Fiesole Cathedral
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Fiesole Cathedral
Fiesole Cathedral, or Cathedral of Saint Romulus of Fiesole, ( it, Cattedrale di San Romolo, ''Duomo di Fiesole''), officially the Cathedral of Saint Romulus of Fiesole, is a Roman Catholic cathedral in Fiesole, Tuscany, central Italy. It is the seat of the Bishop of Fiesole and is dedicated to Romulus of Fiesole, Saint Romulus. History The first cathedral of Fiesole was situated lower down the hill than the present one, and had been built, according to the tradition, over the site of the martyrdom of Saint Romulus of Fiesole. In 1028 the present cathedral was founded by Bishop Jacopo the Bavarian to replace it, as he wished it to be inside the city walls. The old cathedral was converted into a Rule of St Benedict, Benedictine abbey and became known as the ''"Badia di Fiesole"''. It was rebuilt in 1466 by a disciple of Filippo Brunelleschi. Its façade, dating from the 11th century, is still preserved. It contains notable early works by Mino da Fiesole. The abbey was closed in 17 ...
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Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the on ...
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Presbytery (architecture)
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Domenico Ghirlandaio
Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. His particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.Toman, Rolf Life and works Early years Ghirlandaio was born Domenico di Tommaso di ...
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Giovanni Della Robbia
image:Saint Sebastian Della Robbia Louvre InvML96.jpg, 250px, ''Saint Sebastian'', Musée du Louvre, Paris. Giovanni della Robbia (1469–1529) was an Italian Renaissance sculptor, mostly in ceramics. Biography Giovanni della Robbia was the son of Andrea della Robbia (1435–1525), brother of Girolamo della Robbia (1488–1566) and grandnephew of Luca della Robbia (1399/1400–1482). During a great part of his life he worked as assistant to his father and inherited the workshop after his father's death, enhancing the polychrome character of the ceramic glaze, glazed terracotta works. In many cases the sculpture of the two were difficult to distinguish, and a very large number of pieces of Robbia-ware which were attributed to Andrea, and even to Andrea’s uncle Luca, were really by the hand of Giovanni. Neither Luca nor Andrea was in the habit of signing his work, but Giovanni often did so, usually adding the date, probably because other potters had begun to imitate the Robbia war ...
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Andrea Ferrucci
Andrea Ferrucci (1465–1526), also known as Andrea di Piero Ferruzzi and as Andrea da Fiesole, was an Italian sculptor who was born in Fiesole, Fiesole, Tuscany, in 1465. He was a first cousin once removed of the artist Simone Ferrucci, Francesco di Simone Ferrucci (1437–1493), under whom he studied. According to Giorgio Vasari, Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects'', Andrea Ferrucci was also a student of Michele Maini, also from Fiesole. He was working for Ferdinand I of Naples, King Ferdinand I of Naples in 1487 and married the daughter of Antonio di Giorgio Marchesi (1451–1522) the King’s architect and military engineer. From 1512 to 1518, he superintended the work on the Santa Maria del Fiore, Duomo of Florence, for which he himself executed a statue of Saint Andrew. In 1519, for Archbishop Tamás Bakócz (†1521) he provided the design for the marble altar for the Bakócz chapel at Esztergom, which is the earliest and most si ...
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Bicci Di Lorenzo
Bicci di Lorenzo (1373–1452) was an Italian painter and sculptor, active in Florence. He was born in Florence in 1373, the son of the painter, Lorenzo di Bicci, whose workshop he joined. He married in 1418, and in 1424 was registered in the Guild of Painters at Florence. His son, Neri di Bicci was also a painter and took over the family workshop. Bicci di Lorenzo died in Florence in 1452 and was buried in Santa Maria del Carmine. Following early work – largely frescoes – in collaboration with his father, he received a number of important commissions, including, according to Vasari, from the Medici for a cycle of frescoes of ''Illustrious Men'' for the Palazzo Medici. For the Opera del Duomo, he painted frescoes of the apostles. And he painted a ''Saints Cosmas and Damian'' and frescoes representing the dedication of the church itself for Sant'Egidio in the hospital of Santa Maria Nuova. Among his major works are an ''Enthroned Madonna'' now in the National Gall ...
