Finesse (Pheelz Song)
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Finesse (Pheelz Song)
"Finesse" is a song by Nigerian record producer Pheelz. It was uploaded on TikTok in February 2022 and commercially released on 3 March 2022, through Riidiimacool. The song was produced by Miichkel and features vocals from Nigerian Afro-fusion singer Bnxn. During its debut week, the record gained popularity across TikTok in Europe and America, with the #FolakeChallenge hashtag. It was ranked at number one on ''TheCables list of 10 TCL radio pick of the week, and number two on Music in Africa's top Afrobeats songs of 2022. On 2 March 2022, the song was premiered on BBC Radio 1Xtra by DJ Edu on the ''Destination Africa'' program. It debuted at number 131 on the ''Billboard'' Global 200, and at number 106 on the ''Billboard'' Global Excl. US chart. Background In a conversation with ''Pulse Nigeria'' music author, Motolani Alake, Pheelz said, "I was hanging out in the studio with a newly signed producer, Miichkel (MikeGoCrazy) when he played the beat. So, I added the melody, lyrics ...
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Pheelz
Phillip Kayode Moses (born 5 June 1994), better known as Pheelz, is a Nigerian record producer, singer and songwriter who has worked with several artists and musicians, such as Olamide and Tiwa Savage. Born and raised in Lagos, Pheelz is credited to have produced all but one song on Olamide's ''Baddest Guy Ever Liveth'' album. In 2022, he had a hit with his song "Finesse (Pheelz song), Finesse", a collaboration with Bnxn (formerly known as Buju). Early life Pheelz is a native of Ogun State, but he was born and raised in Ojo, Lagos State, Ojo, a local government area in Lagos State. He started music as a 10 year old singer in church. While in high school in Ajangbandi Afromedia, Pheelz attended ideal comprehensive high school and later he worked under I.D Cabassa at Coded Tunes, the record label where he met Olamide. In 2011, he featured vocals in a song off Olamide's ''Rapsodi (Olamide album), Rapsodi'' album titled "I'm Going In". Career 2012–2020: Working as a producer ...
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Streaming Media
Streaming media is multimedia that is delivered and consumed in a continuous manner from a source, with little or no intermediate storage in network elements. ''Streaming'' refers to the delivery method of content, rather than the content itself. Distinguishing delivery method from the media applies specifically to telecommunications networks, as most of the traditional media delivery systems are either inherently ''streaming'' (e.g. radio, television) or inherently ''non-streaming'' (e.g. books, videotape, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or poor buffering of the content, and users lacking compatible hardware or software systems may be unable to stream certain content. With the use of buffering of the content for just a few seconds in advance of playback, the quality can be much improved. Livestreaming is the real-time delivery of co ...
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Music Download
A music download (commonly referred to as a digital download) is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. According to a Nielsen report, downloadable music accounted for 55.9 percent of all music sales in the US in 2012."All music sales" refers to albums plus track equivalent albums. A track equivalent album equates to 10 tracks. By the beginning of 2011, Apple's iTunes Store alone made 1.1 billion of revenue in the first quarter of its fiscal year. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format. Online music store Paid downloads are sometimes encoded with d ...
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Rhythmic (chart)
The Rhythmic chart (also called Rhythmic Airplay, and previously named Rhythmic Songs, Rhythmic Top 40 and CHR/Rhythmic) is an airplay chart published weekly by ''Billboard'' magazine. The chart tracks and measures the airplay of songs played on rhythmic radio stations, whose playlist includes mostly hit-driven R&B/hip-hop, rhythmic pop, and some dance tracks. Nielsen Audio sometimes refers to the format as rhythmic contemporary hit radio. History ''Billboard'' magazine first took notice of the newly emerged genre on February 27, 1987, when it launched the first crossover chart, Hot Crossover 30. It originally consisted of thirty titles and was based on reporting by eighteen stations, five of which were considered as ''pure'' rhythmic. The chart featured a mix of urban contemporary, top 40 and dance hits. In September 1989, ''Billboard'' split the Hot Crossover 30 chart in two: Top 40/Dance and Top 40/Rock, the latter of which focused on rock titles which crossed over. By Decemb ...
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Billboard U
A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertisements to passing pedestrians and drivers. Typically brands use billboards to build their brands or to push for their new products. The largest ordinary-sized billboards are located primarily on major highways, expressways or principal arterials, and command high-density consumer exposure (mostly to vehicular traffic). These afford greatest visibility due not only to their size, but because they allow creative "customizing" through extensions and embellishments. Posters are the other common form of billboard advertising, located mostly along primary and secondary arterial roads. Posters are a smaller format and are viewed principally by residents and commuter traffic, with some pedestrian exposure. Advertising style Billboard advertisemen ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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Recording Industry Of South Africa
Recording Industry of South Africa (RISA) is a trade association representing the interests of major and independent record labels of South Africa. Located in Randburg, RISA is responsible for running the annual South African Music Awards (SAMAs) and for music recording certification in South Africa. It also runs The Official South African Charts (TOSAC). Anti-piracy RISA is the body that represents musicians and publishers when it comes to copyright. The South African Copyright Act of 1978 states: "You may not make a copy of a sound recording without the permission of the author." This has been interpreted to mean that it is illegal to convert a CD to MP3 in South Africa. RiSA certifications Like the levels in most countries, RiSA certification levels were adjusted over the years to adjust for the changing music market. Until August 2006, albums were required to sell 25,000 units for gold certificate and 50,000 for platinum. For albums released since August 2006, the levels ...
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Recorded Music NZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Reco ...
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Irish Recorded Music Association
The Irish Recorded Music Association (IRMA) is a non-profit association set up in 1999 to promote certain interests of the music industry in Ireland. It is particularly active in addressing copyright issues, and it compiles the official music charts for Ireland. Membership Only Irish companies can become members of the IRMA. All members pay a yearly fee based on company size. Currently, the IRMA has 51 member companies. Board member companies The recording companies and other music-related companies that are on the IRMA board are: * Warner Music Ireland * Universal Music Ireland * Sony Music Ireland (formerly Sony BMG Ireland) *IML Irish Music Licensing Ltd *Faction Records *Rubyworks Goals and activities IRMA operates to promote and protect the welfare and interests of the Irish record industry. Specifically, IRMA is involved in lobbying to protect and enhance the interest of member companies and lobby to prevent illegal downloading of music content from local and internati ...
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