Fire (The Bug Album)
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Fire (The Bug Album)
''Fire'' is a studio album by Kevin Martin (British musician), Kevin Martin under his alias The Bug. It was released on Ninja Tune on 27 August 2021. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 85, based on 9 reviews, indicating "universal acclaim". Tom Morgan, in ''PopMatters'', describes ''Fire''s "tone" as one of "pure, scorching heat", and observes that it treats of themes including climate change and sociopolitical tensions. Morgan argues that ''Fire'' is Martin's "finest" as The Bug. In ''Le Devoir'', giving the album four stars, Philippe Renaud notes that the elements of Grime (music genre), grime, dancehall, and electronic music in ''Fire'' "add fuel to the fire" of Martin's "indignation". JR Moores, in ''The Quietus'', describes ''Fire'' as "like a direct sequel" to London Zoo (album), ''London Zoo'' (2008). ''The Quietus'' subsequently voted ''Fire'' as ...
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Kevin Martin (British Musician)
Kevin Richard Martin, often known under his recording alias The Bug, is an English musician and music producer. Martin moved from Weymouth to London around 1990 and is now currently based in mainland Europe. He has been active for over two decades in the genres of dub, jazzcore, industrial hip hop, dancehall, and dubstep. Martin's projects include GOD, Techno Animal, Ice, Curse of the Golden Vampire, Pressure and, most recently, King Midas Sound (with poet Roger Robinson and singer/visual artist Kiki Hitomi) and The Bug vs Earth. Early life Martin first became interested in music as a teenager going to Handsome Dick's, a record store in Weymouth, Dorset, England, UK. At the same time, he was introduced to the music of Joy Division, the Sex Pistols, Captain Beefheart, the Birthday Party and Throbbing Gristle. He has described his initial interest in music as stemming from his difficult family situation during his childhood, adding, "It seemed like everything that I hated about ...
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Le Devoir
''Le Devoir'' (, "Duty") is a French-language newspaper published in Montreal and distributed in Quebec and throughout Canada. It was founded by journalist and politician Henri Bourassa in 1910. ''Le Devoir'' is one of few independent large-circulation newspapers in Quebec (and one of the few in Canada) in a market dominated by the media conglomerate Quebecor (including '' Le Journal de Montréal''). Historically ''Le Devoir'' was considered Canada's francophone newspaper of record, although in the 21st century it has been challenged for that title by the increased status of competitor '' La Presse''. History Henri Bourassa, a young Liberal Party MP from Montreal, rose to national prominence in 1899 when he resigned his seat in Parliament in protest at the Liberal government's decision to send troops to support the British in the South African War of 1899–1902. Bourassa was opposed to all Canadian participation in British wars and would go on to become a key figure in fi ...
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2021 Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the sm ...
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London Zoo (album)
''London Zoo'' is the third studio album by English musician Kevin Martin under his alias The Bug. It was released on 7 July 2008 by Ninja Tune to widespread critical acclaim. ''The Wire'' named ''London Zoo'' the record of the year in its annual critics' poll. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 90, based on 10 reviews, indicating "universal acclaim". Track listing Personnel Credits adapted from liner notes. * The Bug – production * Kevin Metcalfe – mastering * Fefe Talavera – artwork * Claire Emeh – photography Release history References External links * ''London Zoo''at Ninja Tune Ninja Tune is an English independent record label based in London. It has a satellite office in Los Angeles. It was founded by Matt Black and Jonathan More (better known as Coldcut) and managed by Peter Quicke and others. Inspired by a visit ... {{Aut ...
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The Quietus
''The Quietus'' is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. Content ''The Quietus'' primarily features writings on music and film, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as '' Melody Maker'', '' Select'', ''NME'' and '' Q'', including journalist David Stubbs, BBC Radio 1 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. Among its best known columns is its "Baker's Dozen," in which artists select 13 personal favourite albums. Content from the site's interviews have been ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ...
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Grime (music Genre)
Grime is a genre of electronic music that emerged in London in the early 2000s. It developed out of the earlier UK dance style UK garage, and draws influences from jungle, dancehall, and hip hop. The style is typified by rapid, syncopated breakbeats, generally around 140 beats per minute, and often features an aggressive or jagged electronic sound. Emceeing is a significant element of the style, and lyrics often revolve around gritty depictions of urban life. The style initially spread among pirate radio stations and underground scenes before achieving some mainstream recognition in the UK during the mid-2000s through artists such as Dizzee Rascal, Kano, Lethal Bizzle, and Wiley. In the mid-2010s, grime began to receive popular attention in Canada. The genre has been described as the "most significant musical development within the UK for decades." Grime is generally considered to be distinct from hip hop due to its roots primarily being genres such as UK garage and jungle. ...
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