File 13 (board Game)
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File 13 (board Game)
"File 13" is a euphemism for the trash can. The phrase is especially used in the U.S. military, and is less common outside of the United States. In the United Kingdom, for instance, the expression "round file" or "circular file" is more common (in reference to trash cans typically being round). Many Unix-like operating systems have a similar reference known as /dev/null. Expressions such as "I'll place that memo in file 13" are often heard in offices as a joking way of saying, "I'm going to throw away that memo." History The first known citation of "File 13" was in 1942. The phrase's origins may perhaps be traced to 13 being a supposedly unlucky number, although the exact source is unknown. Another explanation refers to the fact that there are 12 months in the year, and a file is typically kept for each, with the 13th file being non-existent (the garbage can A.K.A the trash can where you throw out garbage). An explanation given in the NZ military is based on the use of stencil lett ...
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Euphemism
A euphemism () is an innocuous word or expression used in place of one that is deemed offensive or suggests something unpleasant. Some euphemisms are intended to amuse, while others use bland, inoffensive terms for concepts that the user wishes to downplay. Euphemisms may be used to mask profanity or refer to topics some consider taboo such as disability, sex, excretion, or death in a polite way. Etymology ''Euphemism'' comes from the Greek word () which refers to the use of 'words of good omen'; it is a compound of (), meaning 'good, well', and (), meaning 'prophetic speech; rumour, talk'. '' Eupheme'' is a reference to the female Greek spirit of words of praise and positivity, etc. The term ''euphemism'' itself was used as a euphemism by the ancient Greeks; with the meaning "to keep a holy silence" (speaking well by not speaking at all). Purpose Avoidance Reasons for using euphemisms vary by context and intent. Commonly, euphemisms are used to avoid directly addressing sub ...
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Sample (music)
Sample or samples may refer to: Base meaning * Sample (statistics), a subset of a population – complete data set * Sample (signal), a digital discrete sample of a continuous analog signal * Sample (material), a specimen or small quantity of something * Sample (graphics), an intersection of a color channel and a pixel * SAMPLE history, a mnemonic acronym for questions medical first responders should ask * Product sample, a sample of a consumer product that is given to the consumer so that he or she may try a product before committing to a purchase * Standard cross-cultural sample, a sample of 186 cultures, used by scholars engaged in cross-cultural studies People *Sample (surname) *Samples (surname) * Junior Samples (1926–1983), American comedian Places * Sample, Kentucky, unincorporated community, United States * Sampleville, Ohio, unincorporated community, United States * Hugh W. and Sarah Sample House, listed on the National Register of Historic Places in Iowa, United ...
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Waste Container
A waste container, also known as a dustbin, garbage can, and trash can is a type of container that is usually made out of metal or plastic. The words "rubbish", "basket" and "bin" are more common in British English usage; "trash" and "can" are more common in American English usage. "Garbage" may refer to food waste specifically (when distinguished from "trash") or to municipal solid waste in general. Designs A pedal bin is a container with a lid operated by a foot pedal. Lillian Moller Gilbreth, an industrial engineer and efficiency expert, invented the pedal bin in the 1920s for the disposal of kitchen waste. The foot pedal enables the user to open the lid without touching it with their hands. In the 2010s, some bins have begun to include automated mechanisms such as a lid with infrared detection on the top of the can powered by batteries to open it rather than a foot pedal, freeing the user from touching the bin in any way. This helps prevent the bin lids becoming clogg ...
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Memory Hole
A memory hole is any mechanism for the deliberate alteration or disappearance of inconvenient or embarrassing documents, photographs, transcripts or other records, such as from a website or other archive, particularly as part of an attempt to give the impression that something never happened.Weinstein, Adam, ''Nevada Tea Partier's Memory Hole'', 9 June 2010
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The concept was first popularized by 's 1949

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Bit Bucket
In computing jargon, the bit bucket (or byte bucket) is where lost computerized data has gone, by any means; any data which does not end up where it is supposed to, being lost in transmission, a computer crash, or the like, is said to have gone to the bit bucket – that mysterious place on a computer where lost data goes, as in: History Originally, the bit bucket was the container on teletype machines or IBM key punch machines into which chad from the paper tape punch or card punch was deposited; the formal name is "chad box" or (at IBM) "chip box". The term was then generalized into any place where useless bits go, a useful computing concept known as the null device. The term bit bucket is also used in discussions of bit shift operations. The bit bucket is related to the first in never out buffer and write-only memory, in a joke datasheet issued by Signetics in 1972. In a 1988 April Fool's article in ''Compute!'' magazine, Atari BASIC author Bill Wilkinson pres ...
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Take On Me
"Take On Me" is a song by the Norwegian synth-pop band A-ha. The original version, recorded in 1984 and released in October of that same year, was produced by Tony Mansfield and remixed by John Ratcliff. The 1985 international hit version was produced by Alan Tarney for the group's debut studio album, ''Hunting High and Low'' (1985). The recording combines synth-pop with a varied instrumentation, including acoustic guitars, keyboards, and drums. The original 1984 version "Take On Me" failed to chart in the United Kingdom, as did the second version in the first of its two 1985 releases. The second of those 1985 releases charted in September 1985, reaching number two on the UK Singles Chart in October. In the United States in October 1985 the single topped Billboard Hot 100, ''Billboards Hot 100, no doubt bolstered by the wide exposure on MTV of director Steve Barron's innovative music video featuring the band in a live-action pencil-sketch animation sequence. The video won six aw ...