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Saint Nicholas
Saint Nicholas of Myra, ; la, Sanctus Nicolaus (traditionally 15 March 270 – 6 December 343), also known as Nicholas of Bari, was an early Christian bishop of Greeks, Greek descent from the maritime city of Myra in Asia Minor (; modern-day Demre, Turkey) during the time of the Roman Empire. Because of the many miracles attributed to his intercession, he is also known as Nicholas the Wonderworker. Saint Nicholas is the patron saint of sailors, merchants, archers, repentant thieves, children, brewers, pawnbrokers, unmarried people, and students in various cities and countries around Europe. His reputation evolved among the pious, as was common for early Christian saints, and his legendary habit of secret gift-giving gave rise to the traditional model of Santa Claus ("Saint Nick") through Sinterklaas. Little is known about the historical Saint Nicholas. The earliest accounts of his life were written centuries after his death and probably contain legendary elaborations. He is ...
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Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a "triptych" is a three-part work; a tetraptych or quadriptych has four parts, and so on. Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes. Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers ...
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Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Giorgio Vasari, Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of th ...
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Saint Sebastian
Saint Sebastian (in Latin: ''Sebastianus''; Narbo, Gallia Narbonensis, Roman Empire c. AD 255 – Rome, Italia, Roman Empire c. AD 288) was an early Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this did not kill him. He was, according to tradition, rescued and healed by Saint Irene of Rome, which became a popular subject in 17th-century painting. In all versions of the story, shortly after his recovery he went to Diocletian to warn him about his sins, and as a result was clubbed to death. He is venerated in the Catholic Church and the Orthodox Church. The oldest record of the details of Sebastian's martyrdom is found in the ''Chronograph of 354'', which mentions him as a martyr, venerated on January 20. He is also mentioned in a sermon on Psalm 118 by 4th-century bishop Ambrose of Milan (Saint Ambrose): in his sermon, Ambrose st ...
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Benedict Of Nursia
Benedict of Nursia ( la, Benedictus Nursiae; it, Benedetto da Norcia; 2 March AD 480 – 21 March AD 548) was an Italian Christian monk, writer, and theologian who is venerated in the Catholic Church, the Eastern Orthodox Church, the Oriental Orthodox Churches, the Anglican Communion and Old Catholic Churches. He is a patron saint of Europe. Benedict founded twelve communities for monks at Subiaco, Lazio, Italy (about to the east of Rome), before moving to Monte Cassino in the mountains of central Italy. The Order of Saint Benedict is of later origin and, moreover, is not an "order" as is commonly understood but merely a confederation of autonomous congregations. Benedict's main achievement, his '' Rule of Saint Benedict'', contains a set of rules for his monks to follow. Heavily influenced by the writings of John Cassian, it shows strong affinity with the Rule of the Master, but it also has a unique spirit of balance, moderation and reasonableness (, ''epieíkeia''), whi ...
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Duomo Di Fiesole, Interno
''Duomo'' (, ) is an Italian term for a church with the features of, or having been built to serve as, a cathedral, whether or not it currently plays this role. Monza Cathedral, for example, has never been a diocesan seat and is by definition not a cathedral. On the other hand, the city of Trevi no longer has a bishop, although it once did, and the erstwhile cathedral of Emilianus of Trevi is now a mere church. By contradistinction, the Italian word for a cathedral ''sensu stricto'' is ''cattedrale''. There is no direct translation of "duomo" into English, leading to many such churches being erroneously called "cathedral" in English, regardless of whether the church in question hosts a bishop. Many people refer to particular churches simply as ''il Duomo'', the ''Duomo'', without regard to the full proper name of the church. Similar words exist in other European languages: ''Dom'' (German), ''dom'' (Romanian), ''dóm'' ( Hungarian and Slovak), ''dôme'' (French), ''domo'' (Po ...
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