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Film Scholar
Film studies is an academic discipline that deals with various theoretical, historical, and critical approaches to cinema as an art form and a medium. It is sometimes subsumed within media studies and is often compared to television studies. Film studies is less concerned with advancing proficiency in film production than it is with exploring the narrative, artistic, cultural, economic, and political implications of the cinema. In searching for these social-ideological values, film studies takes a series of critical approaches for the analysis of production, theoretical framework, context, and creation. Also, in studying film, possible careers include critic or production. Overall the study of film continues to grow, as does the industry on which it focuses. Academic journals publishing film studies work include ''Sight & Sound'', ''Film Comment'', ''Film International'', '' CineAction'', ''Screen'', ''Journal of Cinema and Media Studies'', ''Film Quarterly'', and ''Journal of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Quarterly
''Film Quarterly'', a journal devoted to the study of film, television, and visual media, is published by University of California Press. It publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal also revisits film classics; examines television and digital and online media; reports from international film festivals; reviews recent academic publications; and on occasion addresses installations, video games and emergent technologies. It welcomes established scholars as well as emergent voices that bring new perspectives to bear on visual representation as rooted in issues of diversity, race, lived experience, gender, sexuality, and transnational histories. ''Film Quarterly'' brings timely critical and intersectional approaches to criticism and analyses of visual culture. Since 2013, it has been edited by B. Ruby Rich. Working with her are associate editor Rebecca Prime, assistant editor Marc Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auteur Theory
An auteur (; , 'author') is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to the "author" of the film, which thus manifests the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film ''The Bellboy'' via sweeping control, and was praised for "personal genius." By 1970, the New Hollywood era emerged with studios granting directors broad leeway. Pauline Kael argued, howeve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Independent Films
An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system, in addition to being produced and distributed by independent entertainment companies (or, in some cases, distributed by major companies). Independent films are sometimes distinguishable by their content and style and the way in which the filmmakers' personal artistic vision is realized. Usually, but not always, independent films are made with considerably lower budgets than major studio films. It is not unusual for well-known actors who are cast in independent features to take substantial pay cuts for a variety of reasons: if they truly believe in the message of the film; they feel indebted to filmmaker for a career break; their career is otherwise stalled or they feel unable to manage a larger commitment to a studio film; the film offers an opportunity to showcase a talent that hasn't gained traction in the studio system; or si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of The United States
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multiple lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich George
Georg August Friedrich Hermann Schulz (9 October 1893 – 25 September 1946), better known as Heinrich George (), was a German stage and film actor. Career Weimar Republic George is noted for having spooked the young Bertolt Brecht in his first directing job, a production of Arnolt Bronnen's ''Parricide'' (1922), when he refused to continue working with the director. He appeared in Fritz Lang's ''Metropolis'' (1927) and '' Dreyfus'' (1930), as well as starring in '' Berlin Alexanderplatz'' (1931). George was an active member of the Communist party during the Weimar Republic. He worked with theatre director Erwin Piscator and playwright Bertolt Brecht, both of whom identified with the political left. On 12 October 1932, he changed his legal name to his stage name ''George''. (NB. This document documents ''Georg August Friedrich Hermann Schulz''s birthday on 1893-10-09, as well as the change of his legal name from ''Schulz'' to ''George'' on 12 October 1932.) Nazi era After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willi Forst
Willi Forst, born Wilhelm Anton Frohs (7 April 1903 – 11 August 1980) was an Austrian actor, screenwriter, film director, film producer and singer. As a debonair actor he was a darling of the German-speaking film audiences, as a director, one of the most significant makers of the Viennese period musical melodramas and comedies of the 1930s known as ''Wiener Filme''. From the mid-1930s he also recorded many records, largely of sentimental Viennese songs, for the Odeon Records label owned by Carl Lindström AG. Biography His first major role was opposite Marlene Dietrich in the silent film '' Café Elektric'' in 1927. However, he was best known for his characters in light musicals, which rapidly made him a star. He developed the genre of the Viennese Film with writer Walter Reisch in the 1930s, beginning with the Franz Schubert melodrama '' Leise flehen meine Lieder'' (1933) which became an iconic role for the actor Hans Jaray and ''Maskerade'' (1934), which launched his fame as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Of Motion Picture Arts And Sciences
The Academy of Motion Picture Arts and Sciences (AMPAS, often pronounced ; also known as simply the Academy or the Motion Picture Academy) is a professional honorary organization with the stated goal of advancing the arts and sciences of motion pictures. The Academy's corporate management and general policies are overseen by a board of governors, which includes representatives from each of the craft branches. As of April 2020, the organization was estimated to consist of around 9,921 motion picture professionals. The Academy is an international organization and membership is open to qualified filmmakers around the world. The Academy is known around the world for its annual Academy Awards, now officially and popularly known as "The Oscars". In addition, the Academy holds the Governors Awards annually for lifetime achievement in film; presents Scientific and Technical Awards annually; gives Student Academy Awards annually to filmmakers at the undergraduate and graduate level; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
USC School Of Cinematic Arts
The University of Southern California School of Cinematic Arts (SCA) houses seven academic divisions: Film & Television Production; Cinema & Media Studies; John C. Hench Division of Animation + Digital Arts; John Wells Division of Writing for Screen & Television; Interactive Media & Games; Media Arts + Practice; Peter Stark Producing Program. The USC School of Cinematic Arts is led by dean Elizabeth Monk Daley, who holds the Steven J. Ross/Time Warner Chair and is the longest-serving dean at the University of Southern California, having led the cinema school since 1991. History When Douglas Fairbanks became the first president of the nascent Academy of Motion Picture Arts and Sciences in 1927, one of the more innovative items on his agenda was that the academy should have a “training school”. As Fairbanks and his enablers reasoned that training in the cinematic arts should be seen as a legitimate academic discipline at major universities, given the same degree consideratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerasimov Institute Of Cinematography
The Gerasimov Institute of Cinematography (russian: Всероссийский государственный институт кинематографии имени С. А. Герасимова, meaning ''All-Russian State Institute of Cinematography named after S. A. Gerasimov''), a.k.a. VGIK, is a film school in Moscow, Russia. History The institute was founded in 1919 by the film director Vladimir Gardin as the Moscow Film School and is the oldest film school in the world. From 1934 to 1991 the film school was known as the All-Union State Institute of Cinematography (russian: Всероссийский (ранее Всесоюзный) государственный институт кинематографии). Film directors who have taught at the institute include Lev Kuleshov, Marlen Khutsiev, Aleksey Batalov, Sergei Eisenstein, Mikhail Romm and Vsevolod Pudovkin. Alumni include Sergei Bondarchuk, Elem Klimov, Sergei Parajanov, Alexander Sokurov and Andrei Tarko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film School
A film school is an educational institution dedicated to teaching aspects of filmmaking, including such subjects as film production, film theory, digital media production, and screenwriting. Film history courses and hands-on technical training are usually incorporated into most film school curricula. Technical training may include instruction in the use and operation of cameras, lighting equipment, film or video editing equipment and software, and other relevant equipment. Film schools may also include courses and training in such subjects as television production, broadcasting, audio engineering, and animation. History The formal teaching of film began with theory rather than practical technical training starting soon after the development of the filmmaking process in the 1890s. Early film theorists were more interested in writing essays on film theory than in teaching students in a classroom environment. The Moscow Film School was founded in 1919 with Russian filmmakers in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Director
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