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A-ha
A-ha (usually stylised as ''a-''h''a''; ) is a Norwegian synth-pop band formed in Oslo in 1982. Founded by Paul Waaktaar-Savoy (guitars and vocals), Magne Furuholmen (keyboards, guitars and vocals), and Morten Harket (lead vocals), the band rose to fame during the mid-1980s. A-ha achieved their biggest success with their debut album '' Hunting High and Low'' in 1985. The album peaked at number one in their native Norway, number two in the UK, and number 15 on the US ''Billboard'' album chart; yielded two international number-one singles: " Take On Me" and "The Sun Always Shines on T.V."; and earned the band a Grammy Award nomination for Best New Artist. In the UK, ''Hunting High and Low'' continued its chart success into the following year, becoming one of the best-selling albums of 1986. The band released studio albums in 1986, 1988, and 1990, with single hits including " Hunting High and Low", "The Living Daylights", "Stay on These Roads", and "Crying in the Rain". In 1994 ...
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Party Line (telephony)
A party line (multiparty line, shared service line, party wire) is a local loop telephone circuit that is shared by multiple telephone service subscribers. Party line systems were widely used to provide telephone service, starting with the first commercial switchboards in 1878. A majority of Bell System subscribers in the mid-20th century in the United States and Canada were served by party lines, which had a discount over individual service. During wartime shortages, these were often the only available lines. British users similarly benefited from the party line discount. Farmers in rural Australia and South Africa used party lines, where a single line spanned miles from the nearest town to one property and on to the next. History Telephone companies offered party lines beginning in the late 1800s, although subscribers in all but the most rural areas may have had the option to upgrade to individual line service at an additional monthly charge. The service was common in s ...
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Phone Sex
Phone sex is a conversation between two or more people by means of the telephone which is sexually explicit and is intended to provoke sexual arousal in one or more participants. All parties participate voluntarily; it is typically accompanied by masturbation. As a practice between individuals temporarily separated, it is as old as dial telephones, on which no operator could eavesdrop (1930s–1950s). In the later 20th century businesses emerged offering, for a fee, sexual conversations with a phone sex worker. Phone sex takes imagination on both individuals' part, as each party imagines virtual sex. The sexually explicit conversation takes place between two or more persons via telephone, especially when at least one of the participants masturbates or engages in sexual fantasy. Phone sex conversation may take many forms, including: guided fantasy, sexual sounds, narrated and enacted suggestions, sexual anecdotes and confessions, candid expression of sexual fantasies, feeli ...
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Profile Records
Profile Records was one of the earliest hip hop labels. As well as hip-hop they released disco, dance, and electro records. History In 1980, Cory Robbins, who was 23 at the time and had worked briefly for MCA, wanted to start a record label. He invited his songwriter friend Steve Plotnicki to be a partner. They each borrowed $17,000 from their parents, purchased the little used Panorama Records subsidiary from MCA, and Profile Records was born. Their tiny office opened at 250 West 57th street in NYC on May 1, 1981. With the success of “Genius Rap” by Dr. Jeckyll & Mr. Hyde, they escaped financial ruin by a mere $2,000. From there it was Gidea Park's “Seasons of Gold” that brought more commercial and financial success, becoming Profile Records’ first hit to make the Billboard Hot 100. In 1982 the fledgling label gained international recognition with the club hit "I Specialize in Love", recorded by Sharon Brown, licensed to Virgin Records in the UK. The label contin ...
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Trash Can
A waste container, also known as a dustbin, garbage can, and trash can is a type of container that is usually made out of metal or plastic. The words "rubbish", "basket" and "bin" are more common in British English usage; "trash" and "can" are more common in American English usage. "Garbage" may refer to food waste specifically (when distinguished from "trash") or to municipal solid waste in general. Designs A pedal bin is a container with a lid operated by a foot pedal. Lillian Moller Gilbreth, an industrial engineer and efficiency expert, invented the pedal bin in the 1920s for the disposal of kitchen waste. The foot pedal enables the user to open the lid without touching it with their hands. In the 2010s, some bins have begun to include automated mechanisms such as a lid with infrared detection on the top of the can powered by batteries to open it rather than a foot pedal, freeing the user from touching the bin in any way. This helps prevent the bin lids becoming clogg ...
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Double Dee And Steinski
Double Dee and Steinski is a duo of hip hop producers, composed of Doug "Double Dee" DiFranco and Steven "Steinski" Stein. They achieved notoriety in the early 1980s for a series of underground hip-hop sample-based collages known as the "Lessons". Although they never had a hit record, they proved highly influential for subsequent artists such as Coldcut, DJ Shadow, Cut Chemist, the Avalanches, and Girl Talk. Their music was not widely available on CD until 2008 due to their use of copyrighted material. There have been occasional illegal re-issues, and several internet sites have mp3s of their music available for download. History In 1983, Tommy Boy Records held a promotional contest, in which entrants were asked to remix the single "Play That Beat, Mr. D.J." by G.L.O.B.E. and Whiz Kid. By day, DiFranco worked in a professional music studio, while Stein was a copy supervisor for Doyle Dane Bernbach. Although the two were older (27 and 31, respectively) than most of their peer ...
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