No. 88 on the chart in 1962. *A version by The Spinners in 1965 gave it a more contemporary sound and was included in the 1967 LP '' The Original Spinners''. *The Donny Hathaway version from the LP ''Roberta Flack & Donny Hathaway'' (Atlantic, 1972) has become one of the standout versions of the song. *A version by jazz pianist Bill Evans was recorded in his last studio album ''We Will Meet Again'' (Warner Bros. Records, 1979). *The song has been recorded by a host of artists, including: Nina Simone, Al Martino, The ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ...
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Jule Styne
Jule Styne (; born Julius Kerwin Stein; December 31, 1905 – September 20, 1994) was an English-American songwriter and composer best known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: ''Gypsy,'' '' Gentlemen Prefer Blondes,'' and '' Funny Girl.'' Early life Styne was born to a Jewish family in London, England. His parents, Anna Kertman and Isadore Stein, were emigrants from Ukraine, the Russian Empire, and ran a small grocery. Even before his family left Britain, he did impressions on the stage of well-known singers, including Harry Lauder, who saw him perform and advised him to take up the piano. At the age of eight, he moved with his family to Chicago, where he began taking piano lessons. He proved to be a prodigy and performed with the Chicago, St. Louis, and Detroit Symphonies before he was ten years old. Career Before Styne attended Chicago Musical College, he had already attracted the attention o ...
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Time After Time (1947 Song)
"Time After Time" is a romantic jazz standard with lyrics written by Sammy Cahn and music by Jule Styne in 1946. First recordings The first recording was on November 19, 1946 for Musicraft by Sarah Vaughan with the Teddy Wilson Quartet: Wilson on piano, Charlie Ventura on tenor saxophone, Remo Palmieri on guitar, and Billy Taylor on double bass. The song was written for Frank Sinatra to introduce in the 1947 MGM film ''It Happened in Brooklyn''. The pianist providing the offscreen accompaniment was André Previn to an arrangement of Axel Stordahl. Later in the film, the song was reprised in full by Kathryn Grayson. The only contemporary recording by a British artist was the one by Steve Conway. Sinatra recorded it again in 1957 with the Nelson Riddle Orchestra. After it emerged as a jazz standard thanks to saxophonists like Getz and Coltrane, 1959 was a banner year for its popularity, being covered by many pop and jazz vocalists. Other versions * Chet Baker, ''Chet Baker Sings ...
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Brooks Bowman
Brooks Bowman (October 21, 1913 – October 17, 1937) composed the song "East of the Sun (and West of the Moon)" which has become a jazz standard. Biography A native of Cleveland, Ohio, he graduated from University School in that city, but had completed his first three years of preparatory school at Asheville School in Asheville, North Carolina. He then attended Stanford University for one year before transferring to Princeton University as a sophomore, in the fall of 1933. While an undergraduate student at Princeton he wrote the songs for the Princeton Triangle Club musical titled ''Stags at Bay'' in 1934, including "East of the Sun" (which almost didn't make it into the play due to a copyright dispute). Other songs he wrote for the show included "Love and a Dime" and "Will Love Find a Way?" For the Triangle Club production of 1936, he wrote ''What a Relief!'' which included the songs "Give Me a Gibson Girl," "Love Will Live On," "A Newspaper Picture of You," and "Then I S ...
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East Of The Sun (and West Of The Moon)
"East of the Sun (and West of the Moon)" is a popular song written by Brooks Bowman, an undergraduate member of Princeton University's Class of 1936, for the 1934 production of the Princeton Triangle Club's production of Stags at Bay. It was published in 1934 by Santly Bros. and soon became a hallmark of the Princeton Tigertones, one of Princeton University's all-male a cappella groups. The standard is also sung by the Princeton Nassoons, Princeton University's oldest a cappella group. Recorded versions *"East of the Sun" was first recorded by Hal Kemp for Brunswick Records on Dec. 1, 1934, and has remained a jazz standard since the 1950s. *Another of the first recordings was by Arthur Tracy on September 22, 1935, according to CD jacket of ASV Living Era Hits of '35, CD AJA 5185. *Tommy Dorsey recorded it in 1940 with vocals by Frank Sinatra, a trumpet solo by Bunny Berigan, and backup slang lyrics. *Sarah Vaughan recorded it in a 1949 Columbia session for the album ''Sarah ...
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Haven Gillespie
James Lamont Gillespie (February 6, 1888 – March 14, 1975) pen name Haven Gillespie, was an American Tin Pan Alley composer and lyricist. He was the writer of "You Go to My Head", "Honey", "By the Sycamore Tree", "That Lucky Old Sun", " Breezin' Along With The Breeze", " Right or Wrong," " Beautiful Love", "Drifting and Dreaming", and "Louisiana Fairy Tale" (Fats Waller's recording of which was used as the first theme song in the PBS Production of ''This Old House''), each song in collaboration with other people such as Beasley Smith, Ervin R. Schmidt, Richard A. Whiting, Wayne King, and Loyal Curtis. He also wrote the seasonal standard "Santa Claus Is Comin' to Town". Life and career Gillespie was one of nine children of Anna (Reilley) and William F. Gillespie. The family was poor and lived in the basement of a house on Third Street between Madison Avenue and Russell Street in Covington, Kentucky. Gillespie dropped out of school in grade four and could not find a job. His ol ...
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You Go To My Head
"You Go to My Head" is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Numerous versions of the song have been recorded, and it has since become a pop and jazz standard. Melody and lyrics Alec Wilder terms Coots' melody a "minor masterpiece". According to Ted Gioia, “’You Go to my Head’ is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.” Gillespie's lyrics begin: ''"You go to my head and you linger like a haunting refrain"''. Recordings, use in film, and performances Larry Clinton re ...
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