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Figurski At Findhorn On Acid
''Figurski at Findhorn on Acid'' is a hypertext novel by Richard Holeton published on CD-ROM by Eastgate Systems in 2001 and republished on the open web by the Electronic Literature Lab, Washington State University, in 2021. It is a work of interactive fiction with various paths for readers to choose from, an early example of electronic literature, and one of 23 works included in the literary hypertext canon. Origins and influences ''Figurski at Findhorn on Acid'' developed from a flash fiction Flash fiction is a fictional work of extreme brevity that still offers character and plot development. Identified varieties, many of them defined by word count, include the six-word story; the 280-character story (also known as "twitterature"); ... published in Grain (magazine), ''Grain'' literary magazine in 1996, entitled “Streleski at Findhorn on Acid,” winner of ''Grain''’s "postcard story" contest. Holeton extended the concept of "Someone, at Someplace, with Something" w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Automaton
An automaton (; plural: automata or automatons) is a relatively self-operating machine, or control mechanism designed to automatically follow a sequence of operations, or respond to predetermined instructions.Automaton – Definition and More from the Free Merriam-Webster Dictionary http://www.merriam-webster.com/dictionary/automaton Some automata, such as Jacquemart (bellstriker), bellstrikers in mechanical clocks, are designed to give the illusion to the casual observer that they are operating under their own power. Since long ago, the term is commonly associated with automated puppets that resemble moving humans or animals, built to impress and/or to entertain people. Animatronics are a modern type of automata with electronics, often used for the portrayal of characters in films and in theme park attractions. Etymology The word "automaton" is the latinization of the Ancient Greek , , (neuter) "acting of one's own will". This word was first used by Homer to describe an auto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodern Literature
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s.Linda Hutcheon (1988) ''A Poetics of Postmodernism.'' London: Routledge, pp. 202-203. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to. Precursors to postmodern literature include Miguel de Cervantes’ ''Don Quixote'' (1605–1615), Laurence Sterne’s ''Tristram Shandy' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narration
Narration is the use of a written or spoken commentary to storytelling, convey a narrative, story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the Plot (narrative), plot (the series of events). Narration is a required element of all written stories (novels, short story, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narratology
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. It is an anglicisation of French ''narratologie'', coined by Tzvetan Todorov (''Grammaire du Décaméron'', 1969). Its theoretical lineage is traceable to Aristotle (''Poetics'') but modern narratology is agreed to have begun with the Russian Formalists, particularly Vladimir Propp (''Morphology of the Folktale'', 1928), and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in ''The Dialogic Imagination'' (1975). Cognitive narratology is a more recent development that allows for a broader understanding of narrative. Rather than focus on the structure of the story, cognitive narratology asks "how humans make sense of stories" and "how humans use stories as sense-making instruments". Defining narrative Structuralist narratologists like Rimmon-Kenan define narrative fiction as "the narration of a succession of fictional eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Laure Ryan
Marie-Laure Ryan is an independent literary scholar and critic. She has written several books and articles on narratology, fiction, and cyberculture and has been awarded several times for her work. She attended the University of Geneva to study literature as an undergraduate, before moving to the United States in 1968. attending graduate school at the University of Utah, where she received her M.A. in Linguistics and German, alongside a Ph.D in French. She later obtained a Bachelor's degree in Computer Science from the University of California San Diego. She has worked as a consultant and software engineer and has published over fifty articles, translated into several languages and dedicated, in particular, to the concept of digital narrative, narrative theory, genre theory, linguistic approaches to literature, and digital culture and given numerous invited lectures. In ''Avatars of Story'', she embraces a transmedial definition of narrative based on cognitive premises. She curren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Literature Organization
The Electronic Literature Organization (ELO) is a nonprofit organization "established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature". It hosts annual conferences, awards annual prizes for works of and criticism of electronic literature, hosts online events and has published a series of collections of electronic literature. History Founding and early years (1999-2002) The ELO was founded in 1999 in Chicago by Scott Rettberg, Robert Coover, and Jeff Ballowe. Rettberg took the role as CEO, and Ballowe was president. In a book chapter about this early phase, Rettberg describes the first three years as a "turbulent and exciting period". An article in the Los Angeles Times in describes the first reading organised by the ELO in July 2000, "a recent evening at the home of Microsoft executive Richard Bangs", with "trays of light finger food and delicately chilled Chardonnay" with "guests from high-tech east side Seattle mingled with re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astrid Ensslin
Astrid Christina Ensslin is a German digital humanities scholar and games researcher, and Professor of Digital Culture at the University of Bergen. She was previously Professor of Media and Digital Communications at the University of Alberta. Ensslin is known for her work on digital fictions and video games, and her development of narratological theory to encompass digital narratives. Biography Ensslin received an undergraduate certificate in violin performance and music pedagogy from the Stuttgart Academy of Music and Performing Arts in 1996 and a BA/MA in English and German from the University of Tübingen in 2002. In 2006 she completed her PhD on digital literature and hypertexts at Heidelberg University, where it was short-listed for the Ruprecht-Karl's Award for outstanding scholarly and scientific research. In May 2012 she became a fellow of the Royal Society of Arts, and from 2016 to 2020 she was Professor of Media and Digital Communication and Director of Media and Tec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedagogy
Pedagogy (), most commonly understood as the approach to teaching, is the theory and practice of learning, and how this process influences, and is influenced by, the social, political and psychological development of learners. Pedagogy, taken as an academic discipline, is the study of how knowledge and skills are imparted in an educational context, and it considers the interactions that take place during learning. Both the theory and practice of pedagogy vary greatly as they reflect different social, political, and cultural contexts. Pedagogy is often described as the act of teaching. The pedagogy adopted by teachers shapes their actions, judgments, and teaching strategies by taking into consideration theories of learning, understandings of students and their needs, and the backgrounds and interests of individual students. Its aims may range from furthering liberal education (the general development of human potential) to the narrower specifics of vocational education (the impa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiku
is a type of short form poetry originally from Japan. Traditional Japanese haiku consist of three phrases that contain a ''kireji'', or "cutting word", 17 '' on'' (phonetic units similar to syllables) in a 5, 7, 5 pattern, and a ''kigo'', or seasonal reference. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese poem called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incorporating aspects of the traditional haiku form. Non-Japanese haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement withi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heroic Couplet
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter. Use of the heroic couplet was pioneered by Geoffrey Chaucer in the ''Legend of Good Women'' and the ''Canterbury Tales'',Hobsbaum, Philip. ''Metre, Rhythm and Verse Form''. Routledge (1996) p.23 and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and early 18th century respectively. Example A frequently-cited example illustrating the use of heroic couplets is this passage from ''Cooper's Hill'' by John Denham, part of his description of the Thames: History The term "heroic couplet" is sometimes reserved for couplets that are largely ''closed'' and self-contained, as opposed to the enjambed couplets of poets like John Donne. The heroic couplet is often identified with the English Baroque works of John Dryden and Alexander Pope, who used the form for their tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
